<p>What’s the AFI’s #9 score, by Jerry Goldsmith – did you forget it? It’s <em>Chinatown</em>. What behind-the-scenes intrigue brought Goldsmith to work on this picture? Why is his main theme such a perfect fit for this story? And, what eye-opening scoop did our crack research staff (Andy) uncover?</p>

#19 – The Magnificent Seven

Join Jon and Andy as they explore the world of film music, one score at a time. Each episode is an in-depth discussion of a classic film score: what makes it tick, how it serves the movie, and whether it's, you know, any good. It's a freewheeling, opinionated conversation with an analytical bent, richly illustrated with musical examples. No expertise required.

The series began by tackling “100 Years of Film Scores," the AFI's list of (purportedly) the 25 greatest scores in American cinema history, and now draws from a broad range of distinguished scores old and new.

Jonathan Dinerstein writes music for film and television in Hollywood. Andy is a pianist and music director. They've been chatting together about movie music for 20 years.

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Write us at scoresettlers@gmail.com.