The face of modern horror cost two dollars and a can of spray paint. Part 2 of this production history gets into the physical reality of making HALLOWEEN — twenty days in Southern California, a crew running on fumes, and a cinematographer named Dean Cundey quietly revolutionizing how fear gets framed on screen. What Carpenter and his team built under those conditions shouldn't work as well as it does. That it does — that it still does — is the whole story.Want the full story without the wait? CinemaShock+ members get extended, ad-free episodes that combine every part into one seamless listen — plus bonus content you won't hear anywhere else. Join at cinemashock.net/plus.CINEMA SHOCK ASSOCIATE PRODUCERS:asotirov | Andy Lancaster | Interzone78 | courtland ashley | curtcake5k | dhg430 | dpr130498 | Elton Novara | Jackson_Baker | Jvance325 | KDurden | Lucy Lawson | mcdudely | Nate Izod | RockGokd | Tim G | triplr1478 | Dick Jones | Vlantis01 | MagicBloat | Benjamin YatesTheme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.This episode was written, produced and edited by Gary Horne & Justin Bishop.Image: "Portrait of John Carpenter.jpg" by Kyle Cassidy, licensed under CC BY-SA 4.0. Modified from original. This derivative work is also licensed under CC BY-SA 4.0.For episode archives, merch, show notes, and more, visit cinemashock.net