In today’s episode of The Cinematic Schematic, we dive deep into The Daniels (that’s Dan Kwan and Daniel Scheinert) wildly ambitious multiverse(move over Dr. Strange) to explore themes of love, balance, regret, and so much more through some of the most bizarre filmmaking you’ve ever seen with Everything Everywhere All At Once. Drunken master fight scenes out of a Jackie Chan movie? Check. Shocking revelations around every corner? Check. A versatile and emotionally grounded Michelle Yeoh performance? Check. The film has all of this and so much more, but is it comprehensible?



Joining us to answer that question in our review of Everything Everywhere All At Once are award-winning Oklahoma filmmaker, Laron Chapman, and Harold Storey, the host of the TunesToons podcast and A24 film fan. We break the ice with a discussion over films that are probably better in an alternative multiverse before diving into our spoiler-free review and alternate media recommendations and then wrapping up the conversation with a spoiler-filled breakdown of the movie.



It’s hugely ambitious and throws a near-overwhelming amount of ideas at the wall, but do all of these seemingly unrelated elements come together meaningfully by the end? Tune into our full review to find out.







Special Guests







Harold Storey



Host of the TunesToons Podcast



Listen to Tunes/Toons on Spotify or wherever your podcasts are found



Follow Harold on Instagram or on Twitter











Laron Chapman



Award-winning Oklahoma filmmaker



Follow Laron on Instagram @blackmoviemagic







About Everything Everywhere All At Once



According to IMDB, Everything Everywhere All At Once can be described as:



An aging Chinese immigrant is swept up in an insane adventure, where she alone can save the world by exploring other universes connecting with the lives she could have led.

















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