Detailed
Compact
Art
Reverse
November 26, 2019
The last Democrat elected to the Senate seat Cristina Tzintzun has her sights on was Lyndon Johnson.  Republican takeovers are just a fact of life in the South.  And yet in some places, there's light at the end of the tunnel for beleaguered Dems.  It's in the Lone Star State that they hope to reverse the trend.  Texas is urbanizing, and it's getting more educated and more diverse.  Tzintzun -- a political organizer who's the daughter of a Mexican immigrant and an Anglo-Texan -- tells Alec that by activating those Democratic base constituencies, she can win where others have failed.  It's a trail begun by Beto O’Rourke, who almost won the state’s other Senate seat back for the Democrats in 2018, but it's a perilous strategy, too, in a state as conservative as Texas.  Much of Beto's team has come over to help Tzintzun, and full disclosure: Alec, too, is a supporter, and hosted a fundraiser for her in October.
November 22, 2019
Alec wanted to know a few more things about Errol Morris's work -- so he set up a call!
November 12, 2019
Errol Morris’s documentaries are visually unmistakable, whether they’re about pet cemeteries or the morally bankrupt "great men" of American history.  Thanks to his optical invention, the "Interrotron," Morris's subjects’ are looking straight at those of us in the movie theater and, sometimes, lying.  He’s one of cinema’s most distinctive storytellers.  In conversation with Alec, Morris recounts his meandering path to the top, involving deep debt, a master's degree in Philosophy, and a stint as a private investigator.  "Film-making saved me," he says.  Morris also responds to the heated controversy surrounding his new documentary, American Dharma, about Trump strategist Stephen Bannon, rejecting the argument that it was wrong to provide Bannon a platform for his ideas.
October 29, 2019
Edward Norton gets into every aspect of filmmaking, even when he comes to the set as an actor.  He's helped rewrite scripts, and sometimes gets intimately involved in editing, as was the case with American History X.  That has led to tension with directors, but Norton tells Alec that the Hollywood press has grossly mischaracterized many of those relationships.  Norton himself directed Alec recently in his new film, Motherless Brooklyn.  Norton stars alongside Alec's Robert Moses character, who tries to bend New York City to his will.  Their shared experience on set sparks a conversation about directing, and all the great directors Norton has worked with, including Spike Lee, David Fincher, Tony Kaye, and Miloš Forman.  A "cheat sheet" of all the movies and directors Edward and Alec discussed, in order, is available at https://www.wnycstudios.org/podcasts/heresthething/edwardandalec.
October 15, 2019
Judith Light has an unequaled emotional and tonal range as an actor.  She also has a shape-shifting physicality that made her entirely convincing both as the shuffling yenta Shelly Pfefferman in Transparent and as the lithe, aristocratic Hedda Gabler.  But she only got to exercise those talents by saying "yes" to a lot of less intricate roles -- most famously the housewife-prostitute Karen Wolek on One Life to Live and Type-A divorcée Angela Bower on Who's the Boss.  Her manager (a former Psychology professor) helped her arrive at that place of openness.  After a few bad auditions, he sat her down and said, "You have an expectation that people should just be giving you stuff, and it's untenable.  People feel it.  You walk into a room and nobody wants to be around you."  "And so," Light tells Alec, "when I walked into the audition for Who's the Boss, I was in a very different place."
October 1, 2019
Peter Bergman is the dean of soap opera actors.  His portrayal of Dr. Cliff Warner on All My Children from 1979 to 1989 overlapped precisely with the era when soap operas were America's great guilty pleasure.  Liz Taylor made cameos alongside Bergman, mainstream publications covered Dr. Warner's many marriages, and the soaps sometimes rivaled prime time in total viewers.  Madison Avenue noticed, and Bergman entered the pitchman pantheon with his cough syrup ad in 1986, "I'm not a doctor, but I play one on TV."  Since 1989, the soaps have been less central to popular culture, but Bergman has played a much richer character than the debonair doctor:  his last 30 years have been spent playing Jack Abbott on The Young and the Restless.  Jack is the mercurial head of Jabot Cosmetics, trying to triumph in love and industry over his rival Victor Newman.  Alec and Bergman bond over their shared past as high school athletes who found themselves attracted to the stage, and over the joys and difficulties of daytime television.
September 17, 2019
Dubbed “the hottest artist on the classical music planet” by The New York Times, pianist Lang Lang has reached a level of stardom rare for classical musicians.  But his prominence is hard-won.  Alec, who adores Lang Lang's charisma and talent, elicits from his guest stories of hardship during his childhood in northeastern China, and of his slow climb to the top, via Philadelphia.  That's where fish-out-of-water Lang Lang showed up at the age of 15 and enrolled in public high school as well as conservatory.  Throughout the interview, Lang Lang plays pieces from his latest album, Piano Book, a collection of pieces normally reserved for young learners, reinterpreted with brilliance and respect by the great master.  And we at WNYC add more of our favorites from Piano Book and beyond.
September 3, 2019
At the end of the 1950s, James Caan, son of a German-Jewish butcher, had been kicked out of ROTC and was too poor to finish college on his own. He started a job for his godfather unpacking meat along the docks of the Hudson River. Less than a decade later, he was starring alongside John Wayne and Robert Mitchum in El Dorado, just a few years from Coppola's giving him a lead in The Godfather. In his unmistakable Queens patois, Caan tells Alec the wonderful, unlikely story of his rise to stardom. That story includes his many marriages, even more fistfights, and heretofore untold details from the sometimes-violent set of The Godfather. Plus what sort of roles Caan wanted but didn't get because of typecasting.
August 27, 2019
Since 2004, 1300 towns across America have lost local newspaper coverage.  2004 was also the first full year David Rattray, the third generation of his family to own the East Hampton Star, served as the paper's editor.  It's a job for which Rattray gave up a very different life and career in New York City.  That was a good choice:  thanks in part to his stewardship, the Star thrives.  It covers East Hampton's seasonal transformation into the center of an elite New York social universe, but other than that, the venerable weekly operates much as it always has.  Rattray makes sure Town Board meetings get covered and that the Fishing Report is up to date -- as did his parents, and his grandfather before them.  Alec has been spending time in East Hampton for almost 40 years, so he and Rattray have much to discuss about the paper, and the changes they've witnessed in town.  They also discuss the Star's long-term project to research and confront the Hamptons' slaveholding past -- a past in which Rattray's own ancestors played a part.
August 20, 2019
The Reverend Donna Schaper of New York's Judson Memorial Church leads her flock of 300 through life's sacraments like any pastor.  But she has a national profile, too, appearing in print and on television to reject the idea that Christian values necessarily lead to conservative politics.  She tells Alec her story of spiritual awakening, from an abusive working-class home, to parting ways from the Lutheran Church of her childhood, all the way to Judson Memorial Church, a Christian outpost in Greenwich Village that ministers to sex workers, doubters, LGBT folk, the undocumented, and Village gentry alike.  Alec in return tells Donna about his own journey of faith.
August 13, 2019
Alec Baldwin and Matthew Landfield crossed paths one time before their Here's the Thing interview.  In early 2001, Alec was shooting a movie in front of 31 Desbrosses Street in New York's Tribeca neighborhood.  Matthew had grown up in the building in the 1980s, raised by a performance-artist mom and modernist-painter father.  Matthew and Alec said hello as Matthew walked in to visit his parents.  The bohemian scene on the block stuck with Alec over the years -- so much so that when in 2015 he was driving by and noticed that the building was gone, he researched what had happened.  Online, Alec discovered Matthew's labor of love: perhaps the best, most deeply researched article ever written about a single address.  The Lenape, the Dutch, the English, the factory workers, junkies, artists and bankers -- every stage of New York history had some brush with the land (or water) that is now 31 Desbrosses.  Alec was transfixed, and this funny, fascinating conversation is the result.
August 6, 2019
Six years ago the Board of the Manhattan School of Music faced a daunting decision: who would guide the school into its second century?  They turned to someone with a long history with the school, James Gandre.  Gandre joined MSM as an administrative assistant in the mid-1980s and rose through the ranks.  But before then, he'd been auditioning for gigs as a tenor with symphonies and choirs.  He continued to do so even after he began in administration.  He tells Alec about his journey from small-town Wisconsin, to being an out gay man in San Francisco in the early 80s, to his long rise through the ranks at MSM -- and he shares his thoughts on the future of his venerable institution.
July 23, 2019
Brian Lehrer is a unique figure in the public life of New York City.  Beyond hosting the city's defining daily talk show, he's our conscience and our conciliator.  When New Yorkers want a fair mayoral debate, they often call Brian.  When WNYC needed someone to help us process our own #metoo moment, we called Brian.  The Peabody Awards honored The Brian Lehrer Show for "reuniting the estranged terms 'civil' and 'discourse.'"  Of course, civil doesn't mean soft:  he can be unsparing in his interviews because, as he tells Alec, "there's plenty that pisses me off."  Alec is fan of -- and a regular caller on -- Brian's show, so who better to turn the tables?  Alec interviews Brian about his path to prominence, and the two discuss their shared love of radio, and of New York.
July 12, 2019
Alexander Acosta has resigned from his position as Secretary of Labor in the Trump administration.  That's because of the sweetheart deal he cut politically connected financier Jeffrey Epstein back in 2008, when Acosta was a federal prosecutor.  In the swirl of news following Epstein's re-arrest, but before the Acosta resignation, Julie Brown stepped out of Acosta's press conference to speak to Alec on the phone.  We learn her reaction and that of Epstein's victims who called her up after the arrest.  That conversation is at the end of an extended cut of their live conversation at the Greene Space this spring and a phone call from Alan Dershowitz addressing the accusations made against him.
