SUBURBAKNIGHT: Act One Walter Knope is having a bad week. His antique store is bankrupt. The bank has locked him out. His house is now filled with everything he couldn't sell. His teenage daughter thinks he's embarrassing, his marriage has seen better days, and Walter is beginning to suspect middle age may just be a long series of humiliations ending in death. Then Richard Sarandon moves in across the street. Richard is rich, handsome, charming and spectacularly confident. The neighborhood women can't stop looking at him. The husbands barely notice. Walter notices everything. Especially the two body bags carried out of Richard's house in the middle of the night. Then Walter sees Richard do something no human being should be able to do. Written by Nick Bannister, SUBURBAKNIGHT is a wicked suburban horror-comedy about marriage, jealousy, masculinity and the nightmare of discovering that the impossibly perfect man next door may actually be a monster. Walter calls the police. They find nothing. Richard smiles. Walter looks insane. Then comes the neighborhood party. Pool. Booze. Barbecue. Husbands watching football. Wives watching Richard. With help from Andy, his beer-bellied neighbor and resident horror-movie expert, Walter finally puts a name to what moved in across the street. An incubus. A demon that seduces women and feeds on their life force. Now Richard knows Walter is onto him. Walter knows Richard wants Samantha. And the fight Walter thought was about his pride, his marriage and his rapidly collapsing life is about to become something much worse. Luckily, Walter's house is currently filled with swords, crossbows, armor and medieval weapons nobody wanted to buy. Maybe the antique business wasn't such a bad idea after all. Starring Darin Toonder, Jim O'Heir, Jade Tailor, Jack Daniel, Rob Fitzgerald, Logan Laurel, Emily Brolin, Ashley Platz, and Zeke Alton. Produced by Table Read Podcast and Manifest Media Productions, LLC. Executive Produced by Jack Levy, Shaan Sharma, and Mark Knell. See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Remember me.

25 years of Spidey on screen.

Rooms of Experience, Act 3 By Steffany Sommers Starring Patty McCormack as Ada Wells and Dan Lauria as DA Harvey Davis The trial begins. Detective Curtis takes the stand. Gina tells the jury about the woman who spent sixty-five years caring for her son. Alexis puts Ada on the stand. Ada does not ask for forgiveness. She asks them to understand. Dana answers with the law. Alexis answers with lived experience. An expert insists Teddy could have adapted to a new home. Ada insists they never knew her son. Then the case goes to the jury. But Dana’s real judgment comes somewhere else. The blue envelopes. The hospital. The daughter she left behind. Dana finally tells Ada the truth. Her baby was born with Down syndrome. Dana walked out of the hospital. She never went back. And she prosecuted Ada because she needed to believe that leaving her own child had been the right choice. Ada does not condemn her. She reminds Dana that not every choice is permanent. Then she asks the question Dana has avoided for seven years. What is her daughter’s name? Maddie. Before the jury can deliver its verdict, Ada dies quietly in her garden. In the hollowed-out place where Teddy used to lie. The case is dismissed. But the question remains. At Ada’s funeral, Alexis gives Dana one final letter. Dana opens it. She finds Christopher. She finds Maddie. And for the first time since that day at the hospital, Dana moves toward her daughter instead of away. By the end of Act Three, the law never delivers a verdict. Dana makes a different choice. Starring Academy Award nominee Patty McCormack (The Bad Seed) as Ada Wells with Dan Lauria (The Wonder Years) as DA Harvey Davis Craig Parker (The Lord of the Rings) as Detective Curtis Nicholas Gonzalez (The Good Doctor) as Carter Nora Zehetner (Heroes, Everwood) as Rebecca Alyshia Ochse as Dana Jeffries Candice Coke as Alexis Martinez Eileen Grubba as Gina Gordon Alain Uy as Ethan and narrated by Sarah Elmaleh Table Read is executive produced by Jack Levy, Mark Knell, and Shaan Sharma. A Manifest Media production.See omnystudio.com/listener for privacy information.

