How Catherine has spent her time during Quarantine. 

Catherine’s beginning as an architect and the advice on creativity from her professors. 

Why animation was not the right path for her. 

The fun of designing TANK GIRL

Learning to direct not only from classes, but from working with big directors in production. 

Being confident in the work through massive preparation. 

Catherine’s memory of Dana’s knockout audition for DON’T LOOK DEEPER. As well as Dana’s memory of her audition experience with Catherine. 

What Catherine looks for in auditions and how she creates an atmosphere of play in the audition room. 

The process of creating THIRTEEN with Nikki Reed, based on Nikki’s real-life experiences as a form of therapy. 

Evan Rachel Wood’s quote of needing to be sexual and not sexual as a teenager and how Catherine kept the young women safe and comfortable on set. 

Once Catherine moved to directing, she was ready to leave production design behind. 

LORDS OF DOGTOWN and how it was the male coming-of-age story version of THIRTEEN

Nikki Reed’s character in LORDS OF DOGTOWN

Catherine’s love of working with young actors, but also her work with established performers. 

Jenny’s favorite scene with Heath Ledger and Catherine’s experience working with him and witnessing his process. 

TWILIGHT and the surprising blockbuster success. 

Male directors being hired for YA blockbusters after Catherine’s success with TWILIGHT. 

Catherine’s approach to seeking work. 

Catherine’s love of action and how she applies that to her films. 

How Catherine’s approach to storytelling begins with relating to the characters and how the visuals come naturally to her. 

The action sequences in MISS BALA and working with the actors, Gina Rodriguez and Ismael Cruz Cordova. 

DON’T LOOK DEEPER and Catherine’s interest in getting involved. 

The difference in working in short form content. 

Jenny and Dana’s connection to CalArts and Don Cheadle’s addition to DON’T LOOK DEEPER

Having to direct both for vertical and horizontal mode for Quibi. 

Finding and working with Helena Howard32:17 - Finding a character through costume and Dana’s distinct necklace for her character in DON’T LOOK DEEPER. 

The leap of faith in hiring Helena as the lead of the show and the work before the shoot. 

The different genres Catherine has worked in and how she doesn’t define the divisions between them. 

Finding ways to put personal passions in her screenplays and how TWILIGHT had a bigger affect on the audience because of it. 

The architecture featured in DON’T LOOK DEEPER. 

Looking back on THIRTEEN and not having anything Catherine would change. 

The creative relationship with cinematographer Elliot Davis. 

The delight and privilege of a career in storytelling.