July 9, 2019
Corey Johnson wants to be the next mayor of New York, and the press seems to think he will be.  His plan to fix transit is the centerpiece of his platform.  Tom Wright is the CEO of the powerful Regional Plan Association.  That organization imagines the future and comes up with ideas for infrastructure and bureaucracy that could meet its needs.  Nicole Gelinas, a reporter and a Manhattan Institute scholar of Urban Economics, also believes in big, innovative projects.  But for the past 15 years, she's been reminding New Yorkers that we will not get a transit system worthy of our great city if we cannot get costs under control, and our financial house in order.  Combine these three experts with Alec's curiosity and strong opinions about all things New York, and you get a great conversation about congestion pricing, organized labor, the MTA, and future of transportation everywhere.
June 25, 2019
California Congressman Adam Schiff weighs both sides of the impeachment debate and speaks out forcefully on Iran.  Plus why his childhood in Massachusetts had an influence on his future career, why his his mother was so disappointed that he went to law school instead of medical school, and whether President Trump has done more to encourage or discourage aspiring progressive public servants.
June 11, 2019
Julie Brown of the Miami Herald conceived, reported, and wrote one of the most explosive criminal justice stories in recent memory. She revealed the shutting down of an FBI investigation that may have been on the verge of discovering the full extent of a child-sex-trafficking operation run by politically-connected billionaire Jeffrey Epstein. The prosecutor allegedly behind that decision, Alex Acosta, is now President Trump's Secretary of Labor.  Acosta offered Epstein a plea deal in which Epstein pleaded guilty to recruiting underage girls for sex and spent about a year in the local lockup, with work release.  The deal also proactively protected from prosecution any potential co-conspirators.  Brown pored over internal emails to see exactly how Acosta and other powerful law-enforcement officials made these decisions.  While in New York to receive a Polk Award for her work, Brown stopped by WNYC's Greene Space to talk to Alec about her reporting, and the personal background that drove it.
May 28, 2019
Moby had already put out four studio albums when Play was released in 1999. He was solidly into his 30s, playing gigs in record stores and thinking about a career-change. But Play, against all expectations, started selling. Then it started selling out. There was champagne, then vodka, then cocaine. He swung between drug-induced euphoria and thoughts of suicide. The stories of stardom he tells Alec are both funny and troubling. But Moby saw his way out of the spiral. Now a decade without drugs or alcohol, he's remarkably open about his darkness, and the weird hippie childhood that laid the groundwork for it. He and Alec sat down last month and swapped stories of sobriety and celebrity. Moby's new memoir is Then It Fell Apart.
May 14, 2019
By 1976, college student Jeff Daniels was pretty sure he didn't want to follow his father into the Michigan lumber trade.  But he wasn't sure he could make it as a working actor -- until one of the founders of Manhattan's legendary Circle Repertory Company spotted him at Eastern Michigan University.  It was a short hop from Circle Rep to his screen breakthrough in Terms of Endearment, but Daniels' commitment to the stage has never waned.  That commitment bore a Tony nomination this year (Daniels' third) for his magnificent performance in Aaron Sorkin's To Kill a Mockingbird adaptation on Broadway.  Daniels and Alec discuss the craft required to play Atticus Finch, the very different craft required to play alongside Jim Carrey in Dumb & Dumber, and Daniels' unusual decision to move back to his Michigan hometown with his wife and child while building a Hollywood career.
April 30, 2019
The New Yorker’s marquee investigative journalist, Jane Mayer has been a thorn in the side of three presidents, two Supreme Court justices, and, most recently, Fox News.  She tells Alec stories from her investigations into Kavanaugh and Clarence Thomas, and talks about what drew her to the rigors of reporting.  Plus she reveals details about her process, including why she often leaves victim-interviews to her co-authors.
April 16, 2019
The band Perta has landed a glossy magazine profile and is represented by star-making talent agents WME. They've got big labels knocking at the door, attracted by a stunningly talented frontman and a funky, catchy, original sound. But that doesn't mean they can necessarily quit their day jobs. It's a strange, exciting place to be. Perta frontman Mat Bazulka and founder/keyboardist Colin Kenrick tell the story of how one band is breaking through in a rapidly changing music world -- and share some of the band's unreleased tracks.
April 2, 2019
Barely out of college in the mid-1950s, Geoffrey Horne was a heartthrob TV star with acting chops to rival the greatest talents of his day. In '57 David Lean gave him a breakout role in his masterpiece, Bridge on the River Kwai and Otto Preminger followed up by casting him as Philippe in Bonjour Tristesse. Full Hollywood stardom seemed inevitable -- and yet, few roles followed. Horne didn't resurface as an actor of note for 25 years, in late-70s New York, when his scene-work at the Actors Studio attracted the attention of Method master Lee Strasberg.  Strasberg invited him to teach some classes and the rest is history. Horne became one of the most brilliant and sought-after teachers in the history of his craft. Alec credits Horne's commitment to emotional honesty for much of his success. But the question remains: what happened to Geoffrey Horne the movie star manqué? The teacher and student discuss that question and much more, including the set and stars of River Kwai.
March 19, 2019
America’s most famous healthcare expert was actually born in Canada! The Vox reporter and all-around policy guru explains how, in a country with entrenched interests similar to ours, progressives managed to win coverage for every Canadian. Plus she gives her take on the remarkable unity in the Democratic Party over "Medicare for All," the political realities about what can actually get done, and tells stories from her year spent reading Americans’ terrifying, infuriating emergency room bills. One of the people who sent her his bill was a man in San Francisco who was hit by a public bus, taken to a public hospital, and had insurance -- but was still on the hook for $27,660.
March 5, 2019
The legendary violinist talks about his difficult childhood, stricken by polio in the war-torn early days of Israeli statehood -- and laughs about his early success, whisked away to the United States at 13 to perform on the Ed Sullivan Show.  Plus, what makes a truly great instrumentalist?  What makes a great teacher?  Later, his wife Toby Perlman weighs in, too, so the interview becomes a family affair, topped with a spectacular Mendelssohn performance by eight students from the Perlman Music Program.  Toby founded that summer school on idyllic Shelter Island to provide a safe space for young musical geniuses to develop their talents, and themselves.
February 19, 2019
Russia has glittering towers and a jet-set elite, but grinding rural poverty.  It has one of the world’s great literary traditions, but throws dissenters in jail for a blog post. Who is Vladimir Putin, the man who created this new world power through force of will? New York Times’ correspondent Steven Lee Myers unravels some of this question for Alec. His book is The New Tsar. Myers talks to Alec about Putin’s early years, the Putin-Trump connection and how being the New York Times’ Beijing correspondent is different from -- and similar to -- being Moscow correspondent.
February 5, 2019
How can Earth Scientists and programmers really make predictions about the climate?  What are the ethics of having kids in a warming world? How to combat the disastrous politicization of the issue?  Dr. Peter deMenocal is the Dean of Science at Columbia, and a Geologist.  As a research scientist, he studies how Earth's climate has changed in the past.  Dr. Kate Marvel helps figure out its future by creating the world's most detailed and accurate computer climate-models.  Together, they're the perfect pair to help Alec and listeners understand what scientists really understand about the climate and how -- and why there's reason for hope.
January 22, 2019
This episode talks about a movie whose premise might be disturbing to some. The Human Centipede wasn't in every multiplex when it came out in 2010, but the film is now firmly a part of American culture, the basis of parodies from South Park to Conan O'Brien.  When it was released, the premise was so revolting that many reviewers wouldn't even summarize it.  Roger Ebert declined to assign a star-rating, concluding, “It is what it is.”  When Alec saw the movie for the first time, he wanted to meet its creator.  Years later, this episode of Here's the Thing is the result.  Fortunately, writer-director Tom Six isn't just warped; he's also a raconteur with a twinkle in his eye.  He answers Alec's fanboy questions with humor and patience, and they break down the whole Human Centipede trilogy from critical, financial, and technical standpoints.  Listeners will also learn about Six's pre-Centipede career in reality television and teen comedy, and what he has coming up in 2019.  Six had a role planned in his new film for Alec.  Hear why Alec's wife cut that off at the pass.
January 8, 2019
On January 27th, 2017, Donald Trump issued the travel ban barring visitors and migrants from seven predominantly Muslim countries. Becca Heller, founder of the International Refugee Assistance Project (IRAP), had seen it coming. She foresaw that it would catch people in planes, turning passengers into undocumented immigrants midair. She prepared by setting up a network of volunteer lawyers who would show up at airports to help travelers being held there. On the 27th, the lawyers came, followed by thousands of protesters. The Trump administration, facing legal losses and "chaos at the airports," gave up enforcing the ban until officials could draft a new version. For a while, the good guys had won. Two years later, with a MacArthur "genius" grant under her belt, the 37-year-old Heller is strategizing about where to take refugee-advocacy next. Serious stuff, but she's still one of the funniest people ever to come on Here's the Thing. The International Refugee Assistance Project is at https://refugeerights.org/.
December 28, 2018
It’s hard, if not impossible, to imagine the 1970s without Carly Simon. After opening for Cat Stevens at LA's Troubadour in 1971, she gained near instant fame, winning a Grammy for Best New Artist that same year. The daughter of Richard L. Simon, co-founder of publishing house Simon & Schuster, she grew up surrounded by greatness. But if her childhood was peppered with celebrities, her adult life was dripping in them. By her mid-20s she’d meet Bob Dylan, duet with Mick Jagger, and marry James Taylor. Still, the shy New York native was a superstar in her own right, one who battled a stammer and a severe case of stage fright. She tells Alec Baldwin about conquering them both to become a musician who shaped an era. You can learn more about Carly's life in her 2015 memoir, Boys in the Trees. WNYC is the producer of other leading podcasts, including Radiolab, Snap Judgment, On the Media and Death, Sex & Money.
