Show notes
Not practicing very much in the pandemic; Bach as comfort food (and an example of how muscle memory is totally unreliable); a perk of playing music by live composers; three of the Four Pieces for Piano by Katerina Ruzickova Pinosova; Valse Boheme by Celeste Heckscher (and some thoughts on ledger lines); Cortege by Lili Boulanger.
I’m experimenting with a different way of recording this time–if the audio drives you crazy, please let me know.