Jordan and Brooke are joined by writer/director Liz Hannah for 2006&apos;s iconiqué fashion filmé. We break down sickening looks, cutting clap-backs, perfect casting, a terrible boyfriend, and a few &quot;oh so 2000s&quot; weight references. Plus a note-perfect Stanley Tucci, gay icon Miranda Priestly, and our pitch for &quot;Drag Becomes Her&quot; – a Meryl Streep-specific drag show. Follow us on <a href='https://twitter.com/QueerQuadrant'>Twitter</a> and <a href='https://www.instagram.com/queerquadrant/'>IG!</a> (And <a href='https://letterboxd.com/jordanhgus/'>Jordan&apos;s Letterboxd</a> / <a href='https://letterboxd.com/brookebsolomon/'>Brooke&apos;s Letterboxd</a>) Follow Liz on <a href='https://twitter.com/itslizhannah'>Twitter!</a> Donate to the <a href='https://entertainmentcommunity.org/'>Entertainment Community Fund </a>or sponsor <a href='https://www.humanitasprize.org/groceries-for-writers'>Groceries for Writers. </a> This episode is sponsored by <a href='https://superyaki.com/'>Super Yaki!</a> Use code: SUPERQQ for 10% off

The Boys in the Band (1970) with Kyle Turner

Four-quadrant films are movies designed to appeal to the biggest, widest audience possible. In the process, they can often leave out a lot of LGBTQ+ representation – but end up loaded with subtext. In The Queer Quadrant, hosts Brooke Solomon and Jordan Gustafson examine cinema in all its cultural contexts, and explore why your favorite four-quadrant blockbuster is maybe…not as straight as you think it is.&nbsp;