December 25, 2018
Billy Joel has sold more records than The Stones, Bruce Springsteen, and Madonna—though the “rock star thing” is something he can “take off.” Joel started playing piano when he was about four or five years old, but he admits that he doesn't remember how to read sheet music anymore. He says it’d be like reading Chinese. That doesn't stop the third best-selling solo artist of all time in the U.S. from plunking out a few tunes with Alec. WNYC is the producer of other leading podcasts, including Radiolab, Snap Judgment, On the Media and Death, Sex & Money.
December 21, 2018
Few musicians can compete with the encyclopedic musical knowledge that Ahmir “Questlove” Thompson possesses—which is great news if you got to be a student of his at NYU. When not teaching music history, the 45-year-old drummer is directing the Grammy-Award winning group The Roots—a hip hop collective that rose from “everyone’s favorite underground secret” in the late 90s to Jimmy Fallon’s house band on The Tonight Show. Whether drumming, DJ’ing, or writing a book on food, Questlove is universally beloved. “The coolest man on late night,” according to the Rolling Stone. But there is one thing this genius of music can’t do: accept that he is one. He talks to Here’s the Thing host Alec Baldwin about a three year exile in London, Jimmy Fallon wooing the Roots, and how meditation saved his life. WNYC is the producer of other leading podcasts, including Radiolab, Snap Judgment, On the Media and Death, Sex & Money.
December 18, 2018
By the time Emilio Estevez was 23, he'd starred in The Outsiders, Repo Man, The Breakfast Club, and St. Elmo’s Fire.  As the son of Martin Sheen, he was Hollywood royalty, and as a member of the "brat pack" group of early-80s stars, he was a hot commodity.  But he started turning down big roles to become the youngest person ever to write, direct, and star in a major motion picture.  Estevez tells Alec that his script for that movie was "terrible," -- but it was risky, ambitious movie-making at a time when he didn't have to take risks.  Estevez occasionally returned to "just acting" after that, for beloved performances in Men at Work, The Mighty Ducks, and more -- but his heart beats for his writer/director projects like 2006’s RFK masterpiece Bobby, nominated for a Best Film Golden Globe.  His latest is The Public, about a fictional occupation of the Cincinnati Public Library by the city's homeless.  Alec plays the police negotiator.  The two actors discuss their collaboration -- plus growing up a Sheen, Francis Ford Coppola's brutal audition process, and whether actors should participate in the fan culture surrounding cult films like The Breakfast Club.
December 4, 2018
Debra Kletter's job is to be food-guru to some of the world's most discerning palates.  Once one of New York theater's most respected lighting designers, Kletter found herself in the early 1990s disillusioned by budget-cuts and shaken by the loss of a generation of colleagues to HIV.  So she pursued her second calling, far from the first: figuring out where you should eat dinner.  After all, as she tells Alec, "reading menus was always my happy place."  Now, years into her new business (which she conducts through her website, www.eatquestnyc.com), Kletter can tell you the best injera in Harlem or the oldest-school trattoria in Rome.  But her real genius is an ability to match that encyclopedic knowledge with the needs -- and personalities -- of individual clients.  One of those clients is Alec Baldwin, and you can tell from their teasing that the two go way back: all the way, in fact, to the stage of Prelude to a Kiss in 1989, which Debra lit, and where the two became friends.
November 20, 2018
Roger Daltrey put The Who together while working in a sheet-metal factory.  The band took many forms before settling into the guitar-smashing, mic-swinging amalgam of testosterone and sensitivity that changed the world.  But even before The Who began moving toward rock-stardom, Daltrey had walked a difficult path.  Born into a working-class family, he spent his infancy evacuated from Nazi-bombed London, crammed into one room of a Scottish farmhouse with his mother and many others.  He returned to a shellshocked father and real privation.  But he tells Alec that the environment was "rich" with love and opportunity, and eventually he found himself in a grammar school with songwriter Pete Townshend and bassist John Entwistle.  The rest is Rock history -- a history Daltrey helped define.  He recounts it with humor and pride on this episode of Here's the Thing, and in his new memoir, Thanks a Lot Mr. Kibblewhite, out now.
November 6, 2018
In the late 70s, Ben Cohen was a rootless pottery teacher, laid off when his school closed down.  Jerry Greenfield was a diligent pre-med, realizing he was never going to get into med school.  They'd formed a deep friendship years earlier, as the two chubby kids in their middle-school gym class.  Their joint reaction to their separate crises was to open a small ice cream shop in Burlington, Vermont.  That decision would change the face of the industry, and give America a model for a new set of corporate values.  At the Flynn Center for the Performing Arts in Burlington -- just a couple miles from the site where Cohen and Greenfield set up shop in 1978 -- Alec talks to Ben and Jerry in front of a crowd that idolizes their hometown heroes, and the energy is infectious.  From their Long Island childhood to the tensions surrounding Ben & Jerry's acquisition by Dutch conglomerate Unilever in 2000, the conversation is open, honest, and brimming with the deep bond these two men continue to feel, 40 years after they first put their names together on a sign in Vermont.  Thanks to Vermont Public Radio for making it possible.
October 23, 2018
As a staff-writer at the New Yorker, Susan Orlean has embedded with fertility shamans in Bhutan and profiled a dog (a boxer named Biff).  Her book The Orchid Thief inspired one of the most successful art-house movies of the past 20 years.  Her latest deep dive is the burning of the Los Angeles Central Library in 1986.  It is, to this day, the most damaging library-fire in U.S. history, but it's almost unknown outside of Southern California because national attention was focused on the Chernobyl meltdown.  As with all Orlean's books, the nominal subject is a vehicle to tell human stories: those of the man arrested for the arson, of the cops who investigate, the librarians whose lives were changed, and the preservationists who insisted on rebuilding.  It's a topic close to Alec's heart.  He and Orlean discuss with warmth and enthusiasm the critical role libraries played in their respective childhoods (Alec is the son of a schoolteacher, after all), and their shared commitment today to the universal ideals of the public library.
October 9, 2018
Maggie Gyllenhaal's in a good place right now, at least as far as work and family go.  Her latest starring role is as a troubled teacher named Lisa Spinelli in The Kindergarten Teacher.  It's an unsettling portrayal of, as Gyllenhaal tells Alec, the "f***ing dire" consequences of "starving a vibrant woman's mind."  In the film, Lisa's mind-starvation manifests in an unhealthy, exploitative relationship with a kindergartner.  It's not an easy thing to watch, and Gyllenhaal tells Alec, "I almost didn't do the movie because I thought, 'no movie is worth disturbing a child, even for a few minutes.'"  But her concerns were addressed, she said yes, and the result is a performance Gyllenhaal feels really good about.  In fact, she says she feels better and better about each role she takes on these days.  It's from this career high that she and Alec talk about The Deuce, her college years, her alternate career in skating, and the happy joining of lives, careers, and vowels in her marriage to Peter Sarsgaard.  
September 25, 2018
Steve Higgins has two jobs. At 4:30 every day, 4 days a week, Steve announces The Tonight Show, sticks around to play Jimmy Fallon’s straight man, and then runs back upstairs at 30 Rock to keep working on that week’s Saturday Night Live.  At SNL, he's in charge of the writers' room and, alongside Lorne Michaels, makes all the big decisions about the shape of the show, and the cast.  It’s a heady life for a kid who started a sketch comedy troupe with his brothers in Des Moines after high school.  Alec and Steve are real friends, and their conversation shows it, going deep into Higgins' origins as a comic, and into the inner life of Saturday Night Live.
September 11, 2018
After his parents divorced, 10-year-old Flynn McGarry wanted to feel useful, and maybe to reassert some control over his environment, too.  So he started cooking for his mom, Meg.  A passion was born.  Meg began homeschooling him, allowed him to turn his bedroom into a high-end kitchen, and hosted Flynn's pop-up restaurants at their suburban California home.  Massive publicity followed, and, this being the internet age, cruel online backlash.  Soon, documentary filmmaker Cameron Yates got interested, and embedded with Flynn as he rose and rose over six years, to the threshold of realizing his most lofty culinary dreams -- at age 19.  Cameron and Flynn joined Alec for a live event at the Hamptons International Film Festival, and the three talk candidly about life under the microscope, about the mixed blessings of precocity, and, most importantly, about the complicated relationship between Flynn and a mother who sees herself as having given up dreams of success as a filmmaker and writer to nurture her family.  Cameron's film, Chef Flynn, will be in theaters November 9.
August 28, 2018
Ron Delsener is a working-class kid from Queens who rode his charm and his hustle all the way to the top of the music industry. He basically created the genre of the massive outdoor concert with his epic series of free Concerts in the Park. He landed everyone: Pavarotti, Streisand, even post-breakup Simon and Garfunkel. And Delsener is still firing on all cylinders: James Bay and Hozier are among the artists he maintains relationships with today. In his wonderfully profane and discursive conversation with Alec, Delsener delivers a full dose of the old-school Queens personality that the New York Times says "radiates like a lighthouse beacon." Delsener's rockstar stories are great, his accent is great, and you'll leave the interview finally understanding what a concert promoter actually does. (Hint: it's so lucrative because it’s so high-risk.)
