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Lyrics
Start Now – Lyrics by Billy Dean
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Artists’ Notes
Ben Verdery: My daughter Mitsuko asked me during the holidays if I’d heard her friend Billy Dean’s new music. I hadn’t, but immediately started listening and was captivated by the tone of Billy’s voice and the varied textures she was using in her music. I loved it!
I’ve known Billy since she was eight. I remember her improvising on our little upright piano; I remember eavesdropping, thinking: This girl is a musician. Like me, she has to create music. It is not an option.
Billy Dean: Since I was eight years old I have been living by the quote “There are no mistakes in art.” I began playing piano at Ben’s house. I was constantly exploring beyond my artistic boundaries. He would yell, “Keep practicing girlfriend! It’s sounding good in there!” encouraging my passion and creative exploration. Ben’s house became my creative safe haven. He’d never heard any of my songs until, behind my back, Mitsuko played one for him.
Immediately after, I received an email from Ben stating that he appreciated the musicianship of my cadences, content and instrumentation. He said, “I am attaching ‘Allegro’ by Bach and I was thinking it might be perfect for you to rap to.”
Ben: Why did I think Billy and I should rap over this Bach work? Because musicians from all cultures can relate in some manner to Bach’s music; it is truly music without borders. Given the rhythmic nature of the Allegro as well as the harmonic and melodic structure it seemed a natural for Billy.
Ben: When she asked me what she should rap about, I suggested her love of music. She did this and more. Her lyrics are moving and honest.
Billy: I thought: Allegro means happy, so I should write about what makes me happy. Of course the one thing that keeps me in a healthy state of mind and spirit is my music. I wanted this piece to be a tribute to music. It was also an opportunity for me to showcase my knowledge of different musical styles and genres; many people assume that hip-hop artists only listen to hip-hop.
“Start Now” was originally a solo guitar piece, part of a set of 11 Etudes I wrote in the late 90’s. It is rhythmically dominated by two different rhythms. Because of the groove and general upbeat feel of the piece it seemed a natural for Billy to rap to. Here I played it on my baritone guitar,

