Sebastian Smee, author of Paris in Ruins: Love, War, and the Birth of Impressionism, Part One: In 1874, artists staged a revolutionary independent exhibition in Paris, marking the birth of Impressionism. Smee explores how painters like Monet and Morisot revolted against the rigid Salon hierarchy, seeking to capture contemporary life and light rather than mythology. The movement's name originated from a critic's insult regarding Monet's Impression, Sunrise. Central to the narrative is Édouard Manet, a passionate Republican whose loathing of Napoleon III influenced his peers. The story details the intimate bond between Manet and Berthe Morisot before the catastrophic Franco-Prussian War and the 1870 siege of Paris devastated the nation. (1)