“The Pompatus of Love,” a nonsense phrase that Steve Miller cribbed from “The Letter,” a doo-wop song by the Medallions from 1958, entered the popular culture lexicon in 1973, when this Apostle of guitar consistency applied it to spread his Joker gospel, and ascended to Rock n Roll Godhead. It’s been used for the title of a movie starring Jon Cryer, and is included in the writings of Dave Barry, Steven King, and Michael Ondaatje - even though its meaning remains obscure.
We all sang along knowingly with: “I’m a Joker, I’m a smoker, I’m a midnight toker…”, and when the leering slide goes “Woop Woo,” we all played air guitar right along. It’s a rudimentary 1-4-5 chord sequence like thousands of other songs, and it’s filled with references from other tunes, such as Ahmet Ertegun’s Lovey Dovey, and Miller’s own Space Cowboy and Gangster of Love, but no matter - The Joker is original gold and unforgettable.
The guy is ornery, and has a right to be. I think Miller, a blues man since his teens, is underrated because of all the pop records he sold. I saw him twice - 50 years apart - and he’s still as rock solid on his axe and voice as he was back then - a master at his craft. And, although he was inducted into the Rock n Roll hall, they only gave him one ticket to attend, and he rightfully blasted the institution to the press. Respect must be paid to The Joker.



