We’ve spent four episodes talking about how new operatic shows are pushing the form forward. But is the invisible barrier keeping artists of color away from opera really broken or have we just made a crack in it? Paige gets Tazewell back in the studio to talk and we hear more from librettists and administrators from the Glimmerglass panels.
Featuring:
Naomi Andre, Associate Professor in Women’s Studies, Afroamerican and African Studies and the Residential College at University of Michigan
Matthew Morrison, forum moderator and Assistant Professor in the Clive Davis Institute of Recorded Music at New York University’s Tisch School of the Arts
Jeanine Tesori, composer of Blue
Victor Simonson, composer of Stomping Grounds
Find Us Online:
Twitter: @GOpera
Paige Hernandez: @PaigeInFull, http://paigehernandez.com/
Tazewell Thompson: http://tazewellthompson.com/
Naomi Andre: https://irwg.umich.edu/people/naomi-andre
Matthew Morrison: https://tisch.nyu.edu/about/directory/clive-davis-institute/918859097
Jeanine Tesori: https://www.samuelfrench.com/a/103158/jeanine-tesori
Victor Simonson: http://victorsimonson.com/victor-simonson/
About Us:
Breaking Glass and the development of Stomping Grounds and Blue are funded by a grant from the Andrew W. Mellon Foundation. Glimmerglass's commissioning fees for Blue are funded in part by an OPERA America Female Composers Grant. Further development of Blue is made possible by a Repertoire Development Grant from the Opera Fund. The Breaking Glass podcast is a co-production of The Glimmerglass Festival and the WFMT Radio Network, a Chicago-based producer and distributor of radio programs and podcasts about the arts. The podcast is made possible by an OPERA America Innovation Grant supported by the Ann and Gordon Getty Foundation.


