Our guest today is Harold Swinkels, a Dutch writer and director, whose shortfilm "ODESSA" has garnered significant international acclaim. This unique movie, stands as a testament to his innovative film making style. We discuss his journey and the creative process behind his award-winning work, which has been recognized at numerous film festival events.In the wake of WWII, a devoted father guides his fleeing family across the Dolomites. He is gentle with his son. And running for a reason.Odessa follows a fleeing family navigating a fractured and dangerous world, as Josef, his wife Irene, and their young son Rolf journey across rugged terrain in search of safety. What begins as a tense and emotional survival story gradually transforms into something far more complex and unsettling.As moments of kindness and sanctuary give way to suspicion and pursuit, the film quietly destabilizes the audience’s sense of trust, culminating in a powerful and disquieting revelation that reframes everything that came before.At its core, Odessa interrogates the nature of empathy and the dangers of surface-level judgment.The film invites audiences to confront their own instincts: who we choose to trust, why we extend compassion, and how easily those instincts can be manipulated. By aligning viewers with a family in crisis, Odessa deliberately draws them into an emotional perspective that becomes increasingly difficult to reconcile.ODESSA is a haunting film. On the outside, just a family fleeing to another country for a better life. But on the inside, the father carries with him one of the most horrific secrets and crimes known to mankind. And yet, he is a father who wants the best for his wife and son. But he never considered the use of empathy when he was sending others to the crematories or firing squads or his medical experiments.ODESSA shows how complex human nature is and what we see is brilliant storytelling and filmmaking. As Harald has stated, monsters don’t come dressed as monsters and by the time we realize who they are, it’s usually too late.#film #cinema #filmmaking #filmdirector #interview #bondoncinema #movie #filmmaker #friendship #wwii #wwiihistory #josefmengele #auschwitz #austria #italy #dolomites #alps #odessa #ssofficial #concentrationcamps