Jordan and Brooke are joined by friend and producer Jose Cañas for 2003&apos;s midnight slasher. They inevitably get mired in this movie&apos;s insurmountable twist, praise director Alexandre Aja for the sheer craft on display, and debate what we should actually take away from the gory kills and final jump scare here. Plus, that weird string of mid-2000s horror remakes! Follow us on <a href='https://twitter.com/QueerQuadrant'>Twitter</a> and <a href='https://www.instagram.com/queerquadrant/'>IG!</a> (And <a href='https://letterboxd.com/jordanhgus/'>Jordan&apos;s Letterboxd</a> / <a href='https://letterboxd.com/brookebsolomon/'>Brooke&apos;s Letterboxd</a>) Follow Jose on <a href='https://twitter.com/josecanas20'>Twitter</a>!

Johnny Guitar with Mitchell Beaupre

Four-quadrant films are movies designed to appeal to the biggest, widest audience possible. In the process, they can often leave out a lot of LGBTQ+ representation – but end up loaded with subtext. In The Queer Quadrant, hosts Brooke Solomon and Jordan Gustafson examine cinema in all its cultural contexts, and explore why your favorite four-quadrant blockbuster is maybe…not as straight as you think it is.&nbsp;