Show notes
What happens when an author gets rejected eight times, writes a ninth novel in hand-written letters, and ends up at number one on the New York Times bestseller list? Why are we so drawn to storytellers, tradwives, and 73-year-old law clerks who reject email in favor of pen and paper? And, what does a 73-year-old fictional letter-writer have in common with the rise of the AfD in Germany and the political power of nostalgia? Afua Hirsch brings her summer read — Virginia Evans’s Women’s Prize-winning novel The Correspondent — to Peter Frankopan, and what starts as a book review turns into a deep dive into rejection, class, ageism, and the performance of identity. A 73-year-old former lawyer firing off petty grievances to her gardening club while hiding her deepest heartbreaks; Marlon James demanding his friends destroy his rejected manuscript; and why late-stage capitalism makes everyone treat their personal identity like a brand. Plus: why both Peter and Afua write their best work between midnight and 4:00 AM. Join Legacy Plus for bonus episodes, early access, Q&A's, fewer adverts and more.legacy.supportingcast.fmStay connected with Legacy:Instagram: @originallegacypodcast TikTok: @legacy_productions Explore more from Peter and Afua — essays, sources, and ideas:Substack: peterfrankopan.substack.com | afuahirsch.substack.comJoin Legacy+ for bonus episodes, early access, Q&A's, fewer adverts and more.legacy.supportingcast.fmStay connected with Legacy:Instagram: @originallegacypodcastTikTok: @legacy_productionsExplore more from Peter and Afua — essays, sources, and ideas: Substack: peterfrankopan.substack.com | afuahirsch.substack.com Hosted on Acast. See acast.com/privacy for more information.
