Jordan and Brooke are joined by Trace Thurman and Joe Lipsett (Horror Queers) for 1997&apos;s &quot;anti rom-com.&quot; They discuss Julia Roberts&apos; career and recent comeback, how this film doesn&apos;t work without the wonderful Rupert Everett, the case for theatrical rom-coms, evolution of the gay best friend trope, and some controversial thoughts on karaoke. Follow us on <a href='https://twitter.com/QueerQuadrant'>Twitter! </a>(An<a href='https://letterboxd.com/jordanhgus/'>d Jordan&apos;s Letterbo</a>xd <a href='https://letterboxd.com/brookebsolomon/'>/ Brooke&apos;s Letterbo</a>xd)<a href='https://twitter.com/QueerQuadrant'> </a>Follow Joe &amp; Trace on <a href='https://twitter.com/HorrorQueers'>Twitter</a> and <a href='https://www.instagram.com/horrorqueers/?hl=en'>Instagram!</a>

The Man from U.N.C.L.E. with William Goodman

Four-quadrant films are movies designed to appeal to the biggest, widest audience possible. In the process, they can often leave out a lot of LGBTQ+ representation – but end up loaded with subtext. In The Queer Quadrant, hosts Brooke Solomon and Jordan Gustafson examine cinema in all its cultural contexts, and explore why your favorite four-quadrant blockbuster is maybe…not as straight as you think it is.&nbsp;