They Must Be Destroyed On Sight!
They Must Be Destroyed On Sight!
Lee Russell
Blood on the Tracks Episode 102: Analogue-Punks (Cyberpunk Films Part 1).
1 hour 4 minutes Posted Sep 29, 2026 at 9:41 pm.
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Show notes
In this episode, before Lee takes a break for month and hands the DJ duties over to Lee Van Teeth for his October Halloween show, he's put together the first playlist in a what will be a series on the show for the rest of the year: music from cyberpunk films. But to get to the true cyberpunk picks, Lee wanted to set the tone a bit with tracks from some of the proto-cyberpunk frilms that would help influence and define what the eventual genre would be when it was finally coined.
--Maschinen & Maschinenhalle-Moloch from "Metropolis" (1927) --Gottfried Huppertz--La Ville Inhumaine from "Alphaville" (1965) --Paul Misraki--Suite from "Cyborg 2087" (1966) --Paul Dunlap--Set Up Communications & Under Surveillance from "Colossus: The Forbin Project" (1970) --Michel Colombier--Theme From A Clockwork Orange (Beethoviana); Timesteps (Excerpt) & Title Music From A Clockwork Orange from "A Clockwork Orange" (1971) --Wendy Carlos--Robot Repair; Hovercraft Muzak & The Gunslinger from "Westworld" (1973) --Fred Karlin--Albatross from "World on a Wire" (1973) --Fleetwood Mac--Main Title from "Futureworld" (1976) --Fred Karlin
Opening and closing music: Riot In Thunder Alley from "Thunder Alley" by Eddie Beram, and Escape from "Coffy" by Roy Ayers.