August 14, 2018
After watching an early copy of the forthcoming documentary Bathtubs Over Broadway, Alec became fascinated by the film's quietly hilarious hero, Steve Young.  As part of his job as a writer for the David Letterman Show, Steve had to scour secondhand stores for kooky music Dave would play on-air.  That's how he first came across recordings of industrial musicals, a genre of theater largely unknown to anyone who didn't attend a sales conference in the 60s or 70s.  An "industrial" was a fully staged production commissioned by a large company and performed solely for its salesmen, executives, or distributors.  Some starred top-flight Broadway talent and were written by legendary teams like Chicago's Kander and Ebb (Go Fly a Kite for GE, 1966) or Fiddler on the Roof's Jerry Bock and Sheldon Harnick (Ford-i-fy Your Future, 1959).  But many performers and composers made their living primarily doing industrials.  Steve Young has dedicated his post-Letterman life to preserving what recordings remain, and to shining light and love on the artists behind these ephemeral creations.  Alec and Steve dive into songs like "My Bathroom," and into the psychology of someone who would dedicate his life to saving them from obscurity.  Plus they talk Letterman, and Young's own path from blue-collar New England, to Harvard, to the top of the comedy-writing heap.
July 31, 2018
This affectionate, funny conversation was recorded in front of a live audience at the Tribeca Film Festival, and garnered articles in the Hollywood Reporter, Vanity Fair, BET, and beyond.  The headlines were varied:  some reporters focused on Spike's 2 a.m. call from Brando, others the big reveal that De Niro turned down Do the Right Thing.  Still others were captivated by the audience-inclusive Black Panther lovefest.  Come for all that, but stay for Alec's one-man reenactment of a fight with his parents, and Alec and Spike's deep, passionate conversation about On the Waterfront.  Regardless of which part you love most, BET got it right: "The iconic director held nothing back."
July 17, 2018
Having followed a steep path from his working-class immigrant family in Massachusetts to the pinnacle of American photography, Pete Souza ended up working for both Ronald Reagan and Barack Obama -- the only Chief White House photographer to have documented two presidencies.  "The odds of someone getting two calls to work at the White House are pretty slim," he tells Alec with true humility, saying both stints were "accidental."  That's hard to believe: Souza's unique ability to capture the moment without sacrificing composition won him plaudits for his work on daily papers well before he joined Reagan in 1983.  But even though he's an old-school news photographer, he has a decidedly new-school following, thanks to the millions around the world who followed @obamawhitehouse on Instagram, and who now follow Souza himself.  As Souza found his post-White House footing as a social media star, his Instagram turned into the catharsis bruised Blue America didn't know it needed.  When the travel ban was announced, Souza posted Obama with a smiling Muslim schoolgirl.  And the day before this episode of Here's the Thing went live, when Trump made nice to Putin in Helsinki, Souza posted Obama sternly towering over his Russian counterpart.  The Obama images, as he tells Alec, "appeal to people because of what we have now." It's an appeal he hopes to capitalize on in his new book of Trump-Obama juxtapositions, Shade. Special for Alec and WNYC, Souza gathered his favorite Obama photos that didn't make it into his book Obama, an Intimate Portrait.  You can find them below if you're reading this on the web; if not, go to www.heresthething.org. President Barack Obama plays with his niece Savita during the family's vacation on Martha's Vineyard in August, 2012 (Pete Souza, the White House)   Sasha Obama leans over her father as Malia touches his head ca. 2009 (Pete Souza, the White House)   Daniel Day-Lewis at the White House: 'Lincoln' Star reads the Gettysburg Address with Obama in November 2012 (Pete Souza, the White House)   President Barack Obama boards Air Force One at Norman Manley International Airport prior to departure from Kingston, Jamaica en route to Panama City, Panama in April 2015 (Pete Souza, the White House)   Obama crawls around in the Oval Office with Communications Director Jen Psaki’s daughter, Vivi, in April 2016 (Pete Souza, the White House)   Obama looks on as comedian Will Ferrell reads "How the Grinch Stole Christmas!" to first-term cabinet-members. (Pete Souza, the White House)  
July 3, 2018
The vast ambition of Ken Burns and Lynn Novick's PBS documentary The Vietnam War has precedents, but most of them are other Burns and Novick documentaries.  The two directors' collaborations -- including 1994's Baseball and 2007's The War, about WW2 -- use their titles as entry-points to the full scope of American history.  Novick refers to Vietnam as "the childhood trauma that America never dealt with," and Burns blames our inability to overcome the war on a failure of empathy.  "When Americans talk about Vietnam," he says, "we just talk about ourselves. [We] need to triangulate with all the other perspectives, and not just 'the enemy.'  It’s finding out what the civilians felt, the Vietcong felt, but then also our allies and the civilians and the protesters all the way out to deserters and draft-dodgers.  And if you do that, then the political dialectic loses its force, because you realize that more than one truth could obtain at any given moment."  This drive to create a common, American, sense of purpose and identity motivates Burns's work -- a theme that runs through this lively exploration of the two artists' pasts and creative processes.
June 19, 2018
Note: this interview was recorded before Roseanne's tweet and the subsequent cancellation of the show. Alec says he has never enjoyed being on-stage with a fellow actor more than when he performed with Laurie Metcalf in Arthur Miller's All My Sons.  Her genius is on full display in the new production of Albee's Three Tall Women, currently on Broadway, for which she just won a Tony.  On Here's the Thing, Metcalf and Alec discuss her evolution into an accomplished actor from her days as an aspiring German-English translator who'd never considered a career in the arts.  She recounts the early days of Steppenwolf, the legendary Chicago theater company she founded with John Malkovich, Gary Sinise, whom she met while she was still in college.  We learn what it was like working with Greta Gerwig on Lady Bird -- and toiling through the grueling "publicity circus train you have to get on for three months" when you're in a hit movie.  And finally, Metcalf shares stories from both sets of Roseanne: her insecurity about the show's staying-power in 1989, and the political dynamic on set for the reboot alongside her Trump-supporting friend.
June 5, 2018
June 5th is the 50th anniversary of the assassination of Robert F. Kennedy.  It was one of the formative events in Alec's childhood, and in the life of his father.  The release of Dawn Porter's brilliant new Netflix documentary series, Bobby Kennedy for President, was timed to coincide with this difficult milestone.  The movie is about his life and legacy, but its origins are in the killing and subsequent trial: lawyers for Sirhan Sirhan, the man convicted of the killing tried to interest Porter in a doc proclaiming his innocence.  She hired an investigator to review every shred of remaining evidence, and she herself (she's a Georgetown-trained lawyer) dug deep into the serious problems with his trial.  RFK, she says, would have been horrified at the witness-tampering, destruction of evidence, and abysmal defense.  But (despite Alec's lively, VERY informed questioning), Porter has no conclusion about his ultimate guilt or innocence.  The balance of the film, then, shows how the man lived, and what he might have accomplished.  It features never-before seen footage of Kennedy, and new interviews with civil rights heroes and Kennedy-friends Marian Wright Edelman, Harry Belafonte, Dolores Huerta, and John Lewis.  Together, Alec and Porter plumb RFK's rich family life and his political evolution, and mourn the historical and personal loss of his killing.  But first they trace Porter's own life from early years in her father's photography studio, to corporate power, to documentarian shining a light on one social-justice issue after another.
May 22, 2018
Tony Zierra’s documentary Filmworker, opening May 11, highlights the best of movie-making.  It sings an unsung hero, and through him, all the unsung heroes of Hollywood. Actor Leon Vitali got his break playing the antagonist in Kubrick’s period masterpiece Barry Lyndon.  For a few years afterwards his star was rising -- until suddenly his face disappeared from stage and screen.  But his name didn't disappear from the credits of Kubrick's films; it merely moved down.  From costar of Barry Lyndon to, in subsequent films, “Casting,” “costumes,” and “personal assistant to Mr. Kubrick."  Vitali turned his life over fully to realizing the creative vision of his visionary boss.  Zierra encountered him while making a documentary about Kubrick's last film, Eyes Wide Shut, and immediately pivoted to focus on him. At the Hamptons Film Festival, Alec sat down with both men for a riveting discussion about the film; about the intense, mercurial Kubrick -- and about the sacrifices necessary to make great art.
May 8, 2018
Schneiderman sat down with Alec last Thursday, just before news broke in the New Yorker that four women have accused him of, in the magazine's words, "non-consensual physical violence."  In the context of these women's allegations, it is undeniably jarring to hear the former Attorney General talk about his childhood and his Trump-resistance work -- not to mention his women's-rights activism and the #metoo movement.  But we felt we should put this episode out, and put it out early, so that people have access to as much of his recent thinking as possible.  We hope it is a useful resource. The introduction to this story has been updated.
April 24, 2018
Some combination of Crosby, Stills, Nash, and Young played together for 50 years until 2016. The group survived even Crosby's near-total dissolution under the influence of cocaine and heroin. That was a brush with death that left him in need of a liver transplant and a new approach to life. His newfound joy is clear in this exuberant conversation with Alec. It's also behind a recent and remarkable burst of creativity: three solo albums over the past four years. Crosby's childlike gratitude for his sixty years in music is palpable, but he is candid about the struggles, too: from wrestling with Roger McGuinn over control of The Byrds, to the terrifying culmination of the 2016 breakup of Crosby, Stills, and Nash. Plus, BONUS! This is the first episode of Here's the Thing's question-crowdsourcing experiment. Your questions provided moving insight into the impact David's music and story have made on fans over the years. We couldn't include all the questions, but we used a lot, and David was really into it. Stay tuned for another call for submissions soon.
