Jordan and Brooke are joined by author &amp; writer Phil Tice for 1993&apos;s sincere take on the Western epics. Phil goes deep and analyzes Doc and Wyatt&apos;s incredibly intimate conversations, Brooke laments the terribly underwritten women of this film, and Jordan marvels at the fact that two podcasters could get this excited about gunslinging. Follow us on <a href='https://twitter.com/QueerQuadrant'>Twitter</a> and <a href='https://www.instagram.com/queerquadrant/'>IG!</a> (And <a href='https://letterboxd.com/jordanhgus/'>Jordan&apos;s Letterboxd</a> / <a href='https://letterboxd.com/brookebsolomon/'>Brooke&apos;s Letterboxd</a>) Check out <a href='https://www.tice-tomes.com/'>Tice Tomes</a> and <a href='https://www.barnesandnoble.com/w/high-strangeness-philip-tice/1142100110'>High Strangeness!</a> This episode is sponsored by <a href='https://superyaki.com/'>Super Yaki!</a> Use code: SUPERQQ for 10% off

TÁR with Phil Iscove

Four-quadrant films are movies designed to appeal to the biggest, widest audience possible. In the process, they can often leave out a lot of LGBTQ+ representation – but end up loaded with subtext. In The Queer Quadrant, hosts Brooke Solomon and Jordan Gustafson examine cinema in all its cultural contexts, and explore why your favorite four-quadrant blockbuster is maybe…not as straight as you think it is.&nbsp;