Amanda Thackray is a multidisciplinary ecofeminist artist-educator based in Newark, NJ, who crafts intricate artwork exploring the intersections between nature, industry, and human experience. She is the recipient of several Creative Catalyst Fund Fellowships, a Puffin Foundation Grant for Environmental Art, and a NJ State Council Individual Artist Fellowship. Residencies include The Arctic Circle, Norway; The Center for Book Arts, NYC; and The Museum of Art and Design, NYC. Her work has been widely exhibited and is held in numerous international public and private collections including The Watson Library at the Metropolitan Museum of Art in NYC, Mediatheque Andre Malraux, France, Yale University, and The Library of Congress. Thackray earned a BFA from Mason Gross at Rutgers University and an MFA from the Rhode Island School of Design (RISD), both in printmaking.

Jim Patterson is a life-long papermaker and owner of Two Rivers Paper since 1986. Two Rivers Paper specialises in hand-made rag papers, using traditional methods, each sheet being carefully crafted one by one. After many years of production in a water and solar powered mill, Two Rivers is now situated at East Quay Arts Centre in Watchet, Somerset, UK.

Doug Beube is a mixed-media artist working across numerous disciplines, including bookwork, collage, installation, sculpture, and photography. He holds a BFA from York University in Toronto, ON, and an MFA from the Visual Studies Workshop in Rochester, NY. He lectures and exhibits internationally and is the subject of the monograph Doug Beube: Breaking the Codex (2011). Beube received a Pollock-Krasner Fellowship in 2016 and served as curator of the Allan Chasanoff Bookwork Collection from 1993 to 2014, culminating in an exhibition at the Yale University Art Gallery in New Haven, CT. His work has been exhibited internationally – in China, New Zealand, and across Europe – and he exhibits regularly throughout the United States. A solo retrospective of his artwork, curated by Buzz Spector, will open in April 2027 at Koffler Arts in Toronto. Doug has lived in Brooklyn, NY, since 1985.

Lyndal Thorne is an arts administrator with a passion for grassroots arts activity and coordinator of the biennial Paper on Skin Wearable Art Competition, which launched in Burnie, Tasmania in 2012. She is also President of stARTs North-West (formerly Burnie Arts Council Inc) and recently retired as the chair of Slipstream Circus after three years tenure in the role. During 2024 she undertook a 12-month role as Regional Community Engagement Officer for RANT Arts (a peak regional arts advocacy body based in Northern Tasmania).

Mia Semingson received her MFA in photography and electronic media from the University of Colorado at Boulder. Her work has been exhibited internationally in Colombia, Mexico, Guatemala, and France as well as nationally. Mia taught photography and book arts at the University of Colorado at Boulder for twelve years. She and her husband Gerald Trainor have owned Two Hands Paperie since January 2010, where their goal is to foster a community of creative people and support artists and other small businesses. Mia loves teaching and, in addition to her workshops at Two Hands, has taught for the Makerie,  Anderson Ranch Arts Center in Snowmass, Colorado and recorded classes on Creativebug.

John Risseeuw received his BS, MA, and MFA degrees in printmaking from the University of Wisconsin-Madison in1968, 1972, and 1973, respectively. Risseeuw is Emeritus Professor of Art at Arizona State University where he taught printmaking, book arts, and papermaking from 1980 to 2015. He directed the Pyracantha Press, founded in 1982 as the book arts imprint of ASU; his own Cabbagehead Press was founded in 1972. His prints, books, and collaborative works have been exhibited and collected widely. The Library of Congress has purchased all of his books and works on paper. He was founding president of the College Book Art Association and has served on the Board of Directors of Hand Papermaking magazine.

John Babcock lives and works at his studio near Santa Cruz,California, where he creates works using primarily paper as his medium. His work has been shown in over thirty major art museums in the United States and Europe. Most recently, his work was included in Contemporary Crafts at the Mesa Art Museum and the Shanghai Paper Art Biennale in Shanghai, China. In addition to exhibiting his work, Babcock has lectured and conducted workshops throughout the United States and internationally, including sessions at the Southwest School of Art and Craft in San Antonio, Texas; the Universityof Wisconsin; the University of Hawaii; Haystack Mountain School of Crafts; and the University of California, Santa Barbara. His work is included in numerous public and private collections, including The Museum of Art and Design in NewYork City.

Tran Hong Nhung is the founder of Zo Project, a social enterprise, which preserves, supports, and expands Vietnamese traditional paper and papermaking techniques in a sustainable and creative way.Zó Paper is run by  a dynamic young team who wish to bringtraditional values into contemporary society. In return, their profits are going back into the community of papermakers by creating job opportunities and a stable income for an ethnic minority village in the Northern province of Vietnam.

Denise Jill Marshall runs Blue Skies Above Photography. As a landscape photographer for more than 45 years, her recent work has focused on weaving her photographs, using many different types of photographic printing paper to create new ways for light to interact with image. Through deconstruction. she is able to create a new whole, in her art and in herself. Marshall is motivated by light, color, and the feelings a subject evokes. She often attends photography workshops, where she captures the unique architecture, water, and colors of the places she travels, as well as the surrounding areas in Bucks County, Pennsylvania, where she lives.

Lee McDonald is a papermaker with a long history of making tools. He has been involved with paper for over 5 decades, starting in the early years of Twinrocker Handmade Paper, and then moving on to making custom moulds, followed by building beaters, presses, and papermaking dryers. His future projects include ensuring how techniques and tools will be available in the future. McDonald is currently working on personal paper projects in his No Name Yet Paper Mill, along with making the mill available to artists – reach out if you’re in the Boston area.