The Reel podcast from the Los Angeles Times delivers smart, engaging conversations on the entertainment industry fresh from the people who know it best. From hidden gems to blockbusters and the biggest moments in show business, host Mark Olsen talks with actors, writers and directors as well as reporters and critics from the Times’ celebrated film and television teams. Hear the art in entertainment, each week on The Reel.
Host Mark Olsen discusses "Parasite" with members of the Times film staff. For our new culture news segment, reporter Greg Braxton shares his thoughts about the official opening of Tyler Perry Studios, while columnist Glenn Whipp gives the state of the best actor race in the 'Awards Minute.'
Times film staff discuss "Joker" and the controversy around the movie. Plus, in our new culture news segment, host Mark Olsen discusses the impeachment inquiry's impact on late-night TV, and Glenn Whipp shares his thoughts about "The Irishman" in our new 'awards minute' segment.
Mark Olsen talks with members of the Times TV team about the Emmys, television’s continuing creative renaissance, and the changing nature of the medium. The Reel also introduces new segments: an update on awards season, and a conversation on a news item from the world of culture.
Mark Olsen and Jen Yamato talk with Derek Mio and Alex Woo, the star and showrunner, respectively, of AMC's "The Terror: Infamy." Set during World War II and the internment of Japanese Americans, the show weds that real-life horror story with a tale of the supernatural.
The second season of "Mindhunter" feels especially topical and relevant. Focused primarily on the Atlanta child murders between 1979 and 1981, the show examines disturbingly contemporary topics like distrust of police, embedded racism and white supremacist violence. Host Mark Olsen discusses "Mindhunter" with Times TV writers.
Host Mark Olsen talks with Craig Mazin, the writer and creator of HBO's "Chernobyl." The miniseries is more than a dramatization of the 1986 nuclear meltdown in the USSR. It also tells a story of the “cost of lies” and the real-life dangers that result from a culture built on propaganda and misinformation. As he developed the script in 2016, Mazin saw parallels in American politics, with whole segments of the public growing untethered from the truth.
Back for its second season, HBO’s “Succession” wears its contempt for the billionaire class on its sleeve. Featuring an ensemble of entertainingly loathsome characters who backstab each other as they battle for power within a family-owned media empire, the Times TV editor says it's the show you need to watch this summer.
*** SPOILER ALERT*** Spoilers start at 15:08. With a title that suggests the opening of a child’s storybook, Quentin Tarantino revisits the Hollywood of 1969 and that summer night 50 years ago when members of the Manson family set out for Benedict Canyon with murder in their hearts. Deep spoilers involving the end of the film start at 15:08. Come back and listen to our writers’ analysis once you’ve seen "Once Upon a Time ... in Hollywood."
When filmmaker Lulu Wang pitched 'The Farewell,' the semi-autobiographical story of her family’s efforts to keep her grandmother from learning of her Stage 4 cancer diagnosis, studio executives pushed for a white love interest, and a Chinese version of ‘My Big Fat Greek Wedding.’ But Wang stuck to her vision, and refused to resort to a predictable storyline. Will this tale of an American immigrant family be the indie hit for the summer of 2019?
With Amazon Prime’s 'Too Old to Die Young,' director Nicolas Winding Refn brings his arthouse sensibility to streaming television to experiment with pacing, narrative and character development. Refn joins us from Copenhagen to discuss his vision and why he loves to set his stories in Los Angeles.
Michael Mann’s 1995 'Heat' has become the definitive LA crime film, but probably no one has done more lately to celebrate the epic tale of cops and robbers than Australian movie critic Blake Howard — his podcast, One Heat Minute, is a broad affirmation of why we love cinematic culture.
Parents are sure to be triggered by the copious amounts of sex, drugs and smartphone mischief in HBO's Euphoria, while on a lighter note, super fans of Younger are overjoyed by the return of the TV Land favorite.
The resistance is storming TV with shows like The Handmaid's Tale and Big Little Lies, while underrepresented communities are challenging the rules of the casting game to gain increasing visibility on the screen.
The end of so many beloved and long-running TV series is leaving a hole in our hearts, disrupting our viewing patterns and forcing us to find new and different television companions to fill their place.
The summer of Manson is upon us. Ahead of the 50th anniversary of the mass murder masterminded by Charles Manson, a wave of content is coming our way.
The grisly slayings of eight people — including the very pregnant Sharon Tate — cast a long shadow over the romantic adventure of the 60s counterculture, fascinating and haunting us to this day.
Out now in theaters is CHARLIE SAYS, the second of a trio of Manson family films this year. Rather than focus on the violence, CHARLIE SAYS is a sensitive, psychological portrait of three of Charlie’s girls -- as they descend into the madness of Manson’s world, and with the help of a grad student, go through a deprogramming process in prison.
LA Times film writer Mark Olsen ( @IndieFocus) talks with the movie’s director Mary Harron and writer @turnerguinevere, the filmmakers behind AMERICAN PSYCHO. Harron and Turner discuss their efforts to capture the domestic abuse and manipulation within the Manson family, along with the sexism of their freewheeling commune life.
