Research English At Durham

In a wide-ranging interview, Pulitzer-prize-winning novelist Jane Smiley explains  how literary characters take on a life of their own, reflects on the  representation of the body in literature, and examines her own status as  a female novelist emerging in the 1970s. This conversation between Dr Jennifer Terry and Jane Smiley was recorded at the Literary Dolls conference in 2014. Find out more at READ: Research English At Durham.

The Centre for Poetry and Poetics held an evening to celebrate the poetry and influence of T.S. Eliot.  Dr Gareth Reeves and Professor Jason Harding, two scholars who specialise in Eliot’s life and works, read from Eliot's own poetry and that of later poets such as Donald Davie and Hart Crane who were inspired by him. Find out more at READ: Research English At Durham.

John Clegg’s first collection, Antler,  features prehistoric landscapes, folk tale and myth. John’s  reading includes a history of a city in four stanzas, and the story of  an “ice road trucker.” John Clegg’s poetry is published by and copyright  of Salt Publishing. Find out more at READ: Research English At Durham.

Gareth Reeves’ third collection, To Hell With Paradise: New and Selected Poems,  has just been published by Carcanet. In this reading from the  collection, Gareth adopts a range of intriguing perspectives and voices,  including that of a cash machine looking at a man trying to withdraw  his money, and Dimitri Shostakovich thinking about bird droppings.  Gareth Reeves’s collection is published by and copyright of Carcanet. Find out more at READ: Research English At Durham.

Two of the Department’s published poets, Gareth Reeves and his PhD student John Clegg, explore how their writing of poetry relates to  their research.  They explain how they began writing poetry rather than writing about poetry, and discuss how writing poetry gives them unique insights into  the forms and methods employed in the work of other poets. Find out more at READ: Research English At Durham.

A century and a half since his birth, the Irish poet W.B. Yeats is one  of the best-loved in the English language, known for his lyric poems  such as ‘The Lake Isle of Innishfree’ or for romantic poems like ‘He  Wishes for the Cloths of Heaven.’ Throughout his literary career,  though, Yeats wrote in a range of styles and on diverse subjects. His  poems reflect his Irish nationalism, reinvent traditional genres, draw  inspiration from Irish myth and legend, and push into innovative  symbolism. Stephen Regan and Michael O’Neill take us on a journey  through the varied landscape of Yeats’s verse. Find out more at READ: Research English At Durham.

Celebrate the literature and legacy of the Brontë sisters in this  podcast, recorded around the bicentenary of Charlotte Brontë’s birth,  which features readings from and commentaries on their ground-breaking,  powerful, and influential novels and poems. Works featured include Charlotte Brontë’s Jane Eyre and Villette alongside the poetry and prose of her sisters, Emily and Anne Brontë.  The readings also reflect the creative reimaginings inspired by the  Brontës’ fiction in the literature of later women writers, such as  Sylvia Plath and Jean Rhys. The podcast mentions a short art film by Jade Monserrat, called Peat Bog, which reinvokes the spirit of the moors; a short version can be viewed below. The readers are Professor Michael O’Neill, Dr Jennifer Terry, and Dr Sarah Wootton.

We humans are creatures of the  land, who usually observe the sea from above its surface. Beneath the  surface, though, the sea looks, sounds and feels like a distinct and  unique environment.  The poet Sarah Hymas invites us beneath the waves,  to perceive the sea and the interrelationship between sea and land,  between it and us, in deep and immersive ways. Find out more at https://wp.me/p2iX9Z-6Y1

Albion. Today that word conjures impressions of a lost, utopian version  of Britain – but the story of Albion as it was originally told in the  middle ages is anything but beautiful. According to the early Brut  chronicle, Albion was first discovered by a group of sisters who then  propagated with the wandering devils they found there, spawning a race  of giants. This was the strange land then conquered by Brutus, who gives  his name to modern Britain.  Madeleine Smart of the University of  Liverpool continues the story in this podcast, which was recorded during  the series Late Summer Lectures organised by the Department of English Studies at Durham University.  Find out more at https://readdurhamenglish.wordpress.com/2017/09/05/new-podcast-albion-change-rebirth-and-stagnancy-in-the-middle-english-prose-brut-chronicle

A king sits by the fire in a peasant’s cottage, brooding on the problems  of his kingdom. Suddenly the smell of burning fills the air. The cakes  left there by his host have been ruined. The king, of course, is Alfred  the Great. But this apocryphal story is just one of many not entirely  true tales that have surrounded this Anglo Saxon monarch through the  ages. David Barrow of the University of York suggests that these stories  tell us less about the king himself, and more about the ideas and  constructions of Englishness in the societies that have told them.  This  podcast was recorded during the series Late Summer Lectures in 2017,  organised by the Department of English Studies at Durham University.   Find out more at http://wp.me/p2iX9Z-6Mh