<h1>Episode Notes</h1>
<p>Brace yourselves for some heinous intimate partner abuse this week as we try to let Ingrid Bergman know it’s not in her head with Gaslight from 1944. Based on a play and a former movie, George Cukor brings this tense masterpiece to us as we question what we’re seeing and can’t believe we’re rooting for the cop. Romance turns to sour danger but the end is so very, very satisfying.
 
Recommendations: Last Night in Soho (HBO Max) and Ms. Marvel (Disney +)
 
Next up: Terminator 2: Judgement Day (1991)
 
Email us at <a href="mailto:latecomers@gmail.com" rel="nofollow">latecomers@gmail.com</a>
Twitter: @latecomerspod
Find Amity @ <a href="http://www.amityarmstrong.com" rel="nofollow">www.amityarmstrong.com</a> and @AmityArmstrong on Twitter
Our Facebook group is here for those who consent: <a href="https://www.facebook.com/groups/1754020081574479/" rel="nofollow">https://www.facebook.com/groups/1754020081574479/</a></p>
<p>This podcast is powered by <a href="https://pinecast.com" rel="nofollow">Pinecast</a>.</p>

S6E24 - #77: Terminator 2: Judgement Day (1991)

Amity and Lemuel have seen a lot of things, but they have missed some major cultural plot points. The Latecomers is their recaps and reviews of the shows that have shaped entertainment and culture because when it comes to the good stuff - better late than never.