April 10, 2018
Jeffrey Toobin is such a TV institution as a legal commentator that it can be hard to imagine him in casual clothes, outside a news studio.  But it was the real, flesh-and-blood Jeff that showed up to his interview with Alec, talking about life before CNN and the New Yorker.  There's lots to discuss about what made him the man he is, both personally (his mom was Marlene Sanders, the first big female TV news star) and professionally (when he went to publish his first book, he was threatened with criminal prosecution, accused of disclosing secrets of the Iran Contra investigation).  And of course Alec and his guest got into lively discussions about the Patty Hearst kidnapping and the OJ Simpson murder case.  Toobin wrote the definitive books on both.  Ever wonder what each of OJ's lawyers thought about his guilt or innocence?  Listen and learn.
March 27, 2018
Alec is a BIG fan of Justin Hayward -- vocalist, guitarist, and songwriter for The Moody Blues, pioneers of complex orchestral arrangements in rock.  As he tells it, their songs were the only thing that could mellow out his rough crowd in high school. Interspersed with Alec's observations on some of his favorite musical passages, this intimate conversation ranges from the technical details of how the group created its signature orchestral sound (a mechanical wonder called the Mellotron) to Hayward's sense of alienation from his younger self.  Hayward muses, "Here we are now talking about the Justin that was, from 17 years old to 30 years old, and this ghost is always with me."  More revelations abound -- some melancholy, some very funny -- on this episode of Here's the Thing.
March 13, 2018
Daughter of a science professor and an IRS agent, a double-graduate of Columbia herself, Janice Min turned her talents in the early 2000s to the glossy magazine Us Weekly. Celebrity journalism has never been the same. In its pages, she revolutionized pop culture as well as publishing, slaking a thirst Americans didn't know they had for J-Lo, the Kardashians, and The Bachelor. Min paid legions of paparazzi and helped create the fun, intimate, gossipy tone that characterizes web content today. Then she moved to the moribund Hollywood Reporter and worked the same magic but in a different key, making it the go-to magazine for serious coverage of show business. Once Alec and she cover all that history, they turn to #metoo, Woody Allen, and how to create lasting change in Hollywood. Min's take is fascinating and genuinely surprising: think Frances McDormand with a dash of Deneuve.
February 27, 2018
Cameron Crowe's teenage years are familiar to anyone who's seen his autobiographical Almost Famous: 16-year-old writing prodigy convinces Jan Wenner and Rolling Stone to let him tour with and profile the greatest rock musicians of his generation. But what came after is just as interesting: going undercover as a high-school student to write Fast Times at Ridgemont High; falling into the Say Anything director's chair after the two first choices turned it down; hanging out with Led Zeppelin to get their blessing of the songs in Almost Famous.  Crowe and Alec are friends, and it comes through in their affectionate back-and-forth about movies, writing, family, and the bands they love.  And throughout this extended interview are interspersed some great tunes that demonstrate how Crowe is a master of the "needle-drop," using music to further the story, character development, and dramatic tension of his films.
February 13, 2018
Michael Wolff’s Trumpland tell-all, Fire and Fury, has set Washington ablaze with its terrifying (and controversial) depiction of a White House in chaos.  But all the focus has been on the White House intrigue and the downfall of Steve Bannon.  The man behind the book has gotten surprisingly little attention, even though it was partly Wolff's position at the top of New York media's social heap that won him Trump's trust, and access to the White House.  Alec set out to do a different Michael Wolff interview.  At a live event at Manhattan's Town Hall, audience-members learned about the Jewish kid from Jersey with a shoeleather reporter for a mom, who gave up on being a novelist to do big-money media deals – even as he wielded his poison pen against peers in the New York media elite.  And Wolff lives up to his reputation as one of New York's best conversationalists, giving answers by turns open, cantankerous, and very, very funny.
February 6, 2018
There was no such thing as serious rock journalism when Jann Wenner borrowed money to ink the first issue of Rolling Stone onto cheap newsprint in 1967.  His creation changed the landscape of both music and magazines.  It also put Wenner, a suburban middle-class kid, into the heart of the counterculture.  He tells Alec about his complicated relationships with the greatest stars of their generation, from Dylan to Jagger to Lennon -- and about the brilliant writers like Hunter S. Thompson whom Wenner found to document their lives and times.  In the 1980s, Wenner became a media mogul, too, acquiring titles like Us Weekly that brought unprecedented wealth and thrust him even further into the public eye.  That exposure was a mixed blessing as he dealt with coming out of the closet and, this time with his new husband, becoming a father to young children again in his 60s.
January 23, 2018
"The feeling of power" that comes from playing a dark, diabolical role?  Kyle MacLachlan tells Alec, "I get it." "It’s not something you want to abuse, or let exist other than when that camera is rolling."  The wholesome, square-jawed actor's dark side can be jarring.  As Alec puts it to him, "You're the guy that could be Andie MacDowell’s boyfriend bringing a basket of puppies, and then you’re like this nightmare."  David Lynch recognized the two sides of Kyle MacLachlan from the day they met in 1983, but that wasn't how MacLachlan saw himself: he tried to break out as a Hollywood romantic lead, but always found himself drawn back into the Lynchian orbit.  Join MacLachlan and Alec as they stroll through Kyle's life story, from his conservative stockbroker father, through his glamorous girlfriends, to the joys of fatherhood and winemaking -- all to figure out why he's the perfect vessel for Lynch's uncanny characters.
January 9, 2018
New York City generates 1.3 billion gallons of wastewater every day. 16 million pounds of trash. Eight million pounds of recyclables. Think of the awesome engineering and effort behind making all of that "go away" without our thinking about it.  Alec wanted to nerd out on those secret systems, and the conversations that resulted are fascinating and fun: you don't get into this line of work unless you have a passion for it. Pam Elardo is the Deputy Commissioner of New York City's Department of Environmental Protection, leading the city's Bureau of Wastewater Treatment. Ron Gonen was New York City's first "Recycling Czar" and now thinks about the problems of waste-management from the perspective of a businessman: he's the CEO of a major investment fund looking for the Next Big Idea in recycling.  Pam and Ron walk Alec through what happens from the moment people flush the toilet or toss out their coffee-cup -- and they talk about the big-picture environmental impact of our choices.  And since this is Here's the Thing, Alec also learns the incredible life stories each one brings to the job -- from Pam's persistence in the face of the sexism that discouraged women engineers of her generation, to Ron's luck stumbling into the home of a prominent environmentalist while doing housework to make ends meet for his family as a kid.
December 26, 2017
From the humane wisdom of Farmer Hoggett in Babe to the simmering evil of Captain Dudley Smith in L.A. Confidential, James Cromwell realizes his roles with unmatched emotional honesty. He brings that same openness to a wonderful, sprawling conversation with Alec: Cromwell is a natural storyteller who’s had a remarkable life in theater, TV, and the movies. The two actors swap stories about shared teachers, loves, and frustrations – and political protest. Cromwell might be the most committed activist in Hollywood: his civil disobedience has led to multiple arrests and even a stint in state prison. And throughout the interview, you can hear the explicit and implicit influences of Cromwell’s father, a major Hollywood director who split from the family when James was six.
December 12, 2017
When John Dean found his conscience, America found its backbone and impeached a president. The Nixon Administration tried to undermine American democracy during the election of 1972 through now-legendary dirty tricks aimed at their Democrat opponents. They almost got away with it. Dean was Nixon’s White House Counsel, and participated in the cover-up of the Watergate break-in. Then he began cooperating with investigators, and blew the case wide-open. Dean is one of the most complicated and fascinating characters in modern American history. In a frank and funny conversation with Alec Baldwin in front of a live audience, John Dean opens up about how it all went down – and how it could go down now under Trump, who he says shares Nixon's paranoia and authoritarian instincts.
November 28, 2017
When two people who really love something talk about what they love, the exuberance is contagious.  Alec Baldwin, a New York Philharmonic board-member since 2011, and Alan Gilbert, the outgoing Music Director, both really love the Phil.  When Gilbert took over in 2009, he was just 42, one of the youngest orchestra-directors in the country.  He wanted to inject enough new programming to keep the institution vital, even as the most dedicated orchestra-concertgoers nationwide average 60 years old and prefer the old standbys:  29% of ticket-buyers say that more contemporary music could keep them away from the box office.  But Gilbert found the perfect balance, and Baldwin invited him on to Here's the Thing to say thanks.  Gilbert, the child of two Philharmonic musicians, tells Alec about what it was like to grow up to lead it -- and about the ups and downs of his eight-year tenure.  Plus, the two men discuss which pieces overwhelm them with emotion, and the art of directing an orchestra: why are conductors even necessary, and what makes for a great one? 
November 14, 2017
Nobody chronicled the go-go 80s like Tina Brown. Her creation, Vanity Fair, wrote that decade’s cultural history as it happened.  It was also part of the story: its fashion-spreads, celebrity gossip, and serious reporting wielded real influence in America’s centers of power. But Brown herself was at the center of it all. Michael Jackson wanted a moment of her time. She did cocktails at the Kissingers'. She had everyone's ear and everyone's phone number, and she turned Vanity Fair parties into the perfect embodiment of 80s excess. She also became famous for hosting the best dinner parties in New York, and she brings that deft conversational instinct to Here’s the Thing. Alec draws out what it took to build VF, why Brown left for The New Yorker, and her personal struggles as she tried to maintain her confidence, her integrity – and her family – through it all. And since Brown worked with Harvey Weinstein on her post-New Yorker magazine project, Talk, she and Alec talk about the current crisis, too.
