Episode 8 of On The Record opens with Brian Wise and Michael Mackenzie doing what many seasoned music listeners now do instinctively when the Grammys roll around: stare at the screen and wonder which planet they’ve accidentally landed on.Brian reminds us that the Grammys permanently lost their way the moment they abolished the polka category. This wasn’t a niche concern, either. For years, Brian faithfully rang Jimmy Sturr, the undisputed Muhammad Ali of polka, who won his Grammy almost every time. A system so reliable has no place in modern music awards culture, clearly.The tone shifts sharply—and respectfully—with news of the death of Sly Dunbar, one half of the mighty Sly & Robbie. What follows is a proper reckoning with just how vast Dunbar’s influence was: reggae, dub, dancehall, pop, rock, Dylan (Infidels), Grace Jones (Nightclubbing, Warm Leatherette, Living My Life), even a dub version of the Rolling Stones’ “Undercover of the Night.” Sly and Robbie weren’t just players, they were architects.See the list of some of their important work below, along with links to every other turning point in the conversation.From there, Episode 8 pivots to the curious durability of certain artists who simply refuse to age in the expected way. David Byrne is a rare example of someone who keeps recalibrating his work, with his latest tour behind Who Is The Sky garnering rave reviews in every state.That thought feeds neatly into a wider cultural question: why the Australian Open continues to thrive while music festivals across the country are quietly collapsing?The answer, the hosts suggest, has less to do with sport versus music and more to do with clarity of purpose. Tennis delivers a fixed narrative, star power, and infrastructure, while festivals increasingly ask audiences to tolerate inconvenience, rising costs and vague promises of “vibes.” It’s a sobering comparison given the state of live music in Australia right now.The episode closes with genuine surprise at the quality of Van Morrison’s latest release, an album that sidesteps the curmudgeonly baggage of recent years and reconnects with the musical instinct that made him essential in the first place. It’s not framed as a comeback so much as a reminder: when Morrison stops arguing with the world and channels his Celtic soul, something powerful still happens.Important LinksGrammys 2026 list of nominees and winners Jimmy Sturr website Jimmy Sturr youtube channel BAD BUNNY Wins BEST MÚSICA URBANA ALBUM | 2026 GRAMMYs Bad Bunny Tiny Desk Concert BAD BUNNY - NUEVAYoL (Video Oficial) | DeBÍ TiRAR MáS FOToS The Goodies Pirate Radio (A Walk In the Black Forest)  Chat GPT’s Top 20 Albums Featuring / Produced by Sly & Robbie Black Uhuru – Red (1981) Black Uhuru – Chill Out (1982) Grace Jones – Nightclubbing (1981) Grace Jones – Warm Leatherette (1980) Grace Jones – Living My Life (1982) Sly & Robbie – Language Barrier (1985) Black Uhuru – Sinsemilla (1980) Gregory Isaacs – Night Nurse (1982) Peter Tosh – Bush Doctor (1978) Sly & Robbie – Rhythm Killers (1987) Culture – International Herb (1979) Ini Kamoze – Ini Kamoze (1984) Serge Gainsbourg – Aux armes et cætera (1979) The Gladiators – Proverbial Reggae (1978) Bunny Wailer – Rock ’n’ Groove (1981) Sly & Robbie – Dub Experience (1979) Black Uhuru – Anthem (1984) Bob Dylan – Infidels (1983) Jimmy Cliff – The Power and the Glory (1983) Sly & Robbie – Reggae Greats (1984) Uncut: interview with Sly Dunbar on music Undercover (Of The Night) (Dub) with Sly on percussionBlack Uhuru Sistren Grace Jones - Pull Up To The Bumper David Byrne Tiny Desk ConcertDavid's Reasons To Be Cheerful newsletter FRANKENSTEIN Trailer (2025) Guillermo del Toro Michael's fave food movie Chef is on Iview STEAL - Official Trailer | Prime Video Van Morrison Somebody Tried To Sell Me A Bridge (full album) Gillian Welch talks to Brian about Her Forthcoming Tour of Australia with Dave Raw