In this podcast, Dr Nicole Brown talks to Dr Margaret E. Collins about Practice As Research. Margaret E. Collins is an award winning composer whose recent focus has been the integration of non-western instruments into ensembles with western orchestral instruments. Meg earned a PhD in Music composition form Trinity College Dublin, Ireland, for her dissertation “Melting the Boundaries: The integration of ethnic instruments into western art music.” She composed eight works featuring seven different ethnic instruments: the Chinese xiao, the Native American flute, the Persian tar, the Persian santoor, the Irish uilleann pipes, and Irish tin whistles. Her song for treble chorus, flute and piano, &quot;maggie and milly and molly and may,&quot; was awarded First Prize in the Berkshire Children&apos;s Chorus Composition Competition. For more information about her work and achievements, <a href='https://www.megstoop.com/'>check out her web site</a>.

In conversation with Dr Helen Ross

Practice As Research aims to bring together the many different strands of practice-led/based research across all disciplines so as to not be limited by disciplinary conventions, but instead to benefit from cross-disciplinary fertilisation. In the wider academic communities, there are many terms in use to describe the research-practice nexus. For the sake of consistency we adopt the term 'practice as research'. Fundamentally, we consider practice as research any practice that is underpinned by scholarship and academic rigour. The primary aim of Practice As Research is sharing practices, providing constructive feedback and thus enabling the mutual development of understanding around practice as research.