Working (it) Out
Working (it) Out
Artslant
Working (it) Out Ep 9 Postcommodity: Wide Eyes
42 minutes Posted Sep 18, 2015 at 2:50 pm.
Land Art’s positioning
Designing work to implicate audiences
Asking questions of one’s audience
Layers of noise as fertile ground
Pointing an indigenous lens and offering a view through it
Seeing and Looking back
Open eye iconography and indigenous readymades
Scare-eye balloons: Powerful semiotic vehicles of Indigeneity
Having eyes open to what is going on
Borders as microcosms
The potential politics of aesthetic choices
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Show notes
Postcommodity is Raven Chacon, Cristóbal Martínez, and Kade L. Twist. On today’s episode, we discuss at length their work Repellent Fence. A project almost ten years in the making, Repellent Fence will appear floating over the towns of Agua Prieta, Mexico and Douglas, AZ, USA this October – bisecting the US/Mexico border. The work consists of oversized “scare-eye” balloons – an ineffective bird repellent product which functions for the artists as an indigenous readymade and semiotic vehicle. We discuss this work, land art, borders, and keeping one’s eyes open to the politics of place.
Time Codes:
Music: Four Tet – Parallel Jalebi