But first, Olsen chats with critic and self-described Manson head @katiewalshstx , who calls CHARLIE SAYS a deeply feminist film that captures the toxic masculinity and sexual manipulation practiced by Charles Manson.
Women love true crime, but they’re also fed up with maneuvering the male-dominated workplace, being underestimated and checking their emotions at the door.
Enter KILLING EVE, the right show for the right time.
Featuring a fearless, high-fashion assassin and the astute MI6 agent pursuing her, the psychosexual thriller — made by women and starring women — unapologetically exudes femininity from head to toe.
The series has found its audience and is on a roll by playing into the emotions of the cultural moment. Host Mark Olsen (@IndieFocus) checks in with Times television team members @LorraineAli and @villarealy halfway through the second season.
Later on, horror filmmaker @rox_anne-b makes her feature directing debut with BODY AT BRIGHTON ROCK. Olsen talks with her about the glories — and risks — of filming in the great outdoors and keeping genre fans surprised.
Let's listen in.
SPOILER ALERT: Spoilers start at 18:10!
Eleven years, 22 films, $18 billion and counting at the global box office: Avengers: Endgame is finally in theaters, bringing to a close a chapter in the Marvel Cinematic Universe.
It’s been a big emotional investment for fans, and judging by the reaction of some of its stars, it’s been one for the actors as well.
Meanwhile, over the course of the franchise, MCU’s longform storytelling has redefined Hollywood.
Fans have had a lengthy relationship with these characters. Are they ready for the endgame?
Today’s episode is in two parts: The first is spoiler-free, but that is followed by a section for people who have seen the film. So listen for the cues and come back to take it all in, both before and after your trip to the theater. There’s a lot to process.
Let’s listen in.
SPOILER ALERT: Spoilers start at 18:10!
HBO may not have known it had a hit on its hands in 2011, but the premiere of the final season of GAME OF THRONES shattered ratings records for the network.
Viewing of the series has reached a fever pitch and blown up Twitter, while fans divine clues over who will live, who will die, and who will win the Iron Throne.
LA Times film writer Mark Olsen (@IndieFocus ) is joined by @marymacTV @tracycbrown and @MeredithBlake to ponder deep cuts and the series' role in the history of modern television.
When was the last time the public had to say goodbye to a show long before growing tired of it?
When the movie HEATHERS was shown at the 1989 US Film Festival, now known as Sundance, the Los Angeles Times film critic Sheila Benson wrote: “No amount of production sheen or acting skill seems excuse enough for the film's scabrous morality or its unprincipled viciousness.”
In The New Yorker, Pauline Kael wrote the script for the black comedy “promises that the picture will lift off into the junior division of Blue Velvetland. But layers of didacticism weigh it down.”
But HEATHERS has survived the test of time to become a cult sensation, and is now being celebrated on the 30th anniversary of its theatrical release.
With its big hair and big shoulder pads, the film took on the nasty high school caste system in a way that was ahead of its time. HEATHERS turned the common cruelty of most teen films of that era on its head. In a conversation with LA Times film writer Mark Olsen, (@IndieFocus ) the movie’s writer, director and one of its Heathers explain that the film was designed as an antidote to John Hughes movies.
And later, Fosse/Verdon fans don’t want to miss Olsen's talk with Steven Levenson, the Tony-winning writer of Dear Evan Hanson, and a writer and executive producer of the miniseries on FX.
The master himself, Stephen King, has said PET SEMATARY “is a scary movie. Be warned.”
It explores grief, emotion, guilt and love. You could say it’s a family film -- in a terrifying, don’t bring your little ones kind of way.
LA Times film writer Mark Olsen (@IndieFocus) is joined by one of PET SEMATARY’s stars -- actress and filmmaker Amy Seimetz -- who talks about elevating a horror picture to an art film, creating female characters typically not seen on screen, and finding your own people in the indie film world.
Then, fans of iconic Broadway and the movie musical: We have your number. Olsen talks to Andy Blankenbuehler, the choreographer of Hamilton, who also choreographed Fosse/Verdon, the new FX miniseries that chronicles the creative and romantic partnership between Bob Fosse and Gwen Verdon.
Six years after SPRING BREAKERS, Harmony Korine is back with a new film, THE BEACH BUM, out now in theaters. The wildly creative filmmaker and fine artist is a teller of modern-day tall tales, something of a cross between a burnout Mark Twain and an Andy Warhol of the Florida Keys. Korine talks with LA Times film writer Mark Olsen (@IndieFocus) about how he’s skirting autobiography in his work, the casting choices he made for The Beach Bum -- like Matthew McConaughey, Martin Lawrence, Snoop Dog and Jimmy Buffett -- and how he feels about being a perennial Hollywood outsider.
But first, The Times Yvonne Villarreal (@villarrealy) spoke with the showrunners for the recently canceled Netflix show, ONE DAY AT A TIME.
Emotions -- and opinions were strong. Is diversity and inclusiveness really happening in Hollywood? Does the cancellation signal that the American Latinx experience is almost being erased from the airwaves?
What happens when a show is more than just a show?
The much anticipated follow-up to Jordan Peele’s GET OUT is out now in theaters. And Peele delivers the film he set out to make- one that scares people's pants off. In the process, he has reclaimed the art of the horror genre.
