For me, it goes Kids in the Hall, Kurt Vonnegut and punk rock, in

that order. I shudder to think what sort of person I might have become had Comedy Central not started airing the Canadian sketch show in reruns right after show during my formative years. KITH presented new frontiers in comedy my tender suburban brain never imagined were possible. And Bruce McCulloch was their poet laureate. McCulloch was the weirdo in a group of weirdos. The angry young man with a penchant gruff voiced, world weary characters and flair for beat poetry, as evidenced by 1995’s criminal underrated comedy record, Shame Based Man. Spending a Halloween chewing on an unlit cigar with half a head of cabbage taped to my skull seemed like a no-brainer in high school, and when I found out that KITH were making a triumphant live show return to New York City, his publicist was the first on my list to receive an overzealous email. When he answered the door to his room, McCulloch gently ribbed the hotel employee for letting the riffraff through security. Once inside, the comedian opened up about his time the troupe and the youthful rebellion behind his new TV series, Young Drunk Punk.