From Medieval Latin, the word catenae is defined as ‘a connected series of related things.’ Chugging along this train of thought, TrypHazyll Catenae (or TrypCat for short) is a study of sorts in connecting sounds derived from many sources into a series of related auditory experiences — something akin to music. TrypCat twists elements of life–existing within and without–infusing fact with fiction, permuting poesy and prose, melding minimalist drones with maximalist depth, amalgamating androgynies of analog and digital persuasions, manifesting natural vibrations and artificial frequencies, and filters it all through an electronic palette of lo-fi rumblings, haunting hues of somnambulant strings, a vacuous voce echoing through canyons of open range frequencies distorted through both vintage and space age reverberation, resonant and repeating motifs, from lulling pastoral silence to degenerate crescendos of chaos.