In this episode, Deborah Rundle and Josephine Jelicich talk to Abby Cunnane about their work in World made of steel, made of stone. They were unable to join us for the artist talk ahead of the opening as they are based in Tāmaki, so we are grateful that we were at least able to meet for a talk about their work over Zoom. Hear them talk about their practises and the process of making each of their works in relation to an exhibition that recognises making as a form of thinking. Contemporary artists' talks, views and news from The Physics Room

Honey Brown, Isabel Wadeson-Lee, and Daegan Wells, three of the artists in World made of steel, made of stone, discuss their work in this exhibition about a return to making in contemporary art.

In this month's episode of Art, Not Science, we are sharing a panel discussion with members of The Veiqia Project, a creative research project inspired by the practice of Fijian female tattooing of veiqia. We were joined by Dr Tarisi Sorovi-Vunidilo, Margaret Aull, Joana Monolagi, and Luisa Tora, the 2021 Creative New Zealand / University of Canterbury Macmillan Brown Centre for Pacific Studies Artist in Residence in person and over zoom. Recording on the first day of iLakolako ni weniqia: A Veiqia Project exhibition, this panel discussed the exhibition, as well as the history and scope of The Veiqia Project, giving further insight into this ongoing work.

In this episode of Art, Not Science, we present a talk with Luisa Tora, a member of The Veiqia Collective and the 2021 CNZ / UC Macmillan Brown Centre for Pacific Studies Artist in Residence. Recorded ahead of the opening of their Physics Room exhibition iLakolako ni weniqia: A Veiqia Project exhibition, Luisa speaks more broadly about past The Veiqia Project exhibitions, collaboration, and the joys and challenges of presenting community focused work in contemporary art galleries.

In Episode 26 artist Emily Parr talks about Surfacing, her solo exhibition of large-scale 35mm film photographs. These photographs are part of her research towards a PhD, a process which in these early stages is guided by narratives of whale migration.