Rooms of Experience, Act 2 By Steffany Sommers Starring Patty McCormack as Ada Wells and Dan Lauria as DA Harvey Davis Dana tries to outrun the case. Literally. But Ada Wells keeps following her home. At Teddy’s funeral, Ada collapses. Alexis asks for mercy. Dana refuses. Harvey warns her not to go soft. The medical examiner confirms it was homicide. Then reveals Ada could have hidden it. No visible trauma. No obvious cause of death. No reason to test for helium. But Ada left everything in plain sight. Detective Curtis admits she never tried to escape responsibility. Gina cares for Ada as her health begins to fail. Ethan offers Dana a life built on trust. And the blue envelopes hidden inside her desk keep demanding the truth. Then, at Rebecca’s birthday party, Dana is handed a baby. A little girl named Molly reaches for her. A child with Down syndrome. Molly touches Dana’s face. And something buried begins to surface. The prosecutor who insists there is always a choice can no longer avoid the choice she made. By the end of Act Two, Ada Wells is not the only mother being judged. Starring Academy Award nominee Patty McCormack (The Bad Seed) as Ada Wells with Dan Lauria (The Wonder Years) as DA Harvey Davis Craig Parker (The Lord of the Rings) as Detective Curtis Nicholas Gonzalez (The Good Doctor) as Carter Nora Zehetner (Heroes, Everwood) as Rebecca Alyshia Ochse as Dana Jeffries Candice Coke as Alexis Martinez Eileen Grubba as Gina Gordon Alain Uy as Ethan and narrated by Sarah Elmaleh Table Read is executive produced by Jack Levy, Mark Knell, and Shaan Sharma. A Manifest Media production.See omnystudio.com/listener for privacy information.

Rooms of Experience, Act 1 By Steffany Sommers Starring Patty McCormack as Ada Wells and Dan Lauria as DA Harvey Davis The call comes in at night. An elderly woman. A dead son. A tank of helium left in plain sight. Ada Wells doesn’t deny it. She wanted his last day to be peaceful. Enter Dana Jeffries, razor-sharp, undefeated, and hungry to prove herself. Her boss, Harvey Davis, assigns the case for one reason: optics. Defense attorney Alexis Martinez pushes back hard. Detective Curtis starts questioning his own conclusions. Gina Gordon protects Ada like family. Carter becomes another pressure point inside the machine. Rebecca is caught in the ripple effect. Then Alexis shows Dana the home movies. The real story. The years no one saw. The cost no one counted. By the end of Act One, Dana walks out of Ada’s house shaken. No longer sure the law and justice are the same thing. Starring Academy Award nominee Patty McCormack (The Bad Seed) as Ada Wells with Dan Lauria (The Wonder Years) as DA Harvey Davis Craig Parker (The Lord of the Rings) as Detective Curtis Nicholas Gonzalez (The Good Doctor) as Carter Nora Zehetner (Heroes, Everwood) as Rebecca Alyshia Ochse as Dana Jeffries Candice Coke as Alexis Martinez Eileen Grubba as Gina Gordon Alain Uy as Ethan and narrated by Sarah Elmaleh Table Read is executive produced by Jack Levy, Mark Knell, and Shaan Sharma. A Manifest Media production.See omnystudio.com/listener for privacy information.

RECALL: Act Three By the time RECALL reaches Act Three, Miami Military Academy is no longer pretending it can survive. The school is still marching, still saluting, still shining brass and barking orders into the Florida heat, but the center is gone. Colonel Barnes is dying. Commander Patterson knows it. Sally knows it. And the boys, even when they are laughing too hard to say it out loud, can feel the whole place slipping into history. Written by Academy Award nominee Bruce Davison, and once optioned and held by the great Carroll O’Connor with eyes on a Pacino lead,, RECALL is a funny, savage, deeply human coming-of-age drama about abandoned boys, broken fathers, old soldiers, Cuban exiles, secret weapons, and the terrible bargain countries make when they ask the young to carry the sins of the old. Act Three begins with the last quiet hours before everything breaks. Lishinsky and Sally steal a small piece of freedom on the water, drifting toward Captain Kidd’s Island, talking about California, escape, fathers, graves, and the strange fantasy that two damaged kids might simply sail away from all of it. But nobody really gets away from Miami Military Academy. Not yet. Inside Barnes’ house, Patterson sits beside a dying friend and is handed the thing no soldier wants: responsibility without rescue. Barnes tells him the Army is calling in its chips. The school, the land, the boys, the munitions, the whole dream is coming apart. Patterson rages because he knows what the place is, and what it has been. A broken institution, yes. A madhouse, absolutely. But also the only home some of these boys have ever had. Then the machinery starts moving. The Army arrives. The Cuban officials arrive. The inspection becomes theater. A live round falls where it should not. The old bunkers by the bay are suddenly more important than the boys standing in formation. The parade takes them through Miami and into the Dade County Fair, where the whole strange, glorious organism of “A” Company explodes into one last carnival of cigars, sheep, majorettes, busted noses, bad decisions, and Patterson turning, for one mad instant, into the hero the boys still need him to be. But the comedy cannot hold the line forever. Colonel Barnes is gone. The flag drops to half-mast. The Razor Fiend is finally revealed. Lindquist, the feral boy from the mango trees, becomes a cadet, a savior, and maybe the strangest proof that the academy was never only a school. It was a place that took in the lost and gave them a uniform because it had no better language for love. Slouch and Bebop reach the end of pretending. Bebop is called home by a country that no longer exists the way he remembers it. Slouch follows because friendship, for him, is the only oath that ever meant anything. The Cuban exiles come in the night. Patterson tries to stop them. History steps over him. Sally leaves for California. Lishinsky stays behind with the ache of first love and the knowledge that some people are not meant to be held. Patterson sits with his ghosts. The boys graduate into a world already waiting to use them. And somewhere beyond the academy walls, the Bay of Pigs turns courage, loyalty, and bad American promises into blood in the surf. RECALL is about boyhood at the edge of the American century, when duty still sounded clean from a podium and war still knew how to dress itself up as honor. It is about boys who wanted fathers, fathers who failed them, soldiers who could not save themselves, and a country that keeps asking the young to pay for the old men’s maps. Starring Alan Rosenberg, Carson Bolde, Stone Garcia, Wesley Kimmel, Dan Lauria, Kensington Tallman, Roxton Garcia, Bruce Davison, Luca Diaz, Amari O’Neil, Amir O’Neil, David Errigo Jr., Zeke Alton, Gian Franco Rodriguez, Miki Yamashita, Nemil Mudvari, Sofia D’Marco, and Ashley Ciarra. A portion of proceeds from RECALL will benefit the National Veterans Foundation and the Lifeline for Vets. To support NVF or speak with a Veteran who understands, visit https://nvf.org or call 888-777-4443. Produced by Table Read Podcast and Manifest Media Productions, LLC. Executive Produced by Jack Levy, Shaan Sharma, and Mark Knell.See omnystudio.com/listener for privacy information.