LA Times film writer Mark Olsen (@IndieFocus ) talks with Justin Chang (@JustinCChang) and Jen Yamato (@jenyamato ) about how US is in some ways a political film about contemporary America. But it's also a horror flick with a black family at its center, instead of the conventional white one.
The Los Angeles Times is in Austin for South by Southwest, the the annual festival of film, music, technology, art, culture, tacos, barbecue, partying - and something of a laboratory think tank for the future.
Times film writer Mark Olsen (@IndieFocus) talks with @marcmaron, who's expanding his wings as a movie actor, along with director @lynnsheltonfilm, who saw him as a star. Olsen also interviews @alexgibneyfilm, whose documentary about Theranos founder Elizabeth Holmes, THE INVENTOR: OUT FOR BLOOD IN SILICON VALLEY, is set to debut on HBO.
And in a preview of next week's episode, Austin native Ethan Hawke shares his affection for SXSW, and says "its DNA is a little more punk rock than any other festival in America."
With its first female-led installment in the Marvel Studio franchise, most people are asking what took so long? But in one corner of the Internet, CAPTAIN MARVEL is a bridge too far, especially for those angered by star Brie Larson's progressive calls for diversity and inclusivity. LA Times film writer Mark Olsen (@IndieFocus) is joined by Kenneth Turan (@KennethTuran), Jen Yamato (@jenyamato), Justin Chang (@JustinCChang), Tracy Brown (@tracycbrown) and Sonaiya Kelley (@sonaiyak ) to discuss the politics surrounding CAPTAIN MARVEL and the merits of the film itself -- its indie directors, its '90s nostalgia and its cast, including Reggie, the cat thespian.
Despite what's been called a "despicable" Best Picture win, L.A. Times feature writer and reviewer Mark Olsen (@IndieFocus) talks with Justin Chang (@JustinCChang), Mary McNamara (@marymacTV) and Glenn Whipp (@GlennWhipp) about how real change may have arrived at the Academy. Plus, Jen Yamato (@jenyamato) and Amy Kaufman (@AmyKinLA) get their Gaga fix on, and share the scoop on what was going on off-camera at the Academy Awards.
On this week’s episode of The Reel, L.A. Times feature writer and reviewer Mark Olsen (@IndieFocus) previews the 2019 Academy Awards with Justin Chang (@JustinCChang), Mary McNamara (@marymacTV) and Glenn Whipp (@GlennWhipp). They discuss their favorite films of the year and explore some of the possible outcomes in this year's top award categories.
On this week’s episode of The Reel, L.A. Times feature writer and reviewer Mark Olsen (@IndieFocus) is joined by Director Spike Lee and two of his longtime collaborators, composer Terence Blanchard and editor Barry Alexander Brown. They discuss the success of their latest, “BlacKkKlansman” and the lasting impact of the film.
On this week’s episode of The Reel, L.A. Times feature writer and reviewer Mark Olsen (@IndieFocus) was joined by Director Steven Soderbergh, to talk about his new film “High Flying Bird,” which premiered at Slamdance Film Festival last month. The Oscar-winning filmmaker takes us inside his movie-making process, including what it's like shooting a movie entirely on a smartphone.
On this week’s episode of The Reel, L.A. Times feature writer and reviewer Mark Olsen (@IndieFocus) was live in Park City, Utah for the 2019 Sundance Film Festival. After watching many of this year's movies and documentaries, he sat down with Justin Chang (@JustinCChang), Amy Kaufman (@AmyKinLA), Kenneth Turan (@KennethTuran) and Jen Yamato (@jenyamato) to discuss the best films they saw and why.
On this week’s episode of The Reel, L.A. Times feature writer and reviewer Mark Olsen (@IndieFocus) sits down with Glenn Whipp (@GlennWhipp) and Justin Chang (@JustinCChang) to take an early look at the 2019 Oscar nominations. They discuss key takeaways from the nominated films, including an increase in internationally focused nominations and the significance behind the “best director” category.
On this week’s episode of The Reel, LA Times feature writer and reviewer Mark Olsen (@IndieFocus) sits down with Meredith Blake (@MeredithBlake), Robert Lloyd (@LATimesTVLloyd), and Yvonne Villarreal (@villarrealy) to discuss HBO’s latest season of 'True Detective' starring Mahershala Ali. They also reflect back on David Chase's HBO series ‘The Sopranos’ 20 years after its premiere.
This week Mark Olsen (@IndieFocus) leads a discussion about the importance of last week's Golden Globes and how they might shine a light on what we can expect from the Oscars as we start to wrap up awards season.
This week Mark Olsen (@IndieFocus) talks to reporter Carolina Miranda (@cmonstah) after she and director Alfonso Cuarón walked through the streets of the Mexico City neighborhood where he shot his film Roma.
Mark Olsen (@IndieFocus) and TV writers Yvonne Villarreal (@villarrealy), Lorraine Ali (@LorraineAli) and Robert Lloyd (@LATimesTVLLoyd) break down whether 2018 was a good year for TV. They talk about Barry, Killing Eve, and more as they make their assessment about whether we've gone beyond the "peak TV" era.
