In a vague tangential way, this composition began in consideration of the beautiful aural strategies of the great French experimental composer Eliane Radigue.We begin in everyday life on temple grounds in Kyoto, 2014 -distinctive sounds of Japanese birds and people chatting.from somewherethat is nowheredrifting low liquid tones andthin high threadslike notes of a glass harmonicatease for attentiona passenger jet doppler shiftscrossing the skyelectromagnetic frequencies gatheredwith a special microphonethat hears and transfers silent emanations…here, from an art school printing machinepulses of prepared pianodrop a namefull of ideasinto mindinsect-like voices of electronic synthesiscall from the digital undertowbroken bass rumbles fold ina drooping rhythma distant machine turnsart students considertheir morning creationswhilealgorithms wrestle recordingsslow-stretch, speed-pressstochastic stutter stitches timebuilt from a simple recordingof a simple kinetic sculpturespinningstochastic stutter stitches timebuilt from a simple recordingof drawing circlesone after another after another after anotherin conclusionsettlingon the there and thenof a suburban banala day like many othersbuildings being builtor being torn downvehicles urban birdswind in the trees…over timeout of timefalling into time