Show notes
<p>Intro: "The Cutter," by Echo and the Bunnymen</p><p>--</p><p>Discussed:</p><ul><li><a href="https://www.gsd.harvard.edu/2022/03/blank-speculations-on-clt-edited-by-jennifer-bonner-and-hanif-kara/">Blank: Speculations on CLT</a>: <a href="https://jenniferbonner.com/01-Blank-Speculations-on-CLT">Jennifer Bonner</a> & <a href="https://unfrozenarch.net/episodes/episode-38-towards-a-non-combustible-practice-away-from-mundane-endeavors-of-indifference-087">Hanif Kara</a></li><li><a href="https://en.wikipedia.org/wiki/MIT_Senseable_City_Lab">MIT Senseable City Lab</a></li><li><a href="https://en.wikipedia.org/wiki/Katerra">Katerra</a></li><li><a href="https://ai.ethz.ch/art-and-critical-thinking/projects/pors-rao.html">ETH Zurich Robotics Aesthetics & Usability Center</a></li><li><a href="https://carloratti.com/project/ago-modena/">AGO Modina</a> - adaptive reuse in which an A.I.-designed steel kinetic roof covering the courtyard - using digitally fabricated components.</li><li>Alpine stone bivouacs</li><li>What’s the best tessellation?</li><li>What’s the best kinetic result?</li></ul><p>--</p><p>Outro: "The Trees," by Pulp</p>