Mark Olsen (@IndieFocus) and film critics Kenneth Turan (@KennethTuran) and Justin Chang (@JustinCChang) break down their favorite movies of 2018, including Vox Lux, Can You Ever Forgive Me?, and Black Panther. Sifting through the big studio blockbusters, independent films, foreign-language films, and documentaries their recommendations will add to your list of the "must watch" movies of the year.
This week LA Times music reporters Gerrick Kennedy (@GerrickKennedy), Mikael Wood (@mikaelwood), and Randy Lewis (@RandyLewis2) join Mark Olsen (@IndieFocus) to discuss the intermingling of music and film. First, the group focuses on capturing live performance on film, as seen in the new Springsteen on Broadway special on Netflix and the archival the Aretha Franklin documentary, Amazing Grace. Then, the group discusses the act of music creation and recording on film, with A Star Is Born, Bohemian Rhapsody and Green Book as the main examples.
This week Mark Olsen (@IndieFocus) leads a conversation breaking down the Golden Globe nominations and what they mean for the awards season landscape. We discuss the controversial nominee Green Book, how Black Panther earned Marvel Studios it's first nomination, the crowd-pleasing results from the Globe's distinct drama and comedy categories, and what we might expect from the unusual host pairing of Andy Samberg and Sandra Oh. Mark is joined by Glenn Whipp (@GlennWhipp), Amy Kaufman (@AmyKinLA) and Ashley Lee (@cashleelee).
This week, host Mark Olsen (@indiefocus) hands the mic to reporter Yvonne Villarreal (@villarrealy) as she interviews Alex Cunningham, the show-runner of Bravo's new TV series Dirty John. Based on the L.A. Times podcast by the same name, the show further explores the complicated and manipulative relationship between Debra Newell and John Meehan. Cunningham breaks down the show's casting choices, how the the series gives Debra a stronger voice and what fans of the podcast might expect to see on the TV adaptation.
Focusing this week on the music business, Mark Olsen (@IndieFocus) sits down with music reporter Randy Lewis (@RandyLewis2), pop music critic Mikael Wood (@mikaelwood) and Times television critic and former music editor Lorraine Ali (@LorraineAli) to discuss the recent releases of Bob Dylan's "More Blood, More Tracks," which features unreleased takes from the session for his 1975 album "Blood on the Tracks," and the 50th anniversary remastered release The Beatles' "The White Album" with unheard demos and session tracks. What do these two pillars of the classic rock era still have to say to the modern ears of current audiences, and how does the contemporary music industry treat their legacy artists?
This week our team breaks down what to expect next year at the Academy Awards and which movies have already started to make a splash. Mark Olsen (@IndieFocus) is joined by Glenn Whipp (@GlennWhipp) and Amy Kaufman (@AmyKinLA) to break down Marvel's history at the Oscars and Black Panther's potential for success, Netflix's drama Roma, and which movies have passed Amy's "cry test" this year.
This week, Mark Olsen (@IndieFocus) sits down with critics Justin Chang (@JustinCChang) and Kenneth Turan (@KennethTuran) to discuss the demise of FilmStruck, how streaming services like Netflix have impacted the types of classical films that were once available on FilmStruck, and, specifically, a brand new Orson Welles film now on Netflix that is one of Hollywood's most famous unfinished projects.
There are mixed feelings about all of the topics, and the conversation foreshadows what may happen to films like Orson Welles' Other Side of the Wind.
This week, host Mark Olsen (@IndieFocus) interviews Luca Guadagnino, the director of the remade film Suspiria and also recently known for directing the award-winning movie, Call Me By Your Name. Guadagnino talks, among many other things, about the inspirations for his remake, his friendship with Tilda Swinton and her three roles in the film, and what the movie is actually about.
It's Halloween time, and to celebrate the occasion our team of reporters dives deep into some recent horror hits in film and television. Film critic Justin Chang (@JustinCChang) and reporters Libby Hill (@midwestspitfire) and Jen Yamato (@JenYamato) join host Mark Olsen (@IndieFocus) to discuss the newest Halloween sequel as well as the remake of cult classic Suspiria and the new Netflix horror show Haunting of Hill House.
This week, the L.A. Times team is joined by Joy Press, a former LAT staffer and writer of Stealing the Show: How Women Are Transforming Television, to discuss two recent TV reboots: The Conners and Murphy Brown. The group discusses how ABC dealt with Roseanne leaving her namesake show, the big reveal at the start of The Conners, and how Murphy Brown is faring in comparison.
Film critic Kenneth Turan (@KennethTuran) and reporters Amy Kaufman (@AmyKinLA) and Jen Yamato (@JenYamato) join host Mark Olsen (@IndieFocus) to discuss the new hit movie, A Star is Born. They talk all about Bradley Cooper's directing debut, how the movie compares to previous iterations, and Lady Gaga's performance.
On the heels of producer Suge Knight's murder trial, LA Times reporters James Queally (@JamesQueallyLAT), Marisa Gerber (@marisagerber), and Gerrick Kennedy (@GerrickKennedy) join Mark Olsen (@IndieFocus) for a deep dive discussion about his life, the trial proceedings, and particularly how the proceedings reflect his impact on the music industry.
