Plenty has been written about the music and legacy an artist leaves behind when they pass prematurely. But there hasn’t been much of a discussion on how the obligatory posthumous album is handled and marketed. Sam and Saxon discuss the different ways the music an artist leaves behind is handled by taking a critical look at Nirvana, Elliott Smith, the red-tape legal battles (and exploitation) of Jimi Hendrix and Tupac and the head-scratching collaborations of a deceased Michael Jackson. Also, a passionate defense of Sublime’s self-titled and the good work the majors can (sometimes) do if they choose to put on the white gloves.

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