Esteban Ramón Pérez (Art BFA 17) taps into his experience as a professional upholsterer, often working with leather to produce works that intertwine the cultural and artistic sensibilities of his Chicano heritage with issues he identifies as rooted in postcolonial history. Esteban’s work embodies facets of art histories, popular icons, subjectivity, spirituality, and social issues.Esteban’s work has been shown in numerous solo and group exhibitions across the United States and around the world. In 2023, his work was featured as part of Made in L.A., the Hammer Museum’s biennial exhibition highlighting the practices of artists working throughout the greater Los Angeles area.To learn more about Esteban’s practice, visit his website. Beyond the Blue Wall’s Season 3 intro music, “Lima,” was created and performed by Nicolas Savignano (Film/Video MFA 18). You can learn more about Nico and his work by visiting him on Instagram at @_oknico. Beyond the Blue Wall is a production of the CalArts Office of Advancement. You can find all of the episodes at calarts.edu/btbw.

A lot that goes into creating a world class institution like CalArts, and your support of our mission helps to make that happen. In this bonus episode, Henderson explains the various ways that your gift to CalArts greatest need helps our students.Thanks for being a part of our community of artists!Beyond the Blue Wall’s Season 3 intro music, “Lima,” was created and performed by Nicolas Savignano (Film/Video MFA 18). You can learn more about Nico and his work by visiting him on Instagram at @_oknico. Beyond the Blue Wall is a production of the CalArts Office of Advancement. You can find all of the episodes at calarts.edu/btbw.

In this episode, we’re joined by REDCAT’s Chief Curator, Daniela Lieja Quintanar and Assistant curator, Talia Heiman to talk about their new exhibition celebrating and honoring the groundbreaking effort of the Feminist Art Program pioneered by Judy Chicago in 1970. The Feminist Art Program (1970–1975): Cycles of Collectivity, which is on view through February 18, 2024 at REDCAT, CalArts’ downtown center for contemporary arts, presents an ever-growing feminist contribution to art and pedagogy with a multiplicity of voices, contexts, and identities, with an intergenerational collective of scholars, artists, activists, and curators contributing to the research, memory, syllabi, and artworks on display.Learn more about The Feminist Art Program (1970–1975): Cycles of CollectivityLearn more about REDCATBeyond the Blue Wall is a production of the CalArts Office of Advancement. You can find all of the episodes at calarts.edu/btbw.

Trustee Emeritus, Austin Beutner, served as chair of CalArts Board of Trustees from 2006- 2014. He is a fierce supporter of arts education, including CalArts’ own Community Arts Partnership (CAP) program, as well as the landmark 2022 California ballot initiative, Proposition 28, which creates a guaranteed annual funding stream for music and arts education that equals 1% of the state’s general fund. In 2023, that amounts to almost $1 billion of funding for the arts statewide.Host Henderson Blumer spoke with Austin about these issues, as well as his own experience with the arts, why he believes so strongly in supporting arts education, and how he sees CalArts as ideally positioned to lead the arts education revival in California and beyond.Learn more about CalArts Community Arts Partnership (CAP)Learn more about California’s Proposition 28Learn more about School Gig, which connects musicians, visual artists, thespians, dancers, programmers, and more, with job opportunities in public schoolsThe Beyond the Blue Wall Season 3 theme music (the intro“Lima” and the outro “Salta”) was created and performed by 2018 graduate, Nicolas Savignano. You can learn more about Nico by visiting him on Instagram at @_oknico. Beyond the Blue Wall is a production of the CalArts Office of Advancement. You can find all of the episodes at calarts.edu/btbw.

CalArts’ annual Halloween party occupies a unique place in the hearts of most CalArtians. In this episode, we talk with past and current producers of Halloween to give you a unique look at what it takes to put on this remarkable event. We trace how the Institute has turned this epic rager into an extraordinary learning experience for students.Visit the CalArts Halloween website.Beyond the Blue Wall’s Season 3 intro music, “Lima,” was created and performed by Nicolas Savignano (Film/Video MFA 18). You can learn more about Nico and his work by visiting him on Instagram at @_oknico. Additional music for this episode from Pixaby by:Coma StudioKeyframe AudioAnton KornienkoYrii SemchyshynSound RealityBeyond the Blue Wall is a production of the CalArts Office of Advancement. You can find all of the episodes at calarts.edu/btbw.

Host Henderson Blumer is joined by the Director of the Patty Disney Center for Life and Work (PDCLW), Jen Hitchings, and the Assistant Director for Career Connections & Development, Lonnie Woods III. Jen and Lonnie discuss the programs and services offered by the PDCLW as well as what it means to be a working artist. To learn more about the Patty Disney Center for Life and work, and the career services opportunities offering to CalArts students and alumnx, visit calarts.edu/clwYou can subscribe to the “Career Corner” newsletter.Request an appointment with an advisor.Beyond the Blue Wall Season 3 theme music (the intro is “Lima” and the outro is “Salta") was created and performed by Nicolas Savignano (Film/Video MFA 18). You can learn more about Nico and his work by visiting him on Instagram at @_oknico. Beyond the Blue Wall is a production of the CalArts Office of Advancement. You can find all of the episodes at calarts.edu/btbw.

Bijan Berahimi (Art BFA 13) is a Graphic Design graduate and founder of Fisk, a design firm based in Portland, OR. Fisk has worked with CalArts on the Strategic Framework website and the 50th anniversary website and logo. They also assisted with the design for the 2022 gala and other projects, including the REDCAT website. Want more?Check out this profile from the Portland Monthly Check out this profile in Willamette WeekCheck out this Q&A in atomsBeyond the Blue Wall’s Season 2 original theme music was composed and performed by Socks Whitmore (Music BFA 20). Learn more about their work at sockswhitmore.com. Beyond the Blue Wall is a production of the CalArts Office of Advancement. You can find all of the episodes at calarts.edu/btbw.