Numerous recent movies have been charged by an immediacy of anxiety, as many of the same feelings from the world-at-large have made their way onto our movie screens with an alarming speed and connection. Mark Olsen (@IndieFocus) is joined by Times film reporters Jen Yamato (@JenYamato) and Tre'vell Anderson (@TrevellAnderson) and film critic Justin Chang (@JustinCChang) to talk about his current phenomenon and what we expect from our movies, what they can do to inform, explain or even distract us, taking in a broad range of titles from "Monsters and Men," "Fahrenheit 11/9," "Assassination Nation," "The Lie," "Suspiria" and others to get some sense of our Cinematic Now.
This week, we're recapping everything that happened at the Emmys. Reporter Yvonne Villarreal (@villarrealy) and TV critics Lorraine Ali (@LorraineAli) and Glenn Whipp (@GlennWhipp) join host Mark Olsen (@IndieFocus) to break down the surprises and disappointments, the performances of this year's hosts, and the unexpected visit from Teddy Perkins.
The Reel is at Toronto International Film Festival!
Mark Olsen (@IndieFocus) breaks down the last few days at the film festival with reporters Tre'vell Anderson (@TrevellAnderson) and Jen Yamato (@Jen Yamato) and film critic Justin Chang (@JustinCChang). Hear about the festival's new diversity initiatives and this year's biggest films.
Our team breaks down what they think will be the best fall movies this year. Mark Olsen (@IndieFocus), Tre'vell Anderson (@TrevellAnderson) and Amy Kaufman (@AmyKinLA) pick their favorites and talk about memorable interviews they've had with the stars--including Lady Gaga.
In this week's episode, Mark Olsen (@IndieFocus) starts off leading a discussion about this year's Emmys contenders with Lorraine Ali (@LorraineAli) and Glenn Whipp (@GlennWhipp). Then, hear Yvonne Villarreal (@villarrealy) interview The Crown's Matt Smith on the show's last two seasons and how he feels about the United States' fascination with the royal family.
TV reporter Yvonne Villarreal (@villarrealy) interviews both Matthew Rhys and Keri Russell, who play Russian spies Philip and Elizabeth Jennings in the FX show The Americans. The pair separately discusses the shows many Emmy nominations and the many emotions felt while filming the final season.
They also touch on how the 1980's show about the Cold War went from period piece to contemporary flashpoint.
Mark Olsen (@IndieFocus) is joined by film critic Justin Chang (@JustinCChang) and writers Jen Yamato (@JenYamato) and Amy Kaufman (@AmyKinLA) to discuss the new and controversial Popular Film category announced by The Academy. They also break down their favorite summer movies.
Then, writer Yvonne Villarreal (@villarrealy) interviews the co-creators of Netflix's GLOW to talk all about the show.
After some time off, The Reel is back!
This week film critic Justin Chang (@JustinCChang) and reporters Jen Yamato (@JenYamato) and Amy Kaufman (@AmyKinLA) discuss the movies Crazy Rich Asians and BlacKkKlansman with host Mark Olsen (@IndieFocus). They discuss the importance of the films in their respective communities and the film world at large, as well as the genre-bending techniques each uses to stand out from the crowd.
Then, reporter Lorraine Ali (@LorraineAli) interviews The Handmaid's Tale show runner, Bruce Miller.
Host Mark Olsen (@IndieFocus) talks with writer Kristine McKenna about the process of writing Room to Dream, a new book that she co-wrote with David Lynch.
Room to Dream is part biography and part memoir of David Lynch. Due to this unconventional format, it offers a unique window into his singular vision for his life and art.
Hear our reactions to this year's Emmys nominations and our team's predictions for who might win the night's most coveted awards. TV writer Lorraine Ali (@LorraineAli) and critic Glenn Whipp (@GlennWhipp) join Mark Olsen (@IndieFocus) to discuss the different categories and talk about what else to expect as we prepare for the 2018 Emmy Awards.
A number of recent television shows, including the second seasons of “GLOW” and “The Handmaid’s Tale” and the premieres of “Sharp Objects” and “Dietland,” have dealt with female empowerment and rage in fresh and innovative ways, grappling with the roles set out for women in society. There’s also been a behind-the-scenes analogue for many of these shows as well, with women often in roles of creative control.
Times TV reporter Yvonne Villarreal (@villarrealy), television critic Lorraine Ali (@loraineali) and resident wrestling enthusiast Jen Yamato (@jenyamato) join Mark Olsen (@IndieFocus) for a conversation on these exciting turns both in front of and behind the camera.
As there has been increased attention given to issues of representation, inclusion and diversity regarding what goes on-screen and who is involved in making the movies that we see, there has also recently been a parallel conversation gaining momentum with regards to the media itself. Who are the people who write the reviews, cover the red carpets, attend the film festivals and how do their perspectives impact how movies are discussed and received? From the LA Times film team, Tre'vell Anderson (@TrevellAnderson), Jen Yamato (@JenYamato), Justin Chang (@JustinCChang) and Mark Olsen (@IndieFocus) get into the nuance of what this all means for the media and the reviews and coverage of films such as “Sicario: Day of the Soldado,” “Nancy,” “Sorry To Bother You,” “Ocean’s 8” and “BlacKkKlansman.”
