How did you get started and who was your mentor? 05:20 - Printing color early on 05:48 - How Douglas and Francoise met 06:26 - the Kirkland Ménage à trois 06:45 - Why Francoise got into photography 08:52 - What was it like traveling around the world in the 60’s? 10:23 - How was it photographing on movie sets? 11:24 - How did you maintain the rights to all of the negatives? 12:52 - Did you need model releases for celebs? 13:23 - “Never throw anything away!” 14:23 - “There’s still images left to discover…” 15:22 - How the Freeze Frame book came about 17:37 - How the Coco Chanel book was made 20:13 - Relationships are key! 20:45 - Never put out any negative work - “the kills” 22:31 - How Douglas got to photograph Marilyn Monroe 23:30 - How Douglas got to photograph Elizabeth Taylor 27:16 - How difficult was it to shoot with no light back in the day? 28:13 - The jump to digital early on 29:17 - Was there a “rat pack” of photographers you hung out with? 31:16 - The story behind photographing Andy Warhol 32:30 - Staying updated with technology along the way 33:37 - Photography is “a blessing and a curse” 34:32 - What’s photography all about in the end?