Several years ago, I wrote a time-travel film treatment called “Song Trippers” about a quartet of lonely, damaged people who found solace through music. Each lost soul connects to a song that transports them back in time to the place in their youth when they were the happiest. Of course, we all know that music has magic power. There are songs that can trip my memory far from the here and now to earlier states of joyful wonderment, and sadness, too, if that’s what’s called for. It’s strong medicine.
For each episode in this series, I’ll take an 8 Track down from the shelf and share it with you, along with some special memories, bonded by that spiritual epoxy that has forged the framework of my life’s scaffold. - Captain Billy
"CARRYING A TORCH"
THE END OF THE WORLD by Julie London (Liberty, 1963)
That indelible contralto voice… smoky, sultry, and so sexy: the quintessential “torch” singer, Julie London’s singing career almost didn’t happen. She had given up show business for her first husband, Jack Webb (Sgt. Friday in Dragnet, and successful Hollywood producer). When the marriage broke up she linked up with their friend, Bobby Troup, the musician and composer of Route 66, and great things started happening for the vocalist.
In 1956 she recorded Cry Me a River, produced by Troup, for the film The Girl Can’t Help it, and the tune entered the ledger of all time classic jazz standards (#48 in NPR’s 50 Greatest Jazz Vocals). She went on to make over 30 albums, and this one, released in 1963, though more heavily orchestrated, features her blasé, no frills approach, standing unperturbed at the center of the lush arrangements. Adaptation was easy for this singer - check out her insouciant cover of Yummy Yummy Yummy I Got Love in My Tummy. (MUCH BETTER than the original).
In legendary fashion, the gorgeous Julie Peck was discovered in 1945, running an elevator in Los Angeles, and an acting career was inevitable. 30 years later, still alluring, Julie was nominated for a Golden Globe for her portrayal of Dixie McCall in Emergency! (Produced by ex-husband Webb). Troup was also in the series: they all stayed friends.
I’m melting as I enjoy this lounge classic, and in full agreement with record producer Simon Waronker’s observation: “the lyrics poured out of her like a hurt bird”. Julie was a chain smoker from the age of 16, and it was lung cancer that brought her down in 1999. Was it a “Faustian” bargain: to trade the ravages of tar and nicotine for an eternally immortal sound? I’ll let the philosophers puzzle that out.
Show notes