Mark Olsen (@IndieFocus) brings in reporters Jen Yamato (@JenYamato), Amy Kaufman (@AmyKinLA), and Yvonne Villarreal (@villarrealy) to talk about Netflix's recent wave of new romantic comedies. Focusing on the films Set It Up, The Kissing Booth, and Ibiza, the group discusses the timeless appeal of romcoms, why they are the perfect movies for summer, and how these type of movies and their inherent charm let actors become stars.
Mark Olsen (@IndieFocus) interviews co-creator and showrunner of Crazy Ex-Girlfriend, Aline Brosh McKenna (@alinebmckenna). They discuss the dark, emotional places that emerge in the show's third season and talk about what's next for Rebecca Bunch.
Mark Olsen (@IndieFocus) speaks to Academy Award-Winning Documentarian Morgan Neville about his most recent film, Won't You Be My Neighbor? The documentary celebrates the life and work of Fred Rogers, best known for his TV program Mr. Rogers' Neighborhood. Morgan discusses the use of archival footage and new interviews in his film as well as the overarching theme of both his documentary and Mr. Rogers' program: the idea that culture matters.
As we continue our Emmys season discussion, Mark Olsen (@IndieFocus) brings in TV critics Lorraine Ali (@Lorraine Ali) and Robert Lloyd (@LATimesTVLloyd) to talk with TV editor Greg Braxton. They discuss the TV era we're in today, which streaming services are dominating this season, and more.
Emmys Nominations are just around the corner, so host Mark Olsen (@IndieFocus) spoke with reporters Glenn Whipp (@GlennWhipp) and Libby Hill (@midwestspitfire) about how the awards show has evolved over the years. They discuss if certain show formats are destined to win an Emmy and whether new shows, particularly on streaming services, get an advantage during nominations. To wrap up, the three discuss their personal favorite shows and whether they have a shot.
Two-time Academy Award winner Jodie Foster has been a presence in the entertainment business for more than fifty years, first as a child actor in films such as “Bugsy Malone” and “Taxi Driver,” then as an adult star in projects like “The Accused” and “The Silence of the Lambs” and later as a director herself. Recently in the LA Times building to promote the episode of the “Black Mirror” anthology she directed, she also stopped by The Reel recording studio to talk with Mark Olsen (@IndieFocus) about the sci-fi crime drama “Hotel Artemis,” her first on-screen role in five years.
Mark Olsen (@IndieFocus) talks to film reporters Justin Chang (@JustinCChang), Jen Yamato (@JenYamato) and Tre'vell Anderson (@TrevellAnderson) about some new movie releases that you should keep an eye out for. And then, we listen in on an interview with Claire Danes about her new movie A Kid Like Jake.
New York Times Bestselling Author of Bachelor Nation and Los Angeles Times reporter Amy Kaufman (@AmyKinLA) talks with Mark Olsen (@IndieFocus) about the new season of The Bachelorette. They also discuss what this franchise means for our culture and why this season is different.
Reporter Tre'vell Anderson (@TrevellAnderson) had the chance to interview André Leon Talley the other day. The two spoke about the obstacles Talley has had to overcome in order to become the cultural icon he is today, the most meaningful parts of his career and, briefly, the Met Gala.
Mark Olsen (@IndieFocus) debriefs this interview with Tre'vell, which serves as a perfect primer to the recently released documentary: The Gospel According to André.
Restaurateur and chef David Chang stopped by The Reel recently for a broad-ranging conversation with Mark Olsen (@IndieFocus). In talking about his Netflix series “Ugly Delicious,” Chang got into how his ideas about food find their way into his own cooking, including at the new Majordomo, his first restaurant in Los Angeles.
And, yes, Chang did address the much talked-about review of Majordomo by the LAT’s Jonathan Gold, which is so far the most notable piece of critical writing on the new restaurant – “I don’t even think the Gold review is a bad review,” Chang said before adding, “I’m sure we’re going to be talking about this review forever.”
Reporters Amy Kaufman (@AmyKinLA) and Justin Chang (@JustinChang) have just returned from Cannes Film Festival. They debrief the experience with host Mark Olsen (@IndieFocus), talking about the rules on Cannes' uniquely pompous red carpet, the live reaction to BlacKkKlansman, the lingering presence of Harvey Weinstein and an ice cream cooler party.
Host Mark Olsen (@IndieFocus) talks with Jen Yamato (@JenYamato) and Tre'vell Anderson (@TrevellAnderson) about the making of the Deadpool franchise, it's unique marketing techniques, and how this new sequel stands out from the other superhero movies that have come out around the same time.
Also, our reporters frankly discuss the difficulties of asking tough questions at movie press stops while surrounded a hyped-up, fan-filled audience.