November 7, 2017
American Weimar, novelist Steve Erickson’s 1995 essay on threats to American democracy, has always been among Alec Baldwin’s favorite pieces of writing.  But last year, when all of the chickens Erickson identified came home to roost, it became clear that the piece, and its author, deserved even closer study.  Erickson warned, “Democracy cannot long navigate a sea of national rage. Untempered by rationale and open-mindedness, fury eventually consumes democracy rather than nourishes it.”  Today, Americans look back on the 90s as a relatively happy time, but Erickson saw our increasing polarization and our unwillingness to make tough policy choices, and he saw where those failures could lead.  Erickson’s updated observations are just as fascinating, and troubling, as the original essay.  His latest novel, Shadowbahn, riffs on the same American themes.  In funny and moving prose, it captures a fractured people, unable to overcome our troubled past but stubbornly holding out for redemption... as one reviewer put it, “a country with hellhounds on its trail but better angels just over the horizon.”     Steve Erickson is a lot of novelists’ favorite novelist.  Pynchon says he has a “rare and luminous gift;” Rick Moody says he’s in a league with Pynchon.  Murakami’s a fan.  David Foster Wallace (in a presumably rare lapse into cliché) deemed Erickson “the cream of the crop.” Erickson’s own novels employ a wild range of genres and narrative devices -- from the Hollywood farce Zeroville, currently being turned into a movie featuring Will Farrell, to the meditative Shadowbahn, a family roadtrip through alternate American histories, featuring Elvis’s stillborn twin brother.  Erickson’s exuberant mashups feel natural and even spontaneous, but he is also a professor of Creative Writing, so in his other life he has the near-impossible task of teasing out and precisely naming the building blocks of great fiction.  And he has to decide which books best model each one for his students. During Alec Baldwin’s conversation with Erickson on the latest episode of Here’s the Thing, he asked Erickson for the reading list he provides to his Creative Writing students at UC Riverside, matched to which writing-tool each one can help budding novelists master.  Below (in the order in which it came), is that list.                Unreliable Narrative:  Wuthering Heights by Emily BrontëMixed Textual Media:  Cane by Jean ToomerThe Interior Vision:  To the Lighthouse by Virginia WoolfStructure: Tender Is the Night by F. Scott Fitzgerald & Light in August by William FaulknerVoice Driving the Narrative:  Tropic of Cancer by Henry MillerLandscape as Character:  The Sheltering Sky by Paul BowlesSocial Commentary Posing as Genre:  The Long Goodbye by Raymond Chandler (crime) & Ubik by Philip K Dick (science fiction)Integrity of Worldview Posing as Anarchy:  V. by Thomas PynchonFiction of Ideas:  Labyrinths by Jorge Luis Borges, Cosmicomics by Italo Calvino, & The Names by Don DeLillo  
October 17, 2017
Barbra Streisand has had multiplatinum albums every decade going back to the 60s.  She’s got Emmys, Oscars, Grammys, and a Tony.  She’s as big as a star gets, and she’s gotten there not despite but because of the fact that she’s remained distinctly Barbra -- the working-class Jewish girl from Brooklyn unwilling to compromise herself or her work.  That Barbra is on full display in this intimate conversation with Here’s the Thing host Alec Baldwin.  Inside her Malibu home, the two friends range over wide conversational terrain, touching on Barbra’s childhood, how the communist government in Czechoslovakia offered up the Czech Jewish community to be extras in Yentl, and the relief of getting behind the camera after years in front of it: “you never have to raise your voice, because everybody’s finally listening.”  And of course, old friends can’t meet over an empty table: food runs throughout the conversation.
October 3, 2017
It was just 15 months ago that Bernie Sanders ended his campaign for the Democratic presidential nomination, but by his own telling, he’s already converted that political insurgency into a movement that’s changed what’s considered mainstream in America, from a $15 minimum wage to universal healthcare. In his new book, Bernie Sanders Guide to Political Revolution, he distills what he’s learned into a how-to for grassroots activists. But with Hillary Clinton still on a book-tour putting part of the blame for Trump’s victory on Sanders, the self-described socialist is clearly feeling contentious, and puts plenty of blame back on Clinton and an “upper-middle-class” Democratic party, which he joined in 2015 to run for president.
September 19, 2017
For a while The Guess Who and frontman Burton Cummings were as big as it gets.  And if you’re Canadian, they’re even bigger -- the first huge Canadian rock ’n roll act, paving the way for border-crossing superstars from Arcade Fire to Justin Bieber. Burton Cumming’s main songwriting collaborator in the early years of The Guess Who was Randy Bachman, the band’s guitarist. Their collaboration changed the sound of the late 60s, but their difference in temperament ended up driving Bachman out of the band. Cummings tells Here's the Thing host Alec Baldwin why -- and about how life has just gotten better since The Guess Who broke up.  That's thanks to his dogs, his poetry, and a very dedicated fan-base.
September 5, 2017
As head of HBO Documentary Films since 1979, Sheila Nevins has exerted more influence on the medium than perhaps anyone in its history. She has overseen the production of literally hundreds of documentaries, which have won dozens of Oscars. Whether shot in a war zone or the back of a taxi, Sheila Nevins’ productions are powerful, brazen, and unflinchingly honest. But when it comes to telling her own story, truth gets trickier. As she explains to Here’s The Thing host Alec Baldwin, in her new book, You Don’t Look Your Age and Other Fairy Tales, Sheila Nevins blends fiction and reality.
August 22, 2017
Mark Twain once likened biographies to “the clothes and buttons of the man” saying “the biography of the man himself, cannot be written.” The quote is a favorite of Patricia Bosworth, a 1950s model-actor turned biographer known for capturing the lives of Diane Arbus, Montgomery Clift, and Marlon Brando. All three were revered and haunted by internal demons—a narrative she knows too well. Bosworth's own father, Bartley Crum, was a left-wing lawyer who famously defended the Hollywood before succumbing to his own psychological pain. It was her father's suicide, as well as her brother's six years earlier, that instilled a strong desire to seek out the stories of other tormented souls. Patricia Bosworth's latest book The Men in My Life turns that voyage inward, painting a picture of a resilient woman with a tragic story of her own.
August 8, 2017
Charles Munn's quest to save the Amazon revolves around one theory: if people see the beauty in nature, they’ll fight to protect it. So far, he’s right. Over four decades, the American conservation biologist’s ecotourism mission has helped restore 12 million acres of tropical forests in South America, including some of the most biologically diverse protected areas on earth. Today, he does this through SouthWild. Munn talks to Here’s the Thing about bird watching in the same garden as Einstein, using ecotourism as a conservation tool, and being the only safari guide in the world with a jaguar guarantee.
July 25, 2017
Much like the staggering beauty of her voice, Audra McDonald is impossible to ignore. The only artist to sweep all four acting categories at the Tony’s, she’s the most decorated Broadway star of all time. Reviews of her award-winning performances overflow with accolades, describing her stage presence as “spellbinding,” “haunting,” and “genius.” But for the California native, things haven’t always been easy. She talks to Alec about getting into Juilliard, making it on Broadway, and the suicide attempt that helped shape who she is today.
July 11, 2017
Many words can be used to describe singer-songwriter Jon Anderson; cautious is not one of them. Born in England in 1944, he began singing on his brother’s daily route as a milkman before falling head first for rock n’ roll. After meeting bassist Chris Squire in the late 1960s, he joined a rock group called Mabel Greer’s Toy Shop—and the two left to form a band that was later renamed Yes. Now 72, he’s sold more than 50 million albums worldwide. But for the adventurous Anderson—whose rendition of Goldfinger earned him the nickname "The Shirley Bassey of Rock and Roll," it’s still all about the music.
June 27, 2017
Before Sofia Coppola could talk, she was in movies, famously playing an infant in her father Francis Ford Coppola’s masterpiece The Godfather. She’d appear in the next one too, as an immigrant girl, but it was her role in The Godfather: Part III that caught the attention of the media—not in a good way. Critics claimed her novice performance “ruined” the final chapter of his series. It was a painful moment for Coppola, but one that gave her a firsthand look at the vulnerability of stars. Today she has the reputation of being “soothing” on set—a tactic that, given her multiple awards and accolades, is an effective one.
June 13, 2017
Philip Galanes is a man of many words—which comes as no surprise to his family, who grew up listening to him read Dear Abby columns aloud. An avid reader and passionate wordsmith, he returned to his alma mater, Yale University, a few years after graduating to get his law degree. But decades into a career as an entertainment attorney, his life took a different path. Today, the brains behind the New York Times advice column Social Q's, he proffers advice on everything from ex-boyfriends to sibling rivalry. The common theme among them all: a little fibbing never hurts.  
May 30, 2017
Combining three musical genres in your debut album may be risky, but Joe Jackson never cared about playing it safe. In 1979, his first LP Look Sharp! did just that—weaving pop, ska, and punk together into a sound all its own. With songs like Is She Really Going Out With Him? and Steppin Out, his pioneering sound helped usher in the New Wave era of the early 80s, and cement his place as music royalty. Currently on tour nationwide, Jackson talks with Alec Baldwin about “fake news,” the instrument he considers to be medieval torture, and the reason he can no longer watch The Grammys.
May 16, 2017
It’s hard, if not impossible, to imagine the 1970s without Carly Simon. After opening for Cat Stevens at LA's Troubadour in 1971, she gained near instant fame, winning a Grammy for Best New Artist that same year. The daughter of Richard L. Simon, co-founder of publishing house Simon & Schuster, she grew up surrounded by greatness. But if her childhood was peppered with celebrities, her adult life was dripping in them. By her mid-20s she’d meet Bob Dylan, duet with Mick Jagger, and marry James Taylor. Still, the shy New York native was a superstar in her own right, one who battled a stammer and a severe case of stage fright. She tells Alec Baldwin about conquering them both to become a musician who shaped an era. You can learn more about Carly's life in her 2015 memoir, Boys in the Trees. 
