Lena strikes the Humanoid, the Humanoid strikes Lena, Lena tries to escape, the Humanoid pins her against the door, and we look at choreographer Bobbi Jene Smith and the dance language Gaga, in #Annihilation minute 98.

The dance between Lena and the Humanoid begins, Doctor Who interrupts, and it's all very straightforward in #Annihilation minute 97.

We start to delve into details from the second #SouthernReach novel, #Authority, as the mandelbulb transforms into a featureless humanoid and Lena reacts violently in #Annihilation minute 96.

As Lena stares into the alien light in #Annihilation minute 95, we delve into Ballardian fiction, the history of fractal geometry, plus Groundhog Day and masculine vs feminine quests.

Ventress explodes into living light and Lena looks on, in #Annihilation minute 94.

Beneath the lighthouse, Ventress (as solificatio, as death's head, as the sun) speaks for the last time as the shimmer takes over. #Annihilation minute 93.

An eyeless Dr Ventress quotes Samuel Beckett, and Lena enters the alien chamber in #Annihilation minute 92.

In the script, Lena finds strange living sculptures beneath the lighthouse, flashback to the biologist finding the living writing in the tower in the novel; in the film Lena enters the biomechanical space where a transformed Ventress waits. #Annihilation minute 91.

From Cain & Abel to phosphorous grenades, the birth of elements within stars to Buddha on a lotus flower, Kane burns, Lena watches, and others linger nearby in #Annihilation minute 90.

One Kane sits contemplating his self, another Kane waits out of frame to be revealed, and we begin to explore the Jungian shadow self in #Annihilation minute 89.