Is nepotism a key part of a good nineties pop anthem? This week we reach for Wilson Phillips’ inspirational 1990 hit “Hold On.” Nichole explains how some songs you love give you different doses of dopamine, at different times and different regions of the brain, as the song unfolds. Mark shows us how this song’s cool use of the bass creates a fun and impactful new type of chord.

Other music heard in this episode: The Wilsons - “‘Til I Die”, Wilson Phillips - “Monday, Monday”, Wilson Phillips - “Good Vibrations”, California Saga - “You Still Believe in Me”, Wilson Phillips - “Go Your Own Way”, J.S. Bach - “Great Fantasia and Fugue in G Minor”, BWV 542 (Michel Chapuis, organ), The Beach Boys - “I Just Wasn’t Made For These Times”, Journey - “Separate Ways (Worlds Apart)”, Terry Riley - “In C” (Buffalo Center of the Creative and Performing Arts Ensemble), Seal - “Crazy”, Queen - “You’re My Best Friend”, Van Halen - “Jump”, Katy Perry - “I Kissed a Girl”

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