May 2, 2017
Good stories teach us about humankind, great ones change the way we see it. For many, S-Town -- a seven episode series about an eccentric Alabama horologist named John B. McLemore -- has done just that. Released on March 28, the podcast reached critical acclaim near instantly, garnering 16 million downloads in the first seven days. For Brian Reed, the host and producer behind it, the reception has been thrilling. As the world continues to devour his masterpiece, Brian talks to Alec Baldwin about the email where it all began.
April 18, 2017
British-born comedian, actor, and writer Tony Hendra knows a thing or two about mocking politicians. As one of the first editors of the American humor magazine the National Lampoon, he helped perfect and popularize the type of satire that comedians still rely on to challenge the status quo. His move from the variety TV show circuit in the 60s to the parody news world in the 70s was a deliberate response to the election of Richard Nixon. As Donald Trump gives new urgency to an art form Hendra helped shape, he talks to Alec Baldwin about the monk who changed his life, the glory days of National Lampoon, and why it’s a good thing that SNL is getting under the president’s skin.
April 17, 2017
Here’s The Thing listeners are used to hearing Alec ask the questions, but for this bonus episode, he’s the guest! To mark the publication of his new memoir, Nevertheless, Alec talk about money, drugs, career choices and family with Death, Sex & Money host Anna Sale. Stay tuned for Alec’s conversation with comedian and satirist Tony Hendra – out on Tuesday!
April 4, 2017
Grand Funk Railroad's lead vocalist talks to Alec Baldwin about his Christian faith and writing one of his greatest hits in the middle of a fight with his first wife.
March 21, 2017
Megan Mullally and Nick Offerman are famous for creating iconic TV characters on two beloved sitcoms, "Will & Grace" and "Parks and Recreation." But they also have a life together off screen. They've been married since 2003, and Playboy magazine compared their comic chemistry to "that of a hyper-sexualized Jerry Stiller and Anne Meara." They talk to Here's the Thing host Alec Baldwin about struggling to launch their careers, why it took them so long to kiss, and how jigsaw puzzles, audio books, and carpentry keep their marriage strong.
March 6, 2017
These days, legendary fashion editor Grace Coddington tends to wear black—her way of remaining a “blank slate” at the fashion shoots she runs. But it wasn’t long ago that she herself was the vessel for the clothes. Born in the north of Wales in 1941, Coddington began modeling in London at age 18 and landed on the cover of British Vogue in 1962. Following a serious car crash that left one eyelid damaged, she was offered the position of junior fashion editor at British Vogue in 1968. After she rose up the ranks of the fashion world, Calvin Klein hired her as his design director in New York in 1987. But Coddington missed magazines. So she phoned her former colleague, Anna Wintour, then the new editor-in-chief of U.S. Vogue, who promptly appointed her its creative director. Over the next 30 years, Coddington would go on to help shape it into the most powerful fashion publication in the world before leaving in January 2016 to pursue her own projects. But despite her air-tight confident image, Grace Coddington is still the shy girl who, “rigid with nerves,” failed all her exams in high school. She talks to Alec Baldwin about the current state of fashion in America, the up and coming model she’s most excited to watch, and why dressing men makes her nervous.
February 21, 2017
Farmer, poet, and pioneer of the community farming movement, Scott Chaskey is the kind of progressive thinker that doesn't come around often. Weaving together his passion for farming and prose, the 66-year-old has penned multiple books on the community farming movement, creating a road-map for Americans who want to live off the land as a community. He talks to Here’s the Thing host Alec Baldwin about deciding to “eat consciously,” watching his love for the earth go global, and the food his kids hid from him when they were little.  
February 7, 2017
Thelma Schoonmaker—with a face and demeanor like your favorite grade school teacher—may be the last person you’d imagine to helm the epic violence of Martin Scorsese’s films. Yet this earnest, soft spoken woman has edited every single movie he’s done since Raging Bull. The two’s relationship is considered one of the most successful working marriages in movie history, earning Schoonmaker three Academy Awards and seven nominations. But filmmaking wasn’t always the plan. She talks to Here’s the Thing host Alec Baldwin about Scorsese’s pet peeves, what it’s like to “create” violence, and the woman she credits with giving her the “greatest life in the world.”
January 24, 2017
It’s hard to imagine John Turturro—an award-winning actor, director, and writer—feeling inadequate. But even today, the big-hearted 59-year-old says he’s “still learning” his craft. Raised by Italian working-class parents in Park Slope, Brooklyn, he majored in theatre at the State University of New York at New Paltz before winning a scholarship to the Yale School of Drama. In 1989 he soared to fame as Pino in Spike Lee’s Do the Right Thing and has been steadily solidifying his role as a Hollywood superstar ever since. While balancing a kaleidoscope of roles, he’s managed to both write and direct his own movies—most recently the reimagining of a French film from the 70s. He talks to Here’s the Thing host Alec Baldwin about meeting his wife at Yale, playing James Gandolfini’s part in HBO’s The Night Of, and the crisis that almost convinced him to go to medical school.   Check out video of Alec's conversation with John Turturro on Spike Lee and 'Do the Right Thing'.
January 17, 2017
Last month, as our listeners know, Debbie Reynolds died on December 28th – one day after her daughter, Carrie Fisher, died, on December 27th. Alec talked to Debbie Reynolds over three years ago for Here’s The Thing. We always hoped he would sit down with Carrie too – perhaps with her mother. Sadly, this will never happen. But as a tribute to both women, we are giving listeners a chance to relisten to Alec’s conversation with Debbie Reynolds – a woman with over 6 decades of experience in show business. She talks to Alec about her big break in Singing in the Rain. “I slept in my dressing room,” recalls Reynolds. “I didn't take any days off because I’d practice on Saturday and Sunday.”  Reynolds went on to appear in Tammy and the Bachelor, The Unsinkable Molly Brown—and more recently, Mother. Reynolds talks about working with different directors and says she’s not one to hold a grudge, but warns that she does have a memory like an elephant.
January 3, 2017
Few musicians can compete with the encyclopedic musical knowledge that Ahmir “Questlove” Thompson possesses—which is great news if you got to be a student of his at NYU. When not teaching music history, the 45-year-old drummer is directing the Grammy-Award winning group The Roots—a hip hop collective that rose from “everyone’s favorite underground secret” in the late 90s to Jimmy Fallon’s house band on The Tonight Show. Whether drumming, DJ’ing, or writing a book on food, Questlove is universally beloved. “The coolest man on late night,” according to the Rolling Stone. But there is one thing this genius of music can’t do: accept that he is one. He talks to Here’s the Thing host Alec Baldwin about a three year exile in London, Jimmy Fallon wooing the Roots, and how meditation saved his life.
December 27, 2016
Patti Smith defined punk rock in 1978 with her hit song Because the Night, but the New Jersey native was never looking for fame. A lover of poetry, art, and creative expression, it was the desire to “do something great” that motivated her to move to New York at age 20—that, and hunger. The oldest daughter of a waitress and factory worker, she knew how to survive on little money. Making a lot of it, she says, was never part of her journey. But an astounding journey it’s been—one that’s sent her touring around the world, writing award-winning books, and marrying a musician with whom she had two kids. She talks to Here’s the Thing host Alec Baldwin about singing poetry with The Beats, getting saved from a bad date by Robert Mapplethorpe, and her love for 7/11’s glazed doughnuts.
December 20, 2016
At age 15, Robbie Robertson packed up his guitar and took a train from Canada to the Mississippi Delta—or as he calls it, the “holy land of rock n’ roll.” Inspired by his Mohawk relatives' musical talents, Robertson was determined to make his own mark on the music scene—and did. After playing backup for Bob Dylan’s 1966 world tour, he joined forces with other talented musicians to form a group humbly crowned: “The Band.” Operating out of a big pink house in New York, the lyrical genius and his band mates penned classics like The Weight—still considered a masterpiece today. As his new autobiography Testimony hits the shelves, Robertson talks to Here’s the Thing host Alec Baldwin about the Indian reservation where he first learned music, the makeshift basement studio where he wrote it, and the final performance that nearly got Martin Scorsese fired.
December 6, 2016
Eric Fanning didn’t think there was a place for him in a "Don’t Ask, Don’t Tell" military, but today he’s Secretary of the US Army. He is the first openly gay leader of the armed forces. Fanning was raised in Michigan in a military family and had a life-long interest in government and politics. He earned an Ivy League education and worked in policy think tanks. But over the years, attitudes changed. And the military changed too. Fanning’s job as Secretary of the Army is like a real life game of Risk. When Russia or North Korea flexes its muscles, Fanning makes sure that US troops are ready to move to conflict borders. He ensures that those same soldiers have the tanks and body armor and weapons they need when they hit the ground in Afghanistan or Iraq. Fanning tells Alec there is a myth that the military is the first to want to go in and fight. In fact, says Fanning, it’s the opposite, because the military knows what this actually entails. Combat should be a last resort.
November 22, 2016
Born in Flint, Michigan, Sandra Bernhard was raised in a conservative Jewish family. She spent 8 months on a kibbutz out of high school, then moved to LA in 1974 at age 19 and enrolled in beauty school. She started performing in comedy clubs at night. And for many, Sandra Bernhard is a stand-up comedian – after all, she soon attracted the likes of Paul Mooney, who became a mentor. But she's also done film and TV. As she tells Alec in this episode of Here’s The Thing, Bernhard doesn’t prefer one form over the other, but says “everything feeds off the other." Bernhard talks with Alec about her 1983 breakout role in Martin Scorsese’s The King of Comedy -- and what it was like to perform opposite Jerry Lewis. Bernhard says she never wanted to settle for “just telling jokes.” She always wanted more. A bigger stage. A wider audience. She has a home on stage, but Bernhard is the first to admit that she finds manual labor – like cleaning the kitchen or doing  laundry – freeing. “It’s meditative,” she tells Alec, who concurs.
