"So I could be in his studio, and he could be carrying on a conversation, and there'd be music, and he wouldn't stop painting, which was really exciting. I mean, there's all this stuff going on, and then you're watching it, this masterpiece. And I played with Bob Marley. I played in his band, and I was living in his house for three years in Jamaica before he became this big thing. And we were struggling to find an audience, but I was a harmonica player, and I would sit with him while he was on acoustic guitar. And he'd be making up these songs. It just seemed like it was coming from some otherworldly place, this incredible inspiration. It was like, I would just be shaky. I'd be like playing harmonica, and I didn't know whether I should stop because it was just so brilliant or I better keep going not to lose, not to interrupt his feeling. And watching Jean-Michel paint. It was like that. It was like Bob Marley making a song. I have to tell you, I felt like I was witnessing these cultural events, and I just happened to be there. I was just like, Wow, playing harmonica. I'm not the best harmonica player, but I'm okay. But I happened to be there."