The Visible The Untrue
by Hart Crane
Apollo, The Blimp, and the Window Who Loved Him
Ok, so this episode's a bit of a thing. The poem we picked ended up having some relatively strong sexual elements. Those sexual elements are also dealing in particular with gay male sexuality. I do, however, want to stress that we would be expressing the same discomfort (and making similar awkward jokes) if the poem were dealing with hetrosexual sexuality. I think I speak for both Keir and myself when I say that sex is weird, terrifying, and hilarious regardless of the configuration of consenting adults who are having it.
In a related, but distinct issue, throughout the course of the episode Keir and I both express frustration at interpretations of the poem which focus on how Crane feels as a gay man at a time when that was not accepted by soceity, and I think it may come across the wrong way. We don't mean to minimize the difficulty or the emotional complexity of that situation, or to say that it's not a worthy subject for poetry (Indeed, those elements of the poem 100% play into our ultimate insterpretation). It's just when you analyze a poem you're not looking for "answers" like "oh, it's about being gay in the 30's", you're looking for deeper questions, and often times these kinds of very surfacey readings just serve to distract one from what's actually interesting about the poem.
Crane's poems are still in copyright, so I'll refrain from reproducing the text of today's poem here, but PoetryFoundation.org does have (what I presume to be) a scan of the poem's original appearance in January 1933's issue of Poetry magazine which I've linked below.
https://www.poetryfoundation.org/poetrymagazine/browse?contentId=19921
For more detailed show notes, visit our blog at www.eephonepoem.com

