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I spent most of the day yesterday slowly working on pulling this set together — that is when I wasn't going down the Twitter rabbit hole.
I have to say, it was difficult enough dealing with what amounts to radio edits for many of the official full-length mixes but there's a new twist in town. Certain DJswho will go unnamed have been cutting off the outro of their mixes. At first, I thought they were pulling the tracks from sets but the more I started to see it — the more I realized this was intentional. There's no breakdown just a slow repetitive plodding that never reaches a conclusion then all of a sudden just cuts off.
I don't know if this is some DJs thinking they are so beyond creating these mixes or if they want to challenge others to come up with creative ways of mixing in and out of the tracks. I don't use fancy mixing software that has a slew of effects for transitions and frankly — other than in a club (where most folks don't notice), I'm not a big fan of getting all cutesy with transitions unless absolutely necessary. Otherwise, they're just annoying and don't really display any skill on the part of the DJ. I liken it to a whole new generation of folks with short attention spans — but I'll digress.
I combed through the finished product an hour ago then mastered and encoded it. The end result is some of the finest dance club tracks already in your clubs and a whole bunch more that will soon be.
You'll also notice a bevy of classic tracks reworked for a new audience but with either different singers or the originals reprising thei...