Musician Sarah Angliss (London, UK) draws on the botanical writing of Hildegard von Bingen, a twelfth-century Christian mystic, to help make sense of her own experiences of illness, healing and the turn of the season while the city is in lockdown. Sarah immerses us in a sonic fever dream, using fragments of Hildegard’s texts on herbal medicine to explore her personal experiences of fever as she examines Hildegard’s ecstatic visions.