Jordan and Brooke are joined by writer and professor Kyle Stevens for Hitchcock&apos;s underseen thriller. They dive into the incredibly queer text and subtext that got this movie literally banned from US theaters, Hitchcock&apos;s impeccable use of camera, choreography, and color, how much we all love characters getting turned on by crime. Follow us o<a href='https://twitter.com/QueerQuadrant'>n Twitte</a>r! Follow Kyle <a href='https://twitter.com/cinementalist'>on Twit</a>ter and check out h<a href='https://global.oup.com/academic/product/mike-nichols-9780199375813?cc=us&amp;lang=en'>is written wo</a>rk!

Girl, Interrupted with Mimi Stringfield

Four-quadrant films are movies designed to appeal to the biggest, widest audience possible. In the process, they can often leave out a lot of LGBTQ+ representation – but end up loaded with subtext. In The Queer Quadrant, hosts Brooke Solomon and Jordan Gustafson examine cinema in all its cultural contexts, and explore why your favorite four-quadrant blockbuster is maybe…not as straight as you think it is.&nbsp;