Donald Glover and Kanye West have almost simultaneously grabbed the national spotlight this past week. Reporter Tre'vell Anderson (@TrevellAnderson) talks with reporters Jen Yamato (@jenyamato) and Chris Barton (@chrisbarton) about the interwoven personas of Donald Glover and Childish Gambino, what questions Glover's new 'This is America' music video asks and how, if at all, he's connected to Kanye West's recent incendiary comments.
Did Michelle Wolf go too far or did she do her job? Were there any jokes about Sarah Huckabee Sanders' looks? What is the future of the White House Correspondents' Dinner?
Led by Yvonne Villarreal (@villarrealy), reporters Lorraine Ali (@LorraineAli), Chris Barton (@chrisbarton) and Greg Braxton discuss the controversy that ensued after Michelle Wolf's standup at this year's Correspondents' Dinner.
WARNING: This episode contains spoilers!
Reporters Tre'vell Anderson (@TrevellAnderson) and Sonaiya Kelley (@sonaiyak) sit down with film critic Justin Chang (@JustinCChang) and film writer Mark Olsen (@IndieFocus) to talk about the latest Marvel film, Avengers: Infinity War. They discuss how the film integrated the Black Panther story line, whether you need to be a die-hard Marvel fan to enjoy the movie and how a few shocking end twists might affect the future of Marvel movies.
Our reporters recap the powerful first season of The Handmaid's Tale, discuss and analyze the first few episodes of Season 2, and begin to determine how this equally impactful season might connect to recent real events.
Featuring reporters Lorraine Ali (@LorraineAli) and Yvonne Villarreal (@villarrealy), editor Mary McNamara (@MaryMacTV), and host and film writer Mark Olsen (@IndieFocus).
The year 1968 was one of cultural and political turmoil. To mark the year's significance, the L.A. Times published a package of stories and interviews on the various films, events and individuals that made the year so memorable. As part of this package, film reporter Mark Olsen (@IndieFocus) spoke to filmmaker Michel Hazanavicius, an Oscar-winner for his film The Artist, about his film Godard Mon Amour.
Our reporters discuss the most talked about performance at Coachella: Beyoncé's 2 hour set. They also predict what you can expect to see this upcoming weekend for round 2 of "Beychella".
Featuring reporters Mark Olsen (@IndieFocus), Tre'vell Anderson (@TrevellAnderson) and Gerrick Kennedy (@GerrickKennedy).
One of the most talked about shows on social media is coming to an end. Tune in to hear entertainment reporters Yvonne Villarreal (@villarrealy) and Lorraine Ali (@LorraineAli) talk with editor Mary McNamara (@MaryMacTV) and writer Mark Olsen (@IndieFocus) about the show's legacy, it's revolutionary audience engagement and it's tackling of contemporary issues.
Also, hear from the stars of the show and creator Shonda Rhimes as they reminisce before the big finale.
What should we make of the new Roseanne reboot? What about this moment in time has caused it to soar in popularity? And is it worth a watch?
Reporters and TV critics Lorraine Ali (@LorraineAli), Yvonne Villareal (@villarrealy), Greg Braxton, Mary McNamara (@marymacTV) and Robert Lloyd (@LATimesTVLloyd) talk with Mark Olsen (@IndieFocus) about what they make of this TV phenomenon.
Four of the movies released this week: Blockers, A Quiet Place, You Were Never Really Here and The Endless, all have notable storylines and directors. Film reporters Jen Yamato (@JenYamato) and Tre'vell Anderson (@TrevellAnderson) talk with film critic Justin Chang (@JustinCChang) about what makes these movies significant, why you should be looking out for these directors and which of these movies you should watch this weekend.
The conversation is moderated by film reporter Mark Olsen (@IndieFocus).
Since its debut, Isle of Dogs has been met with controversy over the question of the film's cultural appropriation and seemingly inexplicable setting in a future Japan. Our film critic, Justin Chang (@JustinCChang), tackled this problem and eloquently asked in his review, "does this white American filmmaker's highly selective, idiosyncratic rendering of an East Asian society constitute a sincere act of homage, or a clueless failure of sensitivity?"
In response to Chang's review, and Jen Yamato's (@JenYamato) subsequent discussions about the film on social media, Wes Anderson critics and fans have fought tirelessly over these questions, debating the relationship between appropriation and creative freedom.
Should the movie--like the dogs in it--be sent to Trash Island? Our reporters will debate this question, with Mark Olsen (@IndieFocus) moderating, on this week's episode of The Reel.
The Los Angeles Times Emmy Contender Chats have begun! The first interviews of the series featured the cast of Outlander. TV reporter Yvonne Villarreal (@villarrealy) spoke with with Sam Heughan (Jamie Fraser) and Caitriona Balfe (Claire Fraser) about portraying their characters' grief, gaining inspiration from the novels and more on the latest season.
Listen to clips from the interviews as Mark Olsen of Indie Focus (@IndieFocus) talks to Yvonne about Emmys season and Outlander's cult status.
To see the full interviews with Claire, Sam and other Emmy contenders, go to latimes.com.
Join Assistant Managing Editor of Arts & Entertainment Mary McNamara (@marymacTV), TV critic Lorraine Ali (@LorraineAli), entertainment reporter Yvonne Villarreal (@villarrealy) and TV writer Meredith Blake (@MeredithBlake) as they discuss the realities of being a female director in television.