To learn more about Emara Neymour-Jackson (Dance BFA 20) and her practice, as well as to view some of her work, visit emaraneymourj.comCheck out this 2020 profile of Emara in VoyageLALearn more about the CalArts School of DanceBeyond the Blue Wall’s Season 2 original theme music was composed and performed by Socks Whitmore (Music BFA 20). Learn more about their work at sockswhitmore.com. Beyond the Blue Wall is a production of the CalArts Office of Advancement. You can find all of the episodes at calarts.edu/btbw.

Chad Hamill/ čnaq'ymi (Music BFA 93; MFA 97 ) is the Executive Director for Indigenous Arts and Expression and Senior Advisor to the President on Indigenous Affairs at CalArts. During the 2021-22 academic year, Chad was named the inaugural CalArts Presidential IDEA Fellow. Chad led the effort to establish a partnership between CalArts and the Institute for American Indian Arts (IAIA). He has also developed and taught the first Indigenous Studies and Native arts course in CalArts history, as well as organized numerous cultural events across the CalArts community.Chad previously served as chair of the Department of Applied Indigenous Studies and Vice President of Native American Initiatives at Northern Arizona University (NAU) in Flagstaff. While at NAU, where he began teaching in 2007, Chad led innovative and impactful initiatives focused on a variety of areas, including tribal leadership, K-12 engagement with Native-serving schools, global Indigenous partnerships, wifi infrastructure on Native lands, and environmental sustainability in Indian Country. Chad received his BFA in World Music Performance and his MFA in North Indian Classical Music from CalArts and went on to earn his PhD in ethnomusicology from the University of Colorado.A descendant of the Spokane Tribe of Indians, Chad is the co-founder of the Spokane Language House, a nonprofit tribal organization focused on language revitalization. Chad’s research and publications focus on music and sovereignty, music and spirituality, Indigenous ecological knowledge, performative scholarship, and the Indigenization / decolonization of academic structures. His book, Songs of Power and Prayer in the Columbia Plateau (OSU Press), explores song as a vehicle for spiritual power among tribes of the interior Northwest. Chad continues to write, record, and perform musical works centered on Spokane ways of knowing and being in the world.Learn moreTo learn more about Chad Hamill’s music and scholarship, and to listen to his music and watch him perform, visit motherearthsongs.com.Learn more about qey’s (Dream) Scholarship for Indigenous Artists, established by Chad, which provides full tuition support for students at CalArts.Learn more about Inclusion, Diversity, Equity and Access (IDEA) at CalArts.Learn more about CalArts’ Land Acknowledgment.Beyond the Blue Wall’s Season 2 original theme music was composed and performed by Socks Whitmore (Music BFA 20). Learn more about their work at sockswhitmore.com. Beyond the Blue Wall is a production of the CalArts Office of Advancement. You can find all of the episodes at calarts.edu/btbw.

The REEF Residency is a collaboration between the School of Critical Studies, School of Film/Video, and School of Art.  Learn more about the REEF Residency. In this episode, we speak with 2022 REEF Residents, Fía Benitez and Simone Zapata. Their exhibition, Tense Renderings: the will and won’t of spatial logics, opened at The REEF Los Angeles, June 24–July 24, 2022. Tense Renderings interrogates the motivations, conditions, and limitations of maps and mapmaking. The range of works include axonometric projection drawing; feminist, communally-woven textile; speculative sea and space colonization; and interventions into legal language delineating exclusion and belonging.Tense Renderings features 14 artists across time zones and disciplines: Jumanah Abbas, C. Bain, Amy Chiao, Natan Diacon-Furtado, Jen D’Mello, Alexsa Durrans, Christine Imperial, sj kim-ryu, Wesley Larios, Julia Saenz Lorduy, Sonya Merutka, Amanda Teixeira, Sarah Sophia Yanni, and Bz Zhang.View Tense RenderingsPress:24700: New Exhibition Interrogates Mapmaking in Tense Renderings: the will and won’t of spatial logicsSimone Zapata is a poet and educator from San José, CA. Her work can be found, or is forthcoming in Foglifter, The Quarterless Review, Tiny Spoon, Reed Magazine, and The Vassar Review. She serves as Managing Editor for The Beat Within, and as a poetry editor for MAYDAY. She holds an MFA in Creative Writing from California Institute of the Arts. Fía Benitez is an artist and educator living in Los Angeles. Their ongoing body of work, Root Rot, encompasses large-scale graphite drawings, collage, turn of the century artifacts, and bisque-fired ceramics. Incorporating research from public archives, works in Root Rot index the legacies of the California citrus industry and its history of indigenous dispossession, erasure of immigrant labor, and privatization of land management practices. Fía is a 2022 REEF Artist-in-Residence and a 2020 Research & Practice Fellow, with recent solo and group exhibitions at The Consulate General of Mexico in Los Angeles, NÉVÉ, The Reef, Tin Flats, Japanese American Cultural & Community Center, 7313 Melrose, Newhall Crossings, Other Places Art Fair, and CalArts. Publications include re:connections, water / relic / spices, as well as Baest Journal, Sublevel Magazine, The Kitchen Blog, and The Vassar Review. Fía holds degrees from Vassar College and CalArts.Beyond the Blue Wall’s Season 2 original theme music was composed and performed by Socks Whitmore (Music BFA 20). LeBeyond the Blue Wall is a production of the CalArts Office of Advancement. You can find all of the episodes at calarts.edu/btbw.