RECALL: Act Two In February 1961, the boys of Miami Military Academy are still marching, joking, fighting, shaving, bleeding, stealing, and pretending the world outside the gates is someone else’s problem. But the world is already inside the school. It is in the news from Cuba. It is in the old munitions bunkers by the bay. It is in the secrets the adults keep, the wounds they drink through, and the wars they keep handing down to children. Written by Academy Award nominee Bruce Davison, and once optioned and held by the great Carroll O’Connor with eyes on a Pacino lead,, RECALL is a funny, savage, deeply human coming-of-age drama about abandoned boys, broken fathers, old soldiers, Cuban exiles, secret weapons, and the machinery that turns fear into patriotism. Act Two begins as Stephen Lishinsky tries to survive the strange education of “A” Company. His head has been butchered. His pride has been beaten. His idea of honor has already taken a few direct hits. When he tries to run, Commander Patterson finds him at the bus stop and gives him the kind of broken advice only a broken soldier can give: if you are in a storm, sometimes the only move is to sit tight and let the morning come. But morning at Miami Military Academy is never clean. Coombs is missing. The Razor Fiend is back. Bear is bleeding into the sink. Lindquist, the feral boy from the mango trees, is pulled into uniform and passed off as a cadet because, at this school, identity is just another piece of equipment someone misplaced. Sally Barnes drifts through the place like a lit match, furious at her father, suspicious of Patterson, and impossible for Lishinsky to ignore. Patterson tries to protect her, but the past between him, Colonel Barnes, and Sally’s mother is its own battlefield. Meanwhile, Slouch and Bebop stop pretending their war is imaginary. The key to Bunker 3 becomes guns, ammunition, and contraband dragged through the machinery of a school that is already falling apart. Patterson lectures boys on amphibious landings while the real invasion waits in the shadows. Bebop is pulled closer to the Cuban exile cause. Slouch, half romantic and half criminal, follows him into the Everglades, into blindfolds, pistols, secret rooms, and men who do not look like teachers. There is comedy everywhere because boys make comedy out of terror. There is coconut rum, marching songs, bad haircuts, chocolate cokes, contraband, dirty jokes, and the Dade County Fair waiting like a reward for good behavior nobody intends to have. But underneath the noise, the rifles are getting heavier. The lies are getting harder to carry. And the adults are running out of time. RECALL is about boyhood at the exact moment history stops being a lesson and starts becoming a weapon. It is about fathers who failed, sons who improvise, countries that ask for sacrifice before they explain the cost, and boys who are still laughing because they do not yet understand what the world is loading. Starring Alan Rosenberg, Carson Bolde, Stone Garcia, Wesley Kimmel, Dan Lauria, Kensington Tallman, Roxton Garcia, Bruce Davison, Luca Diaz, Amari O’Neil, Amir O’Neil, David Errigo Jr., Zeke Alton, Gian Franco Rodriguez, Miki Yamashita, Nemil Mudvari, Sofia D’Marco, and Ashley Ciarra. A portion of proceeds from RECALL will benefit the National Veterans Foundation and the Lifeline for Vets. To support NVF or speak with a Veteran who understands, visit https://nvf.org or call 888-777-4443. Produced by Table Read Podcast and Manifest Media Productions, LLC. Executive Produced by Jack Levy, Shaan Sharma, and Mark Knell.See omnystudio.com/listener for privacy information.

