The artist has been something of a hero before I’d even heard his

name, through his illustration work in the aforementioned classic children’s book and as the screenwriter of Robert Altman’s perfectly chaotic 1980 cinematic adaptation of Popeye. Since then, Feiffer’s work has been a constant in my life, from his four decades long stint as an editorial cartoonist for the Village, to his early apprenticeship with Will Eisner, and a stint of film projects like Little Murders, the artist’s work always seems to find its way back into my life. Now in his mid-80s, the modern day renaissance cartoonist is trying his hand at an entirely new endeavor, writing and drawing his first graphic novel 69 years after he first began working his way through Eisner’s The Spirit at the tender age of 16. Kill My Mother maintains the cartoonist’s loose approach in a far more sustained form than his other cartooning works, marking yet another remarkable turn for the octogenarian.   We pulled up a couple of seats in the lobby of the hotel where Feiffer was staying during Baltimore Comic Con to discuss his latest career and the important of perpetually testing one’s limitations.