Our group of reporters will ask many questions of the TV industry, like: why is TV such fertile ground for female directors? How is Jessica Jones breaking the mold? What really is the male gaze--and how do we start representing the female gaze?
This podcast is supported by HBO. Watch the premiere of Barry this Sunday March 25th on HBO.
For our last Oscars-centric episode this season, Sarah Rodman (@SarahARodman) talks to Justin Chang (@JustinCChang), Glenn Whipp (@GlennWhipp), Amy Kaufman (@AmyKinLA) and Tre'vell Anderson (@TrevellAnderson) about their experiences covering the Academy Awards last Sunday.
From the red carpet to star-studded after parties to cheers and gasps in the press pit, these reporters saw and heard it all.
This podcast is supported by iTunes Movies. Get The Shape of Water and many other Award-winning films on iTunes. Go to iTunes.com/Oscars2018.
Hear directly from L.A. Times entertainment reporters about how they cover the biggest night in Hollywood. Arts and film writer Jeffrey Fleishman (@JeffreyLA), film reporter Josh Rottenberg (@joshrottenberg) and Hollywood writer Amy Kaufman (@AmyKinLA) discuss where they were last year when the La La Land/Moonlight fiasco happened, why Warren Beatty refused to let go of the envelope and what we might expect from this year's ceremony.
Also, hear from Assistant Managing Editor Mary Mcnamara (@marymacTV) and Glenn Weiss, the director of the Oscars ceremony.
This podcast is supported by iTunes Movies. Get Get Out and many other Award-nominated films on iTunes. Go to iTunes.com/Oscars2018.
Film critic Justin Chang (@JustinCChang) sits down with Oscar nominated director Greta Gerwig to discuss her film, Lady Bird. In this exclusive interview they discuss various filmmaking topics, including the history of female directors, the role of spirituality in Lady Bird and the importance of fonts.
This podcast is supported by iTunes Movies. Get Lady Bird and many other Award-nominated films on iTunes. Go to iTunes.com/Oscars2018.
Sarah Rodman (@SarahARodman) talks to awards show reporter Glenn Whipp (@GlennWhipp) and film critic Justin Chang (@JustinCChang) about the Best Director category. The team also casts their votes for who should win in each.
This podcast is supported by iTunes Movies. Get Coco and many other Award-nominated films on iTunes. Go to iTunes.com/Oscars2018.
Sarah Rodman (@SarahARodman) moderates a noteworthy conversation between Glenn Whipp (@GlennWhipp), Justin Chang (@JustinCChang) and Amy Kaufman (@AmyKinLA) as they discuss the Best and Supporting Actress categories. The team also casts their votes for who should win in each.
This podcast is supported by iTunes Movies. Get The Shape of Water and many other Award-nominated films on iTunes. Go to iTunes.com/Oscars2018.
Sarah Rodman (@SarahARodman) leads a smart and energetic discussion between Glenn Whipp (@GlennWhipp), Justin Chang (@JustinCChang) and Jen Yamato (@JenYamato) as they discuss the Best and Supporting Actor categories. The team also casts their votes for who should win in each.
This podcast is supported by iTunes Movies. Get Dunkirk and many other Award-nominated films on iTunes. Go toiTunes.com/Oscars2018.
Mark Olsen (@IndieFocus) moderates a lively conversation between Tre'vell Anderson (@TrevellAnderson), Justin Chang (@JustinCChang) and Amy Kaufman (@AmyKinLA) as they break down their experience at the Sundance Film Festival this year. They discuss and debate standing ovations, documentaries, future Oscar contenders, freezing temperatures and more.
This podcast is supported by iTunes Movies. Get Call Me By Your Name and many other Award-nominated films on iTunes. Go toiTunes.com/Oscars2018.
Allison Janney, Willem Dafoe, and Guillermo del Toro react to their Oscar Nominations, recreate where they were when they found out, and explain what their movies mean to them.
L.A. Times film critic Justin Chang (@JustinCChang) and entertainment reporter Tre’vell Anderson (@TrevellAnderson) discuss diversity and inclusion—or lack thereof—within the various Oscar categories.
This podcast is supported by iTunes Movies. Get Get Out and many other Award-nominated films on iTunes. Go to iTunes.com/Oscars2018.
In the inaugural episode, Lorraine Ali (@LorraineAli) and Jen Yamato (@jenyamato) discuss #TimesUp and the changing landscape of sexism in Hollywood in a post-Weinstein era.
Writer Mark Olsen (@IndieFocus) shares highlights from this year’s star-studded Envelope Roundtables, including moments with Jordan Peele, Jessica Chastain, and Saoirse Ronan.
Finally, L.A. Times film critics Justin Chang (@JustinCChang) and Glenn Whipp (@GlennWhipp) weigh in with their predictions for nominees in the top categories at the 2018 Oscars, considering the implications certain nominations may have in the current cultural moment
This podcast is supported by iTunes Movies. Get Three Billboards Outside Ebbing, Missouri, The Big Sick, and many other Award-nominated films on iTunes. Go to iTunes.com/Oscars2018.