RECALL: Act One In February 1961, while America watches Cuba on television and tells itself the next war will belong to someone else, a dying military academy in Miami is still teaching boys how to stand straight, take orders, and become men. Written by Academy Award nominee Bruce Davison, once optioned and held by the great Carroll O’Connor with eyes on a Pacino lead, RECALL is a funny, savage, deeply human coming-of-age drama about abandoned boys, broken fathers, old soldiers, Cuban exiles, secret weapons, and the first terrible lesson of history: nations do not only go to war with armies. Sometimes they go to war with children who still think they are playing. Act One begins with Stephen Lishinsky arriving at Miami Military Academy, a bright Pennsylvania kid who volunteered for the brochure version of honor and discipline. What he finds is a parade field, a dying commandant, a school already being swallowed by the future, and two cadets handcuffed to a howitzer before morning formation. Inside “A” Company, Lishinsky meets the boys who will become his education. Slouch is a Brooklyn-bred survivor with a cigarette in his mouth, a wound behind every joke, and a talent for turning trouble into currency. Bebop is a Cuban refugee carrying the murder of his father and the dream of taking his country back. Wheeler is an eleven-year-old officer with a sword too large for his body and a hunger for command. Sally Barnes is the commandant’s daughter, back from wherever she ran, driving straight through the gates with all the fury of someone returning to a home that has already become a ghost. And then there is Commander Patterson, a decorated Navy veteran, drunk, wounded, funny, dangerous, and still trying, in his broken way, to protect boys the world has already thrown away. The academy is collapsing. The boys know it. The adults know more than they are saying. Castro is on the news. Cuban exiles are moving in the shadows. The old munitions bunkers are not empty. And when Slouch pockets a key marked Bunker 3, military school stops being a game and starts becoming the first draft of a war story. RECALL is about loyalty, damage, sacrifice, performance, class, country, boyhood, and the machinery that turns fear into patriotism. It is about the lie adults tell boys when they call obedience honor, and the moment those boys discover the rifles are real. Starring Alan Rosenberg, Carson Bolde, Stone Garcia, Wesley Kimmel, Dan Lauria, Kensington Tallman, Roxton Garcia, Bruce Davison, Luca Diaz, Amari O’Neil, Amir O’Neil, David Errigo Jr., Zeke Alton, Gian Franco Rodriguez, Miki Yamashita, Nemil Mudvari, Sofia D’Marco, and Ashley Ciarra. A portion of proceeds from RECALL will benefit the National Veterans Foundation and the Lifeline for Vets. To support NVF or speak with a Veteran who understands, visit https://nvf.org or call 888-777-4443. Produced by Table Read Podcast and Manifest Media Productions, LLC. Executive Produced by Jack Levy, Shaan Sharma, and Mark Knell.See omnystudio.com/listener for privacy information.

RECALL trailer A dying military academy. A country drifting toward war. A group of boys told to stand straight, swallow fear, and call it honor. Set in 1961 Miami, RECALL follows Stephen Lishinsky, a bright-eyed new cadet who volunteers for military school and walks into something far more dangerous than discipline. Inside Miami Military Academy, abandoned boys become soldiers before they understand what war costs. A Brooklyn hustler steals weapons for Cuban exiles. A Cuban refugee carries the murder of his father and the dream of taking his country back. A decorated Navy hero drinks through old wounds while trying to protect boys the world has already thrown away. Then Cuba moves closer. The Bay of Pigs moves closer. The rifles are not pretend anymore. Written by Academy Award nominee Bruce Davison, and once optioned and held by the great Carroll O’Connor with eyes on a Pacino lead, RECALL is funny, brutal, beautiful, and dangerous. A coming-of-age story about loyalty, sacrifice, broken institutions, and the moment boys playing soldier discover the adults have been playing something much worse. Starring Alan Rosenberg, Carson Bolde, Stone Garcia, Wesley Kimmel, Dan Lauria, Kensington Tallman, Roxton Garcia, Bruce Davison, Luca Diaz, Amari O’Neil, Amir O’Neil, David Errigo Jr., Zeke Alton, Gian Franco Rodriguez, Miki Yamashita, Nemil Mudvari, Sofia D’Marco, and Ashley Ciarra. A portion of proceeds from RECALL will benefit the National Veterans Foundation and the Lifeline for Vets. To donate or get help, visit https://nvf.org or call 888-777-4443. Because every story has oxygen. And sometimes the best thing you can do with attention is point it toward someone who needs it more. RECALL arrives Tuesday, June 16 on Table Read Podcast. Listen to the trailer now.See omnystudio.com/listener for privacy information.