In this episode, hosts Chase Fowler and Beth Somerville think through implications of genre in relation to Sor Juana's play. They ground their investigation in the roots of Spanish "cape and sword" dramas and the influence of Italian commedia dell'arte and then consider how the concept of honor is received by an audience based on the play's genre. Finally, they turn to some contemporary cultural analogues. Hint: Anybody want a peanut?<br /><hr><p style='color:grey; font-size:0.75em;'> See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for privacy and opt-out information.</p>

Have you ever wondered what might be hiding between the lines of a play? This season, Writ in the Margins will be investigating dramaturgical mysteries from four early modern plays, The Witch of Edmonton, FuenteOvejuna, Convent of Pleasure, and House of Desires. Together, using various modern theories as our lenses, we will explore these old texts and share the insights we find within-- all while drawing attention to the international canon of early modern theatre. From translations to interviews, with live music and script readings, join us to discover exactly what we have Writ in the Margins.This podcast was created by the graduate students enrolled in REN670: Dramaturgy in the Shakespeare and Performance program at Mary Baldwin University. Writ in the Margins is produced in collaboration with course convener Prof. Molly Seremet.  See acast.com/privacy for privacy and opt-out information.