Cue the Dropkick Murphys. This week, Jordan and Brooke talk 2006’s Best Picture winner and the ultimate Boston film. Why is this movie so masculine but yet so queer? Is Scorsese cinema’s wokest director? And what the hell is that subplot about microprocessors?Follow us on Twitter! https://twitter.com/QueerQuadrantThis episode is sponsored by SuperYaki! (https://superyaki.com/) Code: SUPERFRIEND

Chicago

Four-quadrant films are movies designed to appeal to the biggest, widest audience possible. In the process, they can often leave out a lot of LGBTQ+ representation – but end up loaded with subtext. In The Queer Quadrant, hosts Brooke Solomon and Jordan Gustafson examine cinema in all its cultural contexts, and explore why your favorite four-quadrant blockbuster is maybe…not as straight as you think it is.