VENICE: Today we conclude our final episode with Chas Carner where we uncover how one of the world's most famous courtesans who was left for dead, rose to even greater prominence after a most horrific deed. Was Angela de Moro La Zaffetta or La Fenice?

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Contact Chas: [email protected]

You can find Part I & Part II of the conversation with Chas here:  Part I of Chas’ interview 

If you  missed it, catch the beginning of Angela de Moro’s story in the last episode here before listening to today's episode where we discuss: 

• How Angela de Moro rose like La Fenice
• Chas' opera project based on a fictional future of vengeance
• Venus of Urbino & Tiziano Vecelli
• Where Chas would go if it was his final trip to Venice
• The struggle & triumph of the Costa brothers
• ...and places to check out for your next trip

Visit, Read, & Eat (Episode Mentions)

• Museo Correr
• Teatro San Cassiano:  (The innovative project of our first Guest, Founder, Musicologist and entrepreneur, Paul Atkin go here to listen
• Harry’s Bar at Cipriani’s for The Original Bellini:
• Ask for Max Costa @ Conca D’Oro Venice
• Al Theatro
• Antica Locanda Montin 
• Zuppa di Pesce @ Taverna San Travaso (the same recipe, 40 years) 
• The Little Lark Still Sings by Victoria Smith about a Tuscan farmhouse 

Painting: Detail of Venus of Urbino, by painter, Titian (Tiziano Vecelli); 1534

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Music Credits: INTRO: Loyalty - Philip Ayers | OUTRO: Grasshopper's Dance - Etienne Roussel