November 8, 2016
In the 1980s, Athens, Georgia, rock band R.E.M. was the epitome of the artful "alternative" band— producing a string of beautiful, if occasionally inscrutable albums, and slowly evolving over time. But then came Out of Time, the band's true arrival as global rock stars, riding largely on the strength of “Losing My Religion,” which was in constant rotation on TV and radio throughout 1991. It was the moment the band snapped into crisp pop focus—and lead singer Michael Stipe stepped with somewhat more gusto into his role as frontman. Stipe led the band through twenty more years of bold experimentation, massive success, and the occasional misstep—but never insincerity. R.E.M. disbanded in 2011, and, for the last five years, Stipe has channeled his new time and energy into photography, teaching, and politics. And while his songs will almost certainly last in the cultural memory for a very long time, Stipe himself has even broader ambitions. Like living until he’s a hundred and twenty, for starters. He talks to host Alec Baldwin about his long-term plans, as well as more immediate concerns, like voting.  
October 25, 2016
Over the course of a career that has lasted more than half a century, Canadian singer-songwriter Gordon Lightfoot has achieved global stardom and exceptional influence. Bob Dylan’s a fan—he's said, “I can’t think of any [Lightfoot songs] I don’t like.” These songs—“Beautiful,” “Sundown,” “If You Could Read My Mind,” and many others—have been treasured by generations of popular musicians and listeners around the world. But Gordon Lightfoot was just one of many aspirants who moved to Toronto in the early 1960s to try their hand in the burgeoning folk music scene there. Lightfoot tells host Alec Baldwin about fitting a feeling to a melody, why he owes his first hit record to an exec's girlfriend, and how he wrote "The Wreck of the Edmund Fitzgerald" by pulling lines straight from the newspaper. 
October 11, 2016
Each week, more than 400 radio stations across the country air "On The Media," a program that takes a hard look at the boldfaced names in the headlines—and the smaller names in the bylines. The program has won many awards for its role as a watchdog for journalistic accountability—including a Peabody, the highest honor in broadcast journalism. Recent episodes have investigated why it's difficult to report on prison strikes, shamed the editorializing of infamous “sting operation” videographer James O’Keefe, and pondered ExxonMobil's climate change research. The show's co-host, Bob Garfield, brings a skeptic's ear for opinion and an insider's knowledge of how the spin factory works: for 25 years, he keenly dissected commercials for Ad Age magazine. He tells host Alec Baldwin that, despite his mellifluous voice, he wasn't a shoe-in for radio, and explains why his outrage at telemarketers mirrors his indignation at being fed political bull. 
September 27, 2016
Howard Schultz wasn't born into business. A Brooklyn boy whose father worked menial jobs to support the family, Schultz thought his way out would be through sport. That is, however, until he broke his jaw on the football field at 18 (an injury from which Schultz is still recovering). For the next three years, he made cold calls, a job he hated but which ultimately taught him about how to sell himself. He soon connected those selling chops with a small Seattle coffee roastery called Starbucks. He hoped to expand the chain to 100 stores; Starbucks now has 25,000 locations across the globe. Howard Schultz—who has been at the helm as CEO for most of the company's history—tells host Alec Baldwin that at the core of that success is a desire to build the kind of socially enlightened, employee-focused business that his father was never able to work for.
September 13, 2016
Elliott Gould has lived a life in show business. He was just 12 when he started singing and dancing in a vaudeville routine in 1951. Dancing has been a fixture: Gould says he tangoed with his mother to "I Get Ideas" at his own bar mitzvah, perhaps hinting at the career-long mix of serious artistry and arch comedy (with a bit of outré sexual antics thrown in) that was to come. His breakout role came in the 1969 romp "Bob & Carol & Ted & Alice," but Gould says it was his dancer's mind—a fixation on repetition to perfection—that ultimately caught the awareness of director Robert Altman. The two achieved mutual career standouts with films like "M*A*S*H," "The Long Goodbye," and "California Split." The latter is a film about the dark side of gambling—Gould's own struggle with gambling addiction would later add a subtle depth to his role in the "Ocean's Eleven" franchise. Gould told host Alec Baldwin about all this and more at the TCM Classic Film Festival this past April, and opened up about his relationships with Donald Sutherland, his first girlfriend (and, for a time, wife) Barbra Streisand, Ginger Rogers, Jack Nicholson, Ben Affleck, and many others.
August 30, 2016
In Iris Smyles' new book "Dating Tips for the Unemployed," the main character 'Iris Smyles' embarks on a personal journey (modeled on Homer's "Odyssey") that involves plenty of emotional shipwrecks and failures to launch. The source material is closely drawn from the author's own off-center life. Smyles tells host Alec Baldwin about her preternaturally early interest in classic literature, details how and why she indulged her self-destructive streak, and explains why the five years she lived like a typing monk were the best of her life. "Who wants to be moderate at anything?" says Smyles, "That's so boring."  
August 16, 2016
Kevin Kline is one of the most acclaimed entertainers working today. So how did the kid from St. Louis end up with an Oscar, two Tony awards, and a career that has intersected with those of Meryl Streep, Angela Lansbury, John Cleese, and Kenneth Branagh, to name just a few? He says that, at Juilliard, the answer came in the form of a pair of tights and lots of dance practice, as well as a merciless culling of his midwestern elocution. Kline's career accelerated early: a cross-country tour with the soon-to-be renowned acting company founded by the great John Houseman led to Tony-decorated roles (three years apart) in "On the Twentieth Century" and "The Pirates of Penzance." His first film role soon followed, opposite Streep in "Sophie's Choice." Kline's stage and screen stock hasn't dipped since. He recently spoke with Alec Baldwin in front of a live audience at the Two River Theater in Red Bank, New Jersey, where he assessed some of his many marquee performances, and demonstrated the most important thing he learned at Juilliard: how to do a theatrical bow from every era since the Renaissance. 
August 2, 2016
Gregory Jaczko didn't grow up aspiring to work on the country's central nuclear energy oversight body, the U.S. Nuclear Regulatory Commission. He had a freshly-minted Ph.D. in physics when he received a fellowship to learn about the political process in Washington, D.C. While there, he worked with Senators Ed Markey and Harry Reid, apprenticeships that prepared him for the contentious work of navigating nuclear industry interests—or pursuing countervailing aims. In fact, Jaczko says that when he was appointed to the NRC, he "arrived with a 'scarlet N'" (for "nuclear") because Markey and Reid have combative histories with the nuclear industry and lobby. Questions about Jaczko's leadership style dogged his tenure, including allegations of angry outbursts and abusive behavior. These resulted in a series of high-profile Congressional hearings; though a later investigation cleared him of wrongdoing, Jaczko resigned before the end of his term. But he tells host Alec Baldwin that after President Obama made him the youngest chairman in the history of the Commission, his primary aim was ensuring safety at the nation's aging and decaying nuclear energy sites—especially in the wake of the 2011 reactor disaster in Fukushima, Japan.  
July 19, 2016
Viggo Mortensen became a global star as a valiant crusading king in Peter Jackson's "The Lord of the Rings" trilogy. But then he deftly complicated this virtuous image with a series of dark, dense character studies for the director David Cronenberg. And his latest role is perhaps his most complex yet. In "Captain Fantastic," Mortensen plays a father who raises his six children in the wilderness—then reassesses his convictions as this bucolic fantasy collapses. The fame that came with his "Lord of the Rings" role also gave Mortensen the freedom to exercise his wider artistic imagination: he's a distinguished author, poet, painter, and publisher. Mortensen tells host Alec Baldwin how he got his acting start in school playing the ass-end of a dragon, and explains how his eleven-year-old son convinced him to say yes to the role that would make him famous.  
July 5, 2016
Michael Eisner started out in show business the same way everybody else does: by taking tickets at the studio door. But most ticket takers don't end up as epochal media magnates. Eisner rose to prominence at ABC as a protege of Barry Diller, helping to take the television network to the top of the ratings with programs like Roots and Happy Days. He jumped (also with Diller) to Paramount Pictures, and during his eight year stint as president and CEO, the studio produced hit film after hit film, including Raiders of the Lost Ark, Saturday Night Fever, Beverly Hills Cop, and many more. Eisner then spent the next two decades leading The Walt Disney Company, reinvigorating the animation studio with experiments like Who Framed Roger Rabbit? and dozens of musical successes, starting with The Little Mermaid. But it wasn't just cartoons: Eisner vastly expanded the company's signature amusement parks, and spearheaded numerous media acquisitions, with Disney eventually absorbing ABC, ESPN, and launching cruise lines and sports teams. Eisner continues to experiment with new ideas and formats; his production company makes, among other things, a Netflix cartoon for adults about an alcoholic horse. Eisner walks host Alec Baldwin through his expansive film career, and explains how he views risk and reward.    
June 21, 2016
Joe Dallesandro became famous as a shaggy-haired blond Adonis in the iconoclastic and transgressive Andy Warhol-produced films Flesh, Trash, and Heat, in which he helped to rewrite the rules for onscreen sexuality. He's name-checked in "Walk on the Wild Side," Lou Reed's most famous song, and that's Joe's pair of jeans on the cover of the 1971 Rolling Stones record Sticky Fingers. But, as he tells host Alec Baldwin, Dallesandro just wanted to run a pizza place. That was before a series of left turns brought him to the attention of one of the twentieth century's most influential taste makers — even if "Little Joe" didn't have a clue who Andy Warhol was at the time. 
Loading earlier episodes...
    15
    15
      0:00:00 / 0:00:00