A Darker Wave. presented by jacki-e and p-mac. The best in underground techno and deep house. Tracklisting:-
Trus'me - I Want You (Alan Fitzpatrick remix)
Nightmares on Wax - Aftermath (Acid Mondays remix)
Gareth Whitehead, Jan Cree - Hunter (Invite remix)
Jacques Green - Body Party (jacki-e remix)
Len Faki - Death By House (Adam Beyer & Jaspar Dahlback remix)
Shapednoise - White Light, White Head (Dino Sabatini remix)
Bashir - Modesvingen
Monkey Safari - Cranes (Kolsch remix)
Hunter_Game - Bermuda
Matrixxman - Sermons
Eats Everything - Duster
Unknown Artist - Everything I Need
Daniel Avery, Drone Logic
Spatial Awareness - Set The Controls for Detroit

#007 A Darker Wave 28 - 03 - 2015 (featured artist Aparde)

Bookings:- adarkerwave@hotmail.com
What and who is A Darker Wave?
We are a duo (jacki-e & p-mac) who present our own radio show every Saturday at 9pm UK time on Radio Flintshire and 10pm EST (3am Sunday UK time) on House Nation Toronto.. We put the show together at our home studio. The show is streamed worldwide on the internet via the Tune In Radio app. Each show is posted on our Soundcloud and Mixcloud pages once it has been streamed.
We also play gigs as A Darker Wave and we have played at events in Germany, Birmingham, the East Midlands and Brighton.
The music we play is techno, tech house and deep house.
Each show is 2 hours long. In the first hour we go into the mix with our featured EP of the week and the best of the new releases.
In the second hour we invite new and upcoming DJs to come onto the show and do a guest mix.

Why are you called A Darker Wave?
Dark Wave was first used in the 1980s to describe a dark and melancholy variant of new wave and post-punk music and was first applied to UK musicians such as Bauhaus, Joy Division, Sisters of Mercy, Cocteau Twins, The Cure, Siouxsie and the Banshees, Depeche Mode and Anne Clark. It was also used to describe artists who combined music with performance art, such as Throbbing Gristle and Cabaret Voltaire, who challenged and explored the darker and obsessive sides of the human condition.

A lot of techno takes its spirit and ethos from this music, Listen to Throbbing Gristle or Cabaret Voltaire and you can hear the industrial sounds which are a staple of techno music today.

Techno is the outsider of electronic dance music, the punk of today's modern music scene. As Dave Clarke said in an interview with Mixmag, " Techno is edgy. Techno will challenge you......it's the real dark art."
https://mixmag.net/feature/the-road-to-tomorrow-dave-clarke

Our radio show, in presenting the best in underground techno and deep house music, and in giving an opportunity for new, up and coming DJ's and producers, is providing an outlet for new techno, which is best described as being the new wave of modern dance music.

Not just a new wave, but with it's incessant bass rumblings, synthesiser drones, pounding drums, melodic top notes and eerie, distorted vocal samples, techno, in all its forms, is a backdrop to and a critique of our post-industrial, consumerist society, one in which our actions are observed 24/7, our democratic freedoms are threatened by our very own governments and our rights to do, think and act as we please are under ever increasing scrutiny. Techno really is A Darker Wave.

When we were listening to music in the 60’s and 70’s, before the electronic tentacles of technology infiltrated the world, we often thought, whilst listening to the likes of Led Zeppelin, Pink Floyd, King Crimson, Frank Zappa, Hawkwind, Captain Beefhart, New York Dolls and Roxy Music, where would music go to in the future? It could never be what was being portrayed in the science fiction movies of the time. Now we know. It can be anything. When we have a recording studio in our own home which is more powerful and versatile than anything available back then, we now know music can be anything and go anywhere. It is only the spark of our imaginations, or lack of it, that holds us back. On our laptop computers we have the capabilities that many artists back then would have given their right arms for. It’s for the uniqueness of the artist to express themselves to be able to stand out from the deluge of music available. Finding those gems is the modern day equivalent of crate digging and when you do, it makes it all worthwhile. Long live music!!!!