Ringer editor-in-chief Sean Fennessey and film critic K. Austin Collins discuss the emergence of modern horror films like ‘The Witch’ and the increasing emphasis on tone over standard horror tropes (1:00). Then, Sean is joined by Trey Edward Shults, who explains how working through his own darkness led to making his latest film, ‘It Comes At Night’ (15:50).
       Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ringer editor-in-chief Sean Fennessey and film critic K. Austin Collins discuss the emergence of modern horror films like ‘The Witch’ and the increasing emphasis on tone over standard horror tropes (1:00). Then, Sean is joined by Trey Edward Shults, who explains how working through his own darkness led to making his latest film, ‘It Comes At Night’ (15:50).
      <p> </p><p>Learn more about your ad choices. Visit <a href="https://podcastchoices.com/adchoices">podcastchoices.com/adchoices</a></p>

Ringer editor-in-chief Sean Fennessey and film critic K. Austin Collins discuss the emergence of modern horror films like ‘The Witch’ and the increasing emphasis on tone over standard horror tropes

Then, Sean is joined by Trey Edward Shults, who explains how working through his own darkness led to making his latest film, ‘It Comes At Night’

'Bachelorette Party' — Trouble in 'Bachelor in Paradise' (Ep. 319)

The Ringer’s Bryan Curtis and David Shoemaker catch you up on the biggest media stories, from sports to politics and everything in between.