This episode examines Kant's Transcendental Aesthetic to reveal some of the strange properties of space and time. It then turns to the nada Brahma of Hindustani philosophical tradition and the writings of Hazrat Inayat Khan to discuss the creation of space and time from the unstruck sound and how that makes music a special conduit to the truth. The last segment turns to Hindustani music and how its formal and performative elements enact a path of transcendence beyond space and time (and our entrapment in the cycle of birth and death) in order